Belz...
Fiend God
Thanks, Pardalis. I needed that.
Where the hell are the people?
I seriously doubt that the image was retouched. Killtown on his blog stated that because the cloud was against a clear blue sky, it would have been easier to fake in the cloud. That's indicative of his ignorance right there because the opposite is more than true. I started retouching professionally in 1995 and have been doing it as a day job ever since.
Shopping in something like this, without leaving footprints, is next to impossible. so if kt is too lazy to buy a picture and have someone qualified to examine it, then you have to give the image the benefit of the doubt and presume it to be real.
One thing, which is not really important, but curious nonetheless: Why did she apparently shoot only one photo?
CT clowns like KT, of course, see no problem in being simultaneously suspicious that "only one" photo was taken AND that she took a photo at all ("the camera was just sitting there. How conveeeenient.")
Buck, not to side with KT but just to clarify: Why should pasting a cloud on a clear, evenly structured and more or less monochromatic background be "next to impossible"? And what footprints would you leave?
Again, I am not asking because I want to provoke, or because I doubt your post-processing experience, but I had my share of Photoshopping and I cannot really say that I would wholeheartedly undersign this claim, especially since most (all?) of the copies you find of this pic are most likely downsamples of the original.
Edit1: I DO however think that it would be bordering on the impossible to find a smoke cloud which would have the exact same light conditions and shadow patterns present at the location at that time
Edit2: I do not think the photo is a fake and I think the cloud was produced by the crash of UA93
Feel free to ask questions, and don't feel as though you are stepping on toes doing so. First, I had asked killtown several times to get a hi res copy of the original file for study before judging the photograph to the extent that he has, and building his on line conspiracy theory. Knowing that getting access to the file, particularly after running Val thorugh the ringer, would probably not happen, I told him to at least do the next best thing and get a copy of the photograph. While it might or might not be a quality image, it's a mistake to assume that it wouldn't be without going to the trouble of finding out.
So by basing his work on the slop that's out on the web, it short changes an issue like this especially when a trained eye is needed to determine if the photo has been retouched.
And that brings us to the image itself. I say that shopping in a cloud is next to impossible to do seamlessly because in my experience it is. And I have 11 years of 40 hour work weeks behind a computer with this so my estimation carries weight. I started out on Photoshop 2.0. Now we are up to Photoshop 9.0 (CS2).
First, pasting and fairing in an irregular shape like a cloud on a clean slate like a cloudless sky is difficult to do without leaving footprints. You could have a lot more luck doing it on a sky with clouds in the background because they would help to hide evidence of erasures around the edge of the cloud and artifacts from the original background that the pasted in cloud had once laid against.
To do it there are two ways. First would be an automatic grab using either the magic wand tool or the color range selection tool. Either way would be possible, but would leave a hard chattery edge of pixels around the perimeter of the cloud. These would have to be removed by hand either with the eraser tool or the blur tool. A trained eye could spot this method by zooming in 500% and seeing the disruption of crisp pixels where the cloud ended and the sky behind it picked up. This would further be easy to spot by viewing in the RGB channels individually. You'd also want to convert the image to Lab and view the same thing in the luminence channel. Dead giveaway.
Second, you could hard cut the plume from the original image with the lasso tool. Forget cutting around it with a clipping path. You could never do an adequate job running around such a nebulous shape as a cloud. It's just not going to look right. So you chop it out with the lasso tool, paste it into Val's shot and again you have to erase away the perimeter of the cloud to get rid of the original background, and blur the edges.
Hope this helps.
Buck
Vals photo has no such fingerprints at the edge of the plume. However, its marginally possible that she could pasted the sky in including the plume and blending the the treetops, which would be difficult as well...
He's busy looking for a dictionary that defines "vicious coward" as "honorable person."What happened to Killtown? I'm still waiting to see what pictures that Rumple4skin character draws up for him to refute the idea of aerosolised jet fuel and momentum.
Or failing that an apology to the innocent woman he accused of being a fraud.
Do you think I should hold my breath?
That's a good point, Yoink.Think about it: you're watching the Twin Towers burning on TV--you've no idea what the extent of this disaster is going to be (you don't know if there are more targets, more planes etc.). Suddenly there's an almighty explosion outside your house!!
To me the remarkable thing is that she stopped to take a photo at all. Wouldn't your first thought be a mixture of "I need to find out what the f*ck just happened" and "God I hope nothing happened to my husband at the sawmill"?
I find it remarkable that she (Val) had the presence of mind to get even one photo.
Sorry.Don't say that. Now Killtown will think THAT's suspicious!