fsol said:
Well according to a newspaper interview with a Gorrila suit user in 1966 they did. I really don't understand where this "they didn't have the technology" stuff comes from. It is simple engineering to make arm extensions with mobile fingers. You seem to be suggesting that in 1967 everybody inexplicably forgot simple engineering that was common knowledge only the year before.
And this discussion is only really relevent if you believe the IM figures given by the so called experts. I was struck by just how human the proportions of Patty actually were when put side by side with Gemorras 1949 gorilla suit.
From that same thread from an expert:
"Chris,
I understand what you are saying. But I promise you that this is not what I'm talking about.
I will make a comp showing the back of a young chimp in motion and compare it to Patty's back. The muscle attachments are the same. It's the same in gorillas. But it is not what you are showing us with these gorilla suits.
It wasn't until I started zooming in on the clear DVD footage and comparing it to the flexing backs and buttocks of real apes that I realized there was much more to this than I had first noticed. I was very surprised.
Believe me, I've worked with real apes and creature suits from all over the planet. This is not the same thing that Gemora had.
While someone could create such a suit today, I still have not found anything like it from 1967 and earlier.
I'll post a comp when I have time to make one. I can only promise you that it's not what you are thinking at the moment.
I certainly understand why you would think this. I did too at first.
- Dfoot"
And:
"Let me add one more thing to this about Gemora, Chambers and Paramount...
Prior to his death in 1961 Gemora was a make up guy at Paramount. He was responsible for the Martian in WAR OF THE WORLDS. Another fairly stiff suit.
During the time of the PG film Chambers had worked on STAR TREK and other shows at Paramount and NBC. They created creatures that we've all seen. The GORN for example. These creature suits have one thing in common: stiff heads and muscles that don't move.
In 1967 they did some great suit fx for the time. Yet we never got the kind of movement in the upper pec, buttocks, etc that we see in the PG film. All the "Bigfoot" creatures that followed the film never looked like Patty either.
I will make that list and show photos to relay what I'm talking about when I have time, but the bottom line is that shows like STAR TREK had decent budgets and they did the best they could for the time. This much we do know.
When I did POWER RANGERS we got those suits from Japan that were already half destroyed. We didn't care. It was supposed to look like a bad GODZILLA movie. But on BUFFY everyone cared. Just like with STAR TREK. No one wanted to see a zipper. The audience was meant to buy into the creatures for an hour.
If what we see on the old STAR TREK was the work of the Paramount make up people working with a decent budget and was the "Buffy" of the day when it came to make up fx - then why is it that they would create such an excellent creature for a poor rodeo cowboy from Yakima (who had to borrow money from his brother-in-law for gas) just to pull a prank that paid them nothing?
Roger even four-walled the film prior to his death. He made no huge income from any of this and was lucky to break even. He still kept going out looking for Sasquatch even when no one would back him financially. There must be a reason for that above and beyond "fame" or "riches."
Vulich said he didn't create a "Patty" from scratch for the BBC because they didn't have the money to pay for it. And today he has access to much more than the old guys did. It would be a lot less effort today. But we are supposed to think that Roger Patterson from Yakima who couldn't pay his phone bill pays to have the best suit made to his exact specifications from an old pre-1961 gorilla suit?
Did someone at Paramount top everything that they ever did on shows like STAR TREK just to play a prank for a cowboy and never showed the same skill on one of their televison episodes?
That just does not seem very likely at all.
There may be an answer other than the one Patterson-Gimlin gives - but that's really not it.
- Dfoot "
http://www.bigfootforums.com/index.php?showtopic=8446&st=180
Didn't you post a quote in the other thread from an expert who said he could clearly see the glutes contract and expand? Which is it to be? If the compliant gait means that there is no arse jiggle then this so called expert, who incidentally listed a fair few contracting and expanding muscles, is obviously seeing things that aren't actually there. If he misidentifies one lot of muscles why not the rest of them? One of you is wrong here. Is it you or him?
The "so-called expert" is an orthopaedist.
Did I say they don't? Check it out. There's contraction, but not nearly as much as in a fully upright gait. The legs act as shock absorbers in the compliant gait so the "jiggle" is greatly reduced.