Bigfoot - The Patterson-Gimlin Film

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LAL said:

...snip...
During the time of the PG film Chambers had worked on STAR TREK and other shows at Paramount and NBC. They created creatures that we've all seen. The GORN for example. These creature suits have one thing in common: stiff heads and muscles that don't move.

In 1967 they did some great suit fx for the time. Yet we never got the kind of movement in the upper pec, buttocks, etc that we see in the PG film. All the "Bigfoot" creatures that followed the film never looked like Patty either.

I will make that list and show photos to relay what I'm talking about when I have time, but the bottom line is that shows like STAR TREK had decent budgets and they did the best they could for the time. This much we do know.

When I did POWER RANGERS we got those suits from Japan that were already half destroyed. We didn't care. It was supposed to look like a bad GODZILLA movie. But on BUFFY everyone cared. Just like with STAR TREK. No one wanted to see a zipper. The audience was meant to buy into the creatures for an hour.

If what we see on the old STAR TREK was the work of the Paramount make up people working with a decent budget and was the "Buffy" of the day when it came to make up fx - then why is it that they would create such an excellent creature for a poor rodeo cowboy from Yakima (who had to borrow money from his brother-in-law for gas) just to pull a prank that paid them nothing?
...snip...

Geekiness moment of the week:

Sorry to burst your bubble (no, actually I´m not), but Star Trek (TOS - The Original Series, as know by fans) hardly ever had a "decent budget".

And why compare the gorn with Paty, when TOS had better comparsion standards, like the "salt vampire" from "the man trap"and the white horned gorilla from "A Private Little War".

Both would perform as good as the Patty suit at a PGF-equivalent film.
 
Scenery, shots of himself and Gimlin and the horses, ten feet to Dahinden......sorry, no Bob Heironimus. Seems he didn't get a copy. How strange.
Why should we take your word for it? The actual footage would clear everthing up..

What evidence do you have that anything was edited out before the film was shown in 1967?
You've got to be kidding?

In case you aren't..

How about, because most of the film is missing..


Film missing = Editing...


Oh, and I'm not sensitive to mud slinging.. Sling away, if that is all you have..
 
fsol said:
If you look at the second picture of the Gemorra suit, you can clearly see musculature in its right arm, exactly where you would see it if it were a real gorrila and we know that is a suit, and we know it was made in 1949. You can even see where it the suit bunches up, erm...I mean where the gorrila has ruptured the quad on its right leg. Spooky.

The second quoted part makes the assumption that the patty suit would have to have been something special, completely ignoring the fact that Walas states that "it's nothing special."
Walas is debating another expert in the field who clearly does not agree. How realistic do you think that antiquated suit would appear in motion?
How do we get to the conclusion that it had to be a special suit? Why from the visible musculature of course. impossible to produce in 1967, but seemingly possible to produce in 1949. I really like the way that Walas is meant to be mistaken about his line, but everyone else can see muscles clear as day. A clear double standard, if you see something that doesn't tie in with the "gospel" truth then you are mistaken or seeing things that aren't there. If you go along with the story you are patted on the back, right down to diagnosing a ruptured quad.
Bunched up suits seem to be the "gospel" around here.
Your third point...I didn't call him a "so-called expert" I called him an expert.
I believe I got that from your post. I'll have to look it up.

Ah yes, here it is:

"Didn't you post a quote in the other thread from an expert who said he could clearly see the glutes contract and expand? Which is it to be? If the compliant gait means that there is no arse jiggle then this so called expert[I/], who incidentally listed a fair few contracting and expanding muscles, is obviously seeing things that aren't actually there. If he misidentifies one lot of muscles why not the rest of them? One of you is wrong here. Is it you or him?"
In responce to being asked why the arse of the creature didn't show the glutes clenching you brought up the compliant gait and implyed that that accounted for the lack of clench. Now of course when faced with the testimony of an expert you have to bring your story into line so you say there is some jiggle but not very much. Please, I am sure you can do better than that.
Sorry I wasn't clearer in my statement. I was busy walking across the floor Groucho Marx style with my hands on my "arse" and checking clenches and jiggle in the full-length mirror. Of course, while I'm a bipedal hominid, I don't have the same build as a Sasquatch, so I can only approximate. I'm proud to say I don't have much jiggle either. I see I gave you plenty of time to twist my words.

I've seen the film.........many times. Have you?
 
Diogenes said:
Why should we take your word for it? The actual footage would clear everthing up..

You might ask De Atley what he did with it, if Gimlin's right. There are quite a few 1st generation copies around. One was offered on E-bay recently, I've read.

I haven't found the report by the film expert yet, or at least a summation of it, but here's this:

On October 20, 1967 Roger Patterson with his assistant Robert Gimlin filmed a female Bigfoot at the Bluff Creek in Northern California. This film was rejected in the U.S. by the scientific community immediately after its showing, then turned down in England. But it was proved authentic in Russia in 1972-73.

The P-G film was brought to Moscow by Rene Dahinden in December 1971. During his visit the film was shown to many scientific institutes and even to the Moscow Criminal Police Department. The first positive opinion regarding it was received from the Central Scientific Research Institute of Prosthetics and Artificial Limb Construction. But it was studied in a really thorough and scientific manner by the members of the Smolin Hominology Seminar at the Darwin Museum, Igor Bourtsev and Dmitri Bayanov, as well as by Dr. Dmitri Donskoy, specialist in biomechanics at the State Institute of Physical Culture.

Preliminary reports on this were published in the books - Sasquatch by Don Hunter with Rene Dahinden (1973) and The Search for Big Foot by Peter Byrne (1975). Our paper on the study of the film was the hit of the first scientific Sasquatch conference in Vancouver in 1978 (a short version of the paper was published in The Sasquatch and other Unknown Hominoids, edited by Vladimir Markotic and Grover Krantz ,1984). Still the documentary is being rejected in America and Great Britain (see the relevant BBC film) without ever mentioning our scientific verification of it.

We find it necessary to remind of these abovementioned materials (with some shortenings).


-------------------------------------------------------------------------------


THE FIRST RUSSIAN REPORT ON THE 1967 BIGFOOT FILM FOOTAGE,
BY DMITRI BAYANOV AND IGOR BOURTSEV OF THE DARWIN MUSEUM, MOSCOW

GENERAL REMARKS ON THE FILM - Roger Patterson's filmstrip shows a hairy man-like creature, walking erect, having well-developed breasts and buttocks. The last three points, if we accept for a time the authenticity of the creature, indicate its belonging in the Hominid, not the Pongid (anthropoid), line of evolution of higher primates.


Proof?


Morphology of the head shows a very outstanding brow ridge, a low bridge of the nose, very pronounced prognatism, a cone-shaped back of the head.

Judging by the well-developed breasts the creature is female. However, the muscles of the back, arms and legs are so much in relief that they call for comparison with those of a heavy weightlifter.

The creature "has no neck," or at least the neck is not to be detected at first sight. Looking back the creature turns its upper torso along with the head to a much greater extent than would normally a human being. This might indicate a somewhat different attachment of the skull to the spine than in man, and a strong development of the neck muscles which conceal a short, sort of simian, neck.

LOCOMOTION AS SEEN IN THE FILM - It seems smooth and resilient like that of a big quadrupedal animal. One gets the impression that the creature steps on slightly bent legs. If that is the case the impact on the heels should be less manifest than in man's walk, and the hominoid tracks, usually rather even in depth, seem to corroborate this conclusion. While walking the creature swings its arms intensely using them as walking beams as it were.

COMPARISON TO SUPPOSED GAIT OF NEANDERTHALER - Prof. Boris Porshnev, who put forward the Neanderthal hypothesis ot the relict hominoid origin, in his monograph (1963), page 288, refers to the opinions of Russian anthropologists V.P. Yakimov, G.A. Bonch-Osmolovsky and V.V. Bounak concerning the walk of Neanderthalers as construed by analysts of fossil material. We find it very significant that the two characteristics mentioned above-i.e. less impact on the heels and arms swinging-are listed by anthropologists as supposed traits of Neanderthal locomotion, while slightly bent legs are ascribed to Neanderthalers even in a standing position.

THE HOMINOID FOOT - The main features standing out in both the American and Soviet (Russian) material: 1. Tracks show flat feet (without an arch). 2. The width of the foot in proportion to the length is much greater than in man's foot. 3. The hominoid foot is generally much bigger than man's.


Bourtsev, Krantz, and Bayanov


Besides, as has been often noted by late Pyotr Smolin, chairman of the Hominoid Problem Seminar at the Darwin Museum in Moscow, the hominoid foot is distinguished by a great mobility of its toes which can bend very much or fully extend or spread very widely.

One more peculiarity: the so-called double ball at the back of the big toe as evidenced in many North American tracks (Green, 1968; Krantz, 1972). We find Grover Krantz's explanation of this feature very interesting, and we especially value at this stage the conclusion drawn by him concerning the size of the creature's calcaneus (heel bone). In some frames the creature's foot seems to have an unnaturally protruding heel. To a casual observer this may look like a sticking out edge of an artificial sole, but to those who know better this is an omen of the creature's reality.

As for the double ball itself we would like to make here the following remark. The double ball is made up not only of two bulges of tissue but also of a furrow between them, which is like a kind of fold on the sole. Hence the question can also be put this way. Why is a fold formed at this spot on the hominoid sole?

The answer, probably, can be like this: because the hominoid foot is not so rigid as man's foot, it still retains a certain measure of mobility inherited from the hand-like foot of the ape, and therefore has a furrow somewhat analogous to lines on man's palm.


Bourtsev, Krantz, and Bayanov


Grover Krantz finds the correlation between the great weight of the creatures in question (as evidence, among other things, by the depth of footprints) and the anatomy of the foot, as it is revealed in the very same footprints, so natural and binding that he makes the following conclusion: "Even if none of the hundreds of sightings had ever occurred, we would still be forced to conclude that a giant bipedal primate does indeed inhabit the forests of the Pacific Northwest."

It's the first time such an unambiguous statement is made by a professional anthropologist regarding the problem of relict hominoids, a statement made even more welcome by the fact that it came about as a result of study of material evidence which is the plastercasts and photographs of footprints.

COMPARISON TO THE NEANDERTHAL FOOT - As far as we know, none of the American researchers has compared the hominoid foot, as revealed in footprints, to the Neanderthal foot, reconstructed on the basis of fossil material.

In the Soviet Union this job has been done by Prof. B.F. Porshnev who noted a similarity in such features as lack of an arch, the width to length ratio, great mobility of toes (Porshnev, 1963).


Stature


It seems that a new and very important development in this direction of research is a comparison made by us between the calcaneus (heel bone) of the Neanderthal foot and that of North American Hominoids as shown in the materials of American hominologists. Grover Krantz, on his part, concludes that the Bigfoot has "enlarged heels", "the heel section must be correspondingly longer." He also writes that the creature's "ankle joint must be set relatively farther forward along the length of the foot", its length is expected to be "set relatively farther forward on the foot than in man."

Thus, this is also true of the Neanderthal foot, dramatically illustrating the above point.

To make things even more fascinating, the very same features show on the foot of the creature in Roger Patterson's filmstrip. To our knowledge, this fact has not been mentioned before by analysts of the film.

It follows that analysing a possible anatomy of the hominoid foot we find agreement in three, apparently, independent sources: 1. Roger Patterson's film; 2. Photographs and plaster casts of footprints obtained by Rene Dahinden and others, and analyzed by Grover Krantz; 3. Morphology of the Neanderthal foot.

As for the giant size of North American Hominoids, we think this cannot be a sufficient argument against Porshnev's standpoint since big variations in size are also true of the species Homo sapiens.

In our analysis we did not refer to Gigantopithecus because virtually nothing is known about that form of primates except their giant size. As for what is known of the foot of Australopithecus and "Homo habilis", it does not seem to fit the pattern of the hominoid foot we are dealing with.

NOT MAN-MADE - So our conclusion at this stage is the following: though it is not yet clear in what relation North American hominoids stand to the making of man, it is pretty clear now they themselves are not man-made.

Moscow , October, 1972. Dmitri Bayanov , Igor Bourtsev

References:
Porshnev, Boris,1963. Sovremennoe sostoyanie voprosa ? relictovykh gominoidakh (Present state of the problem of relict hominoids), Moscow, V.I.N.I.T.I.
Porshnev, Boris,1969. Troglodytidy i gominidy v sistematike i evolutsii vysshikh primatov (The Troglodytidae and the Hominidae in the Taxonomy and evolution of higher primates) in Doklady Akademii Nauk SSSR, volume 188, issue 1.
Krantz, Grover, 1972. Anatomy of the Sasquatch Foot, Northwest Anthropological Research Notes, Vol. 6, No. 1.
Urisson, Mikhail, 1966. Pithecanthropus, Sinanthropus and the related hominid forms, in the Collection of articles Iskopaemye Gominidy i Proiskhozhdenie Cheloveka (Fossil Hominids and Man's Origin), Moscow, Nauka publishing house.


--------------------------------------------------------------------------------


THE SECOND RUSSIAN REPORT ON THE 1967 BIGFOOT FILM FOOTAGE,
BY DR. DMITRI D. DONSKOY, CHIEF OF THE CHAIR OF BIOMECHANICS AT
THE USSR CENTRAL INSTITUTE OF PHYSICAL CULTURE IN MOSCOW, USSR


Dr. Dmitri Donskoy

As a result of repeated viewings of the walk of a two-footed creature in the 1967 "Bigfoot" footage and detailed examination of the successive stills from the footage one is given the impression of a fully spontaneous and highly efficient pattern of locomotion shown therein, with all of the particular movements combined in an integral whole, suggesting a smoothly operating and coherent system.

In all of the strides the movements of the arms, or upper limbs, and of the legs, or lower limbs, are well coordinated. A forward swing of the right arm, for example, is accompanied by a movement of the left leg. This is called cross-limb coordination and is essential for man as well as being quite natural for many patterns of locomotion in quadrupeds, such as in walking or trotting movements.

The strides are energetic and strong, with the leg swinging far forward. When a man extends his leg in this manner he walks at a rapid pace and overcomes by momentum the breaking effect of the angled hurdle provided by the outstretched leg. Momentum is proportional to mass and speed so the more massive the biped the less speed is needed to overcome the breaking effect of an outthrust striding leg.

The arms have swinging motion, which suggests that the muscles are exerted at the commencement of each cycle, after which they relax, allowing the movements to continue by momentum. The character of the arm movements indicates that the arms are massive and the muscles strong. After each heel strike the leg of the creature bends, absorbing the full weight of the body and smoothing over the harmony is the result of synergy, i.e., the combined operation of a whole group of muscles.

Since the creature is manlike in appearance as well as bipedal, its gait resembles in principle the gait of modern man. But all of its movements indicate a much greater weight than is normally found in modern man. Its muscles appear to be much stronger and the walk swifter than that of the normal walk of a man.

There are certain characteristics of the creature's walk, which are difficult to explain in words. They might be called "expressiveness of movement." In modern man this is sometimes seen in a sporting or labour activity where economy and accuracy of movement is vital and essential to the activity. In study this particular characteristic can be seen by an experienced observer. In "expressiveness of movement" the motor systems upon which the particular quality is dependent are perfectly adapted to the tasks which they are called upon to perform. In other words, in the case of this creature, the movements have a neat perfection which through regular use have become habitual and automatic.

On the whole the most important thing in the study is the consistency of all of the above-mentioned characteristics. They not only complement each other but also interact in many ways.

All of these factors together allow us to evaluate the gait of the creature of the footage as a natural movement without any sign of the artfulness that one would see in an imitation. At the same time, with all of the diversity of human gaits, such a walk as demonstrated by the creature in the film is absolutely non-typical of man.

Dmitri Donskoy, 1973.
 
Correa Neto said:
People see Jesus on a toast, the Virgin at a smear mark. So, why wouldn´t they see muscles in a gorilla suit?
Especially muscles in Gemorra suits. Did everyone forget Phillip Morris claims to have made the suit, except for Heironimus in one or two of his stories?
Its a matter of wanting to belive. I bet if someone belives and looks hard enough, will find find horns in horse´s heads.

:bs:

Am I the only one who think it´s about time we get some funny bigfeet smileys?


JREF is way behind BFF in the smilie department. Coleman's board doesn't have any at all. It sure has some great stuff though. I need to read about 15,000 posts from researchers over there, so don't feel hurt if I start ignoring most of the worthless posts over here. Nothing personal. I just don't have that much time.

I have a commission to finish this weekend, as well, hopefully before work on Monday.

'Bye for now.
 
LAL said:
Nobody told me I was supposed to see shoulder joints a foot father apart than on a 6'5" man or the IM index, or how long lower arm extensions would have to be or what a compliant gait is. I read all that years later.

Each of these have already been addressed, Lu. IM index cannot be accurately measured without a specimen. Your "experts" are guessing, nothing more...and don't seem to be able to agree amongst themselves.

LAL said:
Diogenes claimed I saw what I was told to see and I'm trying to answer that without resorting to swearing and mud slinging.

No, then you believed what you saw was real. We see the same thing and don't believe. What's your point, here? That our eyes can deceive us? Sure, okay.

Now, however, I believe you are seeing what you are told. Compliant/inhuman gait, IM index...all that nonsense you parrot I see nothing of, and neither do many qualified experts who have looked at it.

You have merely cherry-picked the "experts" that supported your admittedly convinced mind already. They seem to be the same four or five guys, too. However, the bulk of the experts do not put much stock in a blurry film. Why would they?


LAL said:
In some shows the smeary beginning is edited out...The smeary beginning can be seen on LMS in the extras.

We're not talking about the blurry beginning...we're talking about the entire film...before the Bigfoot stuff and after. Examing the original for splicing, alternate takes and indications of a hoax. You want people to take this "evidence" seriously? Submit the friggin' evidence, already! Where is the original? Why would Patterson or his widow have misplaced this film? Why is everything surrounding this film so suspicious?


LAL said:

What evidence do you have that anything was edited out before the film was shown in 1967?

We're not the one making the extraordinary claim, LAL. The burden of proof is on Patterson. How could we possibly determine if anything had been edited out if we can't examine the original? Why would we take the word of Patterson over actual scientific investigation of the film?
 
LAL said:
From that same thread from an expert:

"Chris,

I understand what you are saying. But I promise you that this is not what I'm talking about...

Without going into detail about the content of his post, I think many of the examples posted refute what this guy is claiming. I also believe Chris responded to him about the lack of movement in the head, and so forth.

But let's comment on the "experts"...

Dfoot is an anonymous poster on a message board who claims to be a stuntman who has worn some monkey suits.

Chris is a costume expert who has created such suits, and worked on such suits in the approximate time of the PG filming.

It's kinda like taking the medical opinion of a nurse over a doctor.

But whatever keeps Bigfoot alive in your mind...
 
LAL said:
Especially muscles in Gemorra suits. Did everyone forget Phillip Morris claims to have made the suit, except for Heironimus in one or two of his stories?

Lu, you keep spinning your wheels on this.

Bob was told by Patterson he made the suit. How was Bob supposed to know where Patterson got the suit if Roger told him this? Telepathy?

Or maybe Bob misinterpreted what Roger told him when he was explaining the modification of the suit?

Nah, must be a giant stinky monkey in the PNW...
 
LAL said:

I haven't found the report by the film expert yet, or at least a summation of it, but here's this:

On October 20, 1967 Roger Patterson with his assistant Robert Gimlin filmed a female Bigfoot at the Bluff Creek in Northern California. This film was rejected in the U.S. by the scientific community immediately after its showing, then turned down in England. But it was proved authentic in Russia in 1972-73.

The P-G film was brought to Moscow by Rene Dahinden in December 1971. During his visit the film was shown to many scientific institutes and even to the Moscow Criminal Police Department...


So, the bulk of the scientific community in America and Europe rejects this film, but you are actually proud that Patterson had to shuck and jive this thing all the way to Eastern Europe before a group of Russians would authenticate it?

So you're going with the minority opinion, here?

You kill me, Lu.
 
LAL said:
Especially muscles in Gemorra suits. Did everyone forget Phillip Morris claims to have made the suit, except for Heironimus in one or two of his stories?


Well the point is that self proclaimed bigfoot experts claim that such a suit was beyond the ken of mortal man in '67. It clearly wasn't regardless of who made it. Such suits existed in '49. No matter how antiquated you think that makes them, it just makes the PGF less remarkable. If you can see muscle groups in an "antiquated" suit, who's to say that almost 20 years later someone couldn't have made a similar suit? If you can't agree on which muscles you can see in the PGF unless you are told what to see it, makes the whole thing even more tenuous. The most amusing thing is that, as I have said before, if you see the film the "correct" way you are in the gang and if you happen to see things differently you don't know what you are talking about. Obviously if the original "un-digitally remastered film" was available to view we probably wouldn't be having this conversation.

Your words don't need twisting to make them contradictory. And I have seen the film, I suppose you could say "many" times, depending on how many, many is.
 
Check the pictures, specially the one at the bottom of the page.

http://members.aol.com/IDICPage/Gorn2.html

Sure, muscles can not be "seen" in those old-fashioned suits and their replicas. Absolutely no muscles can be seen in the picture at the bottom of the page. And they must have costed hundreds of thousands dollars.

So much for the arguments raised by the "expert posters" LAL showed us.
 
Did any of you bother to read the rest of the Chris Walas thread, or did you just cop pictures and call it a day?

One of these images is copyrighted, so I'll just post the link. Scroll halfway down for a good match for the line and the butt:

http://www.bigfootforums.com/index.php?showtopic=8446&st=20

Some of these aren't bad either:

http://www.photographersdirect.com/img/5151/pd420387_s.jpg

http://www.photographersdirect.com/img/12366/pd303705_s.jpg

http://www.photographersdirect.com/img/12366/pd303704_s.jpg

http://www.photographersdirect.com/img/11101/pd254704_s.jpg

http://www.photographersdirect.com/img/12366/pd251492_s.jpg

http://www.photographersdirect.com/img/11101/pd243041_s.jpg

But if you'd rather look at horned horses, that's okay.
 
William Parcher said:
Lu, those are photographs of gorillas.

Where in the world is Bigfoot?

Yep. Living butts are a better match for Patty's, IMO, and for Gemorra suits as well. Evidently no one bothered to read the whole thread. Too bad; it's a good one.

Actually, I'd take along Murphy's book with the color pictures since most people seem to be too dense to follow Krantz, and I'd have my tape and DVD of LMS for those who can't read at all.

I had a late night call the other night from a friend in real life who had practically screamed at me over this a week ago. He called to tell me he'd been looking into it and has now gone to, "Could be." I might have really appreciated that if it hadn't been 2 o'clock in the morning.

Have you noticed the mature way most people debate on BFF, or have you checked that board? There are disagreements, of course, but useful information gets exchanged. Sceptics are welcomed because they "keep us on our toes", but I haven't seen any of the immature mockery that goes on here over there. Sceptics on that board ask intelligent questions. You should try it sometime.
 
Like Ray copied real bigfoot tracks to make those wooden models, our Patty suitmaker obviously copied real gorillas to get those authentic lines. :D

If dumb 'ol Ray Wallace was smart enough to copy a genuine sasquatch track for his carved feet, it seems logical that our Patty creator looked at a real gorilla or three....
 
LTC8K6 said:
Like Ray copied real bigfoot tracks to make those wooden models, our Patty suitmaker obviously copied real gorillas to get those authentic lines. :D

If dumb 'ol Ray Wallace was smart enough to copy a genuine sasquatch track for his carved feet, it seems logical that our Patty creator looked at a real gorilla or three....

Or maybe the Patty creator looked at a real sasquatch. That proximity to reality, by LAL's standards, would seemingy make even a fake a useful piece of evidence. Or if he looked at a real picture of a real sasquatch, that would make it half real. If he looked at a real picture of a fake sasquatch based on a fake picture of a real sasquatch, there would still, for the believer, be a thread of truth in the enterprise.

Yes, LU, I know I'm scoffing, and being facetious, but your willingness to overlook sloppiness and evidence of fakery is hard to resist. If there's an opposite to "poisoning the well," perhaps "filtering the well," you're doing it.
 
LAL said:
Yep. Living butts are a better match for Patty's, IMO, and for Gemorra suits as well.

Except real primate butts aren't completely covered in fur.

But don't let annoying facts get in the way of your delusion.

LAL said:

Have you noticed the mature way most people debate on BFF, or have you checked that board? There are disagreements, of course, but useful information gets exchanged. Sceptics are welcomed because they "keep us on our toes", but I haven't seen any of the immature mockery that goes on here over there.

Like the mature mockery of Chris Walas' Caveman suit?


LAL said:

Actually, I'd take along Murphy's book with the color pictures since most people seem to be too dense to follow Krantz, and I'd have my tape and DVD of LMS for those who can't read at all.

Very mature, Lu.
 
Have you noticed the mature way most people debate on BFF, or have you checked that board? There are disagreements, of course, but useful information gets exchanged. Sceptics are welcomed because they "keep us on our toes", but I haven't seen any of the immature mockery that goes on here over there. Sceptics on that board ask intelligent questions. You should try it sometime.


Pot, meet kettle.....
 
018.jpg


Two things (among others) about this "Patty" footprint seem contrary to what would be expected if it were real.

There seems to be no effect from a push-off of a real walking foot in damp sand. The imprint is very sharp and precisely outlines each toe. The ridge of sand that filled the gap between the toes and the ball seems too perfect to be true. Patty was supposed to be engaged in a brisk walk while fleeing P&G. Why is there no smudging or distortion of any part of the track?

Also, according to Gimlin, this track was subjected to heavy rain before he rode on horseback to the site to cover it with bark. Why are the ridges and the tiny cracks in them so perfect? Wouldn't a hard rain on moist sand smooth out the sharp edges and cracks of this track?
 
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