From the general thrust of comments we're seeing on this site re my use of the Zeke tool, I can only suppose that folk here are not aware of a severe practical constraint that faces anyone embarking on Shroud image research. The form of the "Man" is only visible if one stands back a metre or two: the distinction between image/non-image disappears from view if one gets closer. So from the very beginning, image studies have required some means of increasing contrast and with it image definition. In the early days of silver salt photography, e.g. Enrie in the early 1930s the remedy was to select particular emulsions known to provide high contrast (and nobody was lectured for doing so through not knowing the whys and wherefores for one emulsion working better then another - it was sufficient to know in broad terms what a contrast adjustment was doing, i.e. polarizing midtone hues between one or other end of the B/W or colour spectrum, going to whichever of the two ends was closer, so to speak.
So why all the catcalls and derision when I stumble upon a particular contrast tool which empirically does something that is of huge current interest to this Shroud investigator. It greatly increases the discrimination between small particulate matter and background, maybe through being especially sensitive and discriminating towards hues in the colour range of interest (yellow to brown), and making useful changes - and fairly modest ones at that, to contrast. Think of it as a niche product - seemingly custom-made for sindonology, but in fact an accidental discovery.
Yesterday I discovered a x400 photomicrograph of a Shroud image fibre that had both obvious and less obvious particulate matter which I suspect could be a left over from a medieval era image-imprinting process. I applied the Zeke so-called filter (which I now prefer to call a contrast tool) and suspicions were confirmed.
There is indeed particulate material, some highly ordered (lines of dots along image fibres) some less so, that becomes clearly visible after Zeke, but is faintly visible before (in other words, Zeke is not generating new morphological artefacts, merely emphasizing what is already there through effects on image/background contrast.
I might at some point start to analyze precisely how and why Zeke scores over other contrast tools, but have to say I don't view it as a priority. Hundreds of organic chemists make routine everyday use of nmr (nuclear magnetic resonance spectroscopy) which assists in discriminating between the numerous hydrogen atoms in a molecule of interest without caring or needing to know how and why the technique works. It's sufficient for it to show that one hydrogen atom is in a different micro-environment from another, enabling one to arrrive at meaningful classifications that assist with predicting real world behaviour.
Chemists have to be empiricists, or nothing would ever get done or achieved. I humbly suggest the same applies to Shroud image analysts, especially those interested in knowing how it was produced (chemical? thermal? thermochemical? radiation? etc etc)
Yesterday I proposed on my site that all Shroud images, past, present and future, should be looked at with the Zeke tool with a view to unmasking micro-particulate matter, if present. Understanding the basis of Zeke's practical utility can come later.