Vortigern99
Sorcerer Supreme
In the one-and-only art history class I ever took, the instructor argued that it wasn't a question of skill but a question of what the creator of the work found important or significant. Thus the Venus of Willendorf has huge breasts and hips and a protruding belly to emphasize her fecundity. The Egyptians always drew the eye as if it were facing toward the viewer, and the face in profile, because those were the most characteristic and easily recognized aspects of those features.
Not saying I bought it completely (although it did make sense in some cases, like the Egyptians), but that's what she said.
None of that is untrue or invalid, it's just that it's also, in addition to the aforesaid, a question of technical skill.
Obviously the sculptor of the Venus of Willendorf, c. 25000 BCE, was not working with the same level of technical and manual skill and knowledge as the sculptor of, for example, the Dying Gaul c. 220 BCE or the Laocoon group from c. 40 BCE. Examine the pieces for yourself and I think you'll see what I mean.
