Skepticism and The Normal

You can only find those in certain races, sort of like an epicanthal fold. BTW, please add "epicanthal fold" to the list right before "hrunge".

Sure thing.

I'm going to apply some tri-valent logic to this situation. I'm 100% certain that you're nasty, which is 100% true, and I'm 100% meta-certain that my analysis is correct. :)

You can stick that up your hrunge and plot it.
 
I challenge you to place, in your own words, to define what beauty is to ALL Observers who experience beauty. The definition must be complete and consider all experiences.

Can someone else please point out the bleedin' obvious while I run around the room squawking and pulling my (wooden) feathers out with my beak...
 
I'm really just going to have to withdraw from this 'debate'...

Bubblefish, I read your reply...you're wrong. You're so, so wrong that I don't know where to begin. Your musicianship and knowledge of theory is so wildly incorrect that I couldn't just correct your mistakes, I'd actually have to write what would essentially be a book on music theory to explain to you where you went wrong.

So, thankyou for replying to me...but it has become quite clear to me that you don't have a clue what you're talking about when it comes to music.

I wonder if you know even what you are talking about with OS012...

I may lurk for a while yet though.

Peace Out

Mobyseven
 
No contradiction as long as you accept that beauty is a subjective quality of the music. If beauty is an objective quality, however, then all people should find the music equally beautiful.
and yet you all continualy fail to model what happens when beauty has both an objective and subjective component.

While there may be certain objective characteristics that make something likely to be considered beautiful (at least within a given culture), the beauty itself only exists with reference to an observer.

Consider, how can beauty be a 'subjective quality OF the music'? if it is a subjective quality OF the music, then it's not so much a subjective quality, is it?
You're getting too hung up on the word "of", and once again, you don't appear to understand the meaning of the word "subjective". A subjective property is something that an object (or a piece of music, or whatever) possesses only with reference to an observer. If you find a particular piece of music to be beautiful, then from your subjective viewpoint, it has beauty. From the viewpoint of other people it might not.
 
Dialogue with the deaf

Ok Bubb, so we have the audience assembled, sound check was done hours ago, the band's fuelled and good to go. Hey, there's a group of hearing-impaired folks over there, so hearing-impaired that they could be described as DEAF. How are these folks going to access the 'objective beauty' contained within the composition?
Perhaps the inherent beauty is contained within the rhythmic chopping movements of the guitarists right arm?
 
And since Bubblefish cannot answer my rebuttal on his critique of my logic system, I will declare myself the winner. My sliding scale system clearly has more applicability to describing the real world.

I will note that I like Jimbob's addition of applying it to 2 axes. Extrapolating further, we can apply this to 3 axes, and have 8 total outcome fields. Furthermore, we can extrapolate to any number of axes, provided the labeling system can be applied to so many variables.

Z and Jimbob, what do you think of this multi-dimensional sliding scale system? How would you come up with a consistent labeling scheme?

Yup, I think the more arcane or baroque one can make the system, the greater chance that one can fool some lackwits into thinking it is profound.

how about these axes for a four-d system:

True-False
A​
Confidence
R​
Metaconfidnece
S​
Other
E​


The Neccesity of the Third Value in Dialectic in the News.

http://www.cbsnews.com/stories/2007/04/25/60minutes/main2728375_page2.shtml

George Tennet:

"We don't torture people," he says. "I want you to listen to me. The context is it's post-9/11. I've got reports of nuclear weapons in New York City, apartment buildings that are gonna be blown up, planes that are gonna fly into airports all over again, plot lines that I don't know. I don't know what's going on inside the United States, and I'm struggling to find out where the next disaster is going to occur. Everybody forgets one central context of what we lived through: the palpable fear that we felt on the basis of the fact that there was so much we did not know."

How would Z's OS 2x2 handle this situation, I wonder?

BF, If I understand your objection to the sliding scale it is that it is ceratainly true or certainly false that the statement "the earth is round" is more-or less true?

How does this help anyone? in the situation abouve, do you assign all the reports to "mystery" and then do what?

The conventional response would be to assign these reports differing levels of credibility, and attempt to find out more, and act on those most credible reports.

With WMD's in Iraq do you say that Saddam Hussain knew, so he could confirm either True or False, whilst the CIA didn't so should assign a value of Mystery? The solution is obvious, the CIA should have asked Saddam Hussain if he had WMDs...

BF's system seems to be a complex way of failing to understand something. Used in its optimal situations, it becomes a complex way of stating only the most obvious aspects, as opposed to being actively misleading.



Mnny situations can't be reduced to a number, assigning them an arbitary value does nothing except inspire false confidence.

BF, please explain how a "thinker" and a "feeler" would react in the WMD example. I don't feel as "where there's no sense, there's no feeling".

Jim
 
BF's system seems to be a complex way of failing to understand something.
Or perhaps a complicated excuse for remaining ignorant. See his comments about "mystery", for example in the OP of this thread, in which he says that Randi's approach is not "relevant for discovery [sic] the mystery".
 
That's a good point. Simply saying something is 'unknown' does nothing for knowing how to deal with it; a believer will still treat the 'unknown' as true, and a skeptic as false, and in many cases, there are consequences for treating unknowns as true or false, and certainly there are conflicts between those who treat certain unknowns as true and those who treat the same ones as false. Labelling something 'mystery' does nothing to alleviate that.

As far as treating something as 'both true and false at the same time' - that's basic paradox, and a very common reason for rejecting any idea or thought. His thoughts include paradox as a fundamental part of their system - and should be rejected outright for that alone.
 
I'm really just going to have to withdraw from this 'debate'...

Bubblefish, I read your reply...you're wrong. You're so, so wrong that I don't know where to begin.


I'd go even further and suggest a new tagline for OS012:



"OS012, it's not even wrong"



...with apologies to Wolfgang Pauli...
 
Or perhaps a complicated excuse for remaining ignorant. See his comments about "mystery", for example in the OP of this thread, in which he says that Randi's approach is not "relevant for discovery [sic] the mystery".


Exactly, I had forgotten the whole "surrender to ignorance" theme of the system. Despite the fact that this was what really irked me.

The main feature that irked me about OS012 was the acceptance of ignorance and its inflexibility...

The two main features that irked me were: the acceptance of ignorance, its inflexibility, and the messianic fervour with which it was promoted...

The three main features that irked me were: the acceptance of ignorance, its inflexibility, the messianic fervour with which it was promoted, and the crimes against English grammar with associated unique definitions of common words...

The four...
​
 
I know you want to feel as if you are thinking thoughts that matter, but if I need to be a theoretical philosophy student in order to get your gist, the overwhelming probability is that you have overestimated the value of pure philosophy in the search for knowledge.


hear hear! or is it (here here)?
 

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