John Hockenberry: Still, something else happened that night in the group readings. A departed family member does seem to come through loud and clear.
Tape John: Hold on, they're telling me to acknowledge Anthony. Are you waving like that's me? That's you? Really?
John Hockenberry: For, of all people, "Dateline" cameramen Tony Pagano, one of two cameramen shooting our story. John Edward zeros in on the fact that Tony's father has died.
Tape John: Did you not see dad before he passed? Had you either been away or had been distant?
Tape Tony: Yeah I was away.
Tape John: Ok, cause he's making me feel like you need to move past this. Was he a Yankees fan?
Tape Tony: <laughs> No, he'd die again if he heard that.
Tape John: And he's telling me to acknowledge he found the ring. I don't know what this means.
Tape Tony: Well I had a ring that was given to me. I only wore one piece of jewelry beside my wedding ring. And when my dad died, the last time I saw him in the coffin, I took that ring off and put it on his hand.
Tony: He said some things that were very personal that only I knew. Um, and putting the ring on his finger on my dad's finger when he died was really something that I don't think anyone else saw.
........
John Hockenberry: John Edward had made it a point to avoid any contact before that night's session. But remember this footage of Edward dancing? Tony was the cameraman and shot this just hours before the group reading.
You'd met Tony before though, right?
John: Earlier that day? Yeah.
John Hockenberry: They not only had they met, but Tony told John Edward a critical piece of information during the shoot.
You'd spoken to him. Were you aware that his dad had died before you did this reading?
John: I think he, I think earlier in the day he had said something.
John Hockenberry: Well, it makes me feel like, you know, that's fairly significant. I mean, you knew that he had a dead relative and you knew it was the dad.
John: Ok.
John Hockenberry: So that's not some energy coming through, that's something you knew going in. You knew his name was Tony and you knew that his dad had died and you knew he was in the room. Right? That gets you...
John: That's a whole lot of thinking you've got me doing then. Like I said, I react to what's coming through, what I see, hear, and feel. I interpret what I'm seeing, hearing, and feeling and I define it. He raised his hand, it made sense with him, great.
John Hockenberry: But a cynic would look at that and go "Hey, ya know, he knows its the cameraman, he knows it's 'Dateline,' ya know wouldn't it be impressive if he could get the cameraman to cry?"
John: Absolutely not, absolutely not. Not at all.
Source:
John Edward on "Dateline"