There seems to be a problem with your reading comprehension. I asked for the name of the artist, IOW, the person who did the retouching. Davis?Someone else?
If the finger aberration was caused by a defect in the film, there won't be a name. However, that particular image (frame 352) complete with finger defect, is widely found on the internet and in bigfoot publications. It has been cut, cropped, lightened, darkened, diffused, enhanced, and manipulated in all sorts of ways.
When you guys just cop pictures without giving sources you not only break rules, you do the equivalent of quote mining in pictures. I will now go back to trying to find the source. Since I don't have XP, I don't have "View source" so this takes some work.
In
Meet the Sasquatch, Christopher L. Murphy uses the same odd fingered frame 352 on two occasions -- page 54, and again on page 96. In both cases he gives copyright/ownership credit to E. Dahinden. Obviously something has happened to the original photo that
doesn't show the finger anomaly.
On page 190, the bottom of the page shows the covers of the three versions of
Sasquatch, authored by Rene Dahinden and Don Hunter. In all three cases, the covers show frame 352, yet the cover on the far left shows the
original frame 352, while the cover on the far right shows the funny fingered, much clearer, cleaner, lightened version of frame 352.
As an interesting side note, I am looking at the frame 352 image included in the 1973 edition of
The Sasquatch File, authored by John Green, and I see no funny fingers. (page 8)
Likewise, my 1978 copy of
Sasquatch: The Apes Among Us does not show a funny fingered bigfoot on page 117.
The cover of
The Field Guide to Bigfoot, Yeti, and Other Mystery Primates Worldwide by Loren Coleman however, DOES show the funny fingers and he credits Rene Dahinden as the source for the photo.
Sticking with
Meet the Sasquatch, but moving on to a different frame from the film, on pages 81 and 166, the frame 323 images show a thumb, curled fingers, individual toes, and retouched fur. The images are credited to E. Dahinden and Y. Leclerc. The
original frame 323 shown on page 53 has some obvious discrepancies from the ones shown on pages 81 and 166. In
this image, there are no curled fingers, obvious thumb, or individual toes, and the fur appears much darker in color and not nearly as well defined. This image is credited to E. Dahinden. Mr. Leclerc obviously expressed artistic freedom in his enhancement of frame 323, and pages 81 and 166 do not warn the reader that the images have been manipulated or enhanced.
On that same page 81, right above the frame 323 enhancement, is
another enhanced head shot.
Another manipulated frame 323 appears in
Meet the Sasquatch, on the cover of
America's Bigfoot: Fact, Not Ficton on page 216. If you compare the right hand of that image with the original on page 53, you will notice an obvious difference.
Finding the who, why, and when behind the original frame manipulations seems secondary compared to the vast number of manipulated images that are readily available both online and in book format.
RayG