pakeha
Penultimate Amazing
- Joined
- Jul 11, 2009
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As Reuben Thorpe's "Which way is up? Context formation and transformation: The life and deaths of a hot bath in Beirut" (Assemblage 1998) points out there are serious issues with how stratigraphy is used as a dating tool in the Middle East. Thorpe concluded that archaeological methodology as it is practiced in the Middle East "fails to address deposit, site and stratigraphic complexity adequately."
Åsa Berggren's "The relevance of stratigraphy" American Antiquity, Vol. 68, No. 3 (Jul., 2003), pp. 421-434 went further showing a major problem with how field work was being done across the world.
Bruce Trigger's A History of Archaeological Thought Cambridge University Press, (1989 and 2006) shows that Archaeology is ridiculously fragmented and many Middle Eastern countries "there is relatively little public in interest in the archeological remains of pre-Islamic times" (Trigger 2006, pg 271) There is a undercurrent of what in 1986 Trigger called "Imperial Synthesis" a period of racist nationalism that hit its zenith in 1930s Germany...and most archaeologist would like to forgot about going on in that region and that is in itself a problem.
Thanks for the link and also for bringing up some major problems with archeology in the area- the local conditions make it a potentially deadly occupation.
...One riddle that I like to work on is where these texts come from, and who came up with them (culturally speaking).
We really don't have that answer, oddly, and no one really spends time trying to figure it out.
Most just start with some axiom that they were Hebrew works, or they are Greek copies of Hebrew works, or they are a mix of both with Hellenistic add-on's, and call it done.
I don't think that suffices. "Hellenistic" is a very large mass of differing cultures, as well as Hebrew post-diaspora is very different from pre-diaspora.
My current inquiry is working through examining what constructs are similar, and where were those constructs popular (this is following the textual dispersion considerations that I previously posted about, where I look for how would these tales travel if a starting point of Judah is our axiom, based on the known cultures who have sympathy with which texts of the gospel sets).
To that end, I am slowly moving over the Mediterranean and looking for which regions valued Job, Daniel and Zoroastrianism (or put another way; where were Romanized Jews mixed with "gentiles" densely, and do those pockets show favor of the three traditions, and do those pockets favor any of the structures of the gospel texts)?
One area that has the most of my interest in this, so far, is Asia Minor.
They are uniquely positioned for mixing these variables, but some problems do exist with starting there so I am not satisfied quite yet on their culture's placement quite yet (though there is definately something interesting about how close that region is by proxy to a: Judea, b: Tarsus, and considering the regions rich history of religious hysteria and cultural mixing and matching - one of the largest theaters in the Roman empire existed here and was frequently used for ritual showcases). ...
I'm quite certain you'll have material to study in that area for the rest of your life. I'll be especially interested in what you find of post-diaspora Judaism before the third century.
Speaking of ritual showcases, over at the monster thread at RatSkep a poster explored the idea that the early Christian proselytizing and Paul's teaching was via what have come to be known as Passion plays and that the NT narratives were scripts and staging outlines. That speculation opened my eyes to seeing those narratives as an art form.
...As to Hagiography.
I'm not certain if that is the case or not.
It might be possible, but that does lean more toward there being a Jesus physically existent than not (which I don't think can be claimed well enough to use as an axiom), whereas the first order to me is to recognize that a new literary form is being presented as a whole - not in part, or in compilation dispersed in a bunch of other texts, but that as a whole, this was a new form; which is rather clear.
It is definitely mixed and related to other literary forms, as should be expected, but it is distinctly a style and form unto itself.
The thing is, hagiography IS that new literary form; I think it's clear the Jesus narratives are simply the earliest examples we have of it.
We have lots of examples of hagiography from the second century onward. However, just that as forgeries are called pseudoepigraphs in bible studies, hagiographies are called gospels, canonical or otherwise when reffering to Jesus.
Many hagiographies have been written down the ages about completely fictitious people. Here in Spain the number of unofficial saints is most impressive; my personal favourite is San Andrés de Teixido.
It's why I don't agree that hagiographical accounts imply or lean toward the physical reality of the subject.
Relating the NT narratives to the literature in the Roman seems to me a natural and obvious thing to do, especially since those narratives are all we have at the moment concerning the beginnings of the Christian movement.