Mike!
Official Ponylandistanian National Treasure. Re
How about another diagram?
What I'm showing is the first head shot in blue. For whatever reason, I'm assuming Michael Brown has already started decending, when the first shot strikes at the eyebrow, the impact forces his head down more, rotating at the neck.
The second head shot, in red, is basically chasing the first shots path, but Michael has moved downward in the milliseconds between impacts, combined with the rotation caused by the first head impact. The green line represents possible redirection of second shot.
After the second shot, he collapses completely.
I've built in an angle, just to satisfy requests, but I think the same effect will result if it's more linier too.
I'm assuming the finial volley all followed pretty close to the same path and it was Michael Brown that moved somewhat downward, giving us the "line" of shots up the arm and ending at the head.
The question is, why was he bending, leaning, moving downward?
He could have been starting to "Bull-rush" and run towards Wilson, starting to get down on the ground, or just simply tripping up on his flip flops while turning around. Or yet, some other reason I can't imagine.
I'm just trying to make sense of what we do have available, I based this illustration on an interview I saw with Dr. Baden this evening.
Thoughts?
What I'm showing is the first head shot in blue. For whatever reason, I'm assuming Michael Brown has already started decending, when the first shot strikes at the eyebrow, the impact forces his head down more, rotating at the neck.
The second head shot, in red, is basically chasing the first shots path, but Michael has moved downward in the milliseconds between impacts, combined with the rotation caused by the first head impact. The green line represents possible redirection of second shot.
After the second shot, he collapses completely.
I've built in an angle, just to satisfy requests, but I think the same effect will result if it's more linier too.
I'm assuming the finial volley all followed pretty close to the same path and it was Michael Brown that moved somewhat downward, giving us the "line" of shots up the arm and ending at the head.
The question is, why was he bending, leaning, moving downward?
He could have been starting to "Bull-rush" and run towards Wilson, starting to get down on the ground, or just simply tripping up on his flip flops while turning around. Or yet, some other reason I can't imagine.
I'm just trying to make sense of what we do have available, I based this illustration on an interview I saw with Dr. Baden this evening.
Thoughts?
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