Introduction
The Book of Revelation is strikingly different from the rest of the New Testament. It is populated by winged and wild creatures, locust plagues, and seven-headed beasts. Revelation is filled with obscure and fantastic symbolism, and it teems with mystical references. However, it lacks any real internal structure. Unlike the other New Testament books, which tend to mix narrative with sermon-style preaching, Revelation is essentially a long, uninterrupted record of a mystical vision, offering little interpretation for its intricate symbols. Revelation has been read for thousands of years as a code that, properly interpreted, can reveal the secrets of history and the end of the world. The numbers and symbols in Revelation have been read into any number of traumatic events in ancient and modern history.
Revelation was a product of this time of early growth and confusion, but also of a long Jewish tradition of apocalyptic literature. The Old Testament books of Ezekiel and Zechariah contain long apocalyptic segments. The most famous Old Testament apocalypse, the Book of Daniel, was written circa 165 b.c.. The apocalyptic genre became more popular after 70 a.d., when the apocryphal apocalypses, 2 Baruch and 4 Ezra, were written in response to the destruction of the Jewish temple in Jerusalem by Roman armies. There is enough apocalyptic literature that it can be classified as a genre of its own, with its own particular characteristics. Some of these common features are revelations made to a human emissary through a supernatural agency, heavy symbolism, numerology with obscure significance, extravagant imagery, and concern about a cataclysmic day of judgment or the end of the world. Apocalyptic literature tends to take a deterministic view of history—that is, apocalypses are generally driven by the belief that history inexorably follows a set path ordained by God. All of these characteristics of the apocalyptic genre are present in Revelation.
Summary
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Before the breaking of the seventh seal, an angel marks 144,000 people—12,000 from each of the tribes of Israel—with the seal of God to protect them from the coming devastation. Other righteous people, too, are to be saved: a “great multitude . . . [of people] from all the tribes and peoples and languages” have cleansed themselves and they, too, will be protected (7:9). Finally, it is time to open the seventh seal (8:1). But the opening of the seal is anticlimactic; when it is opened, it is revealed that there are seven trumpets that need to be blown. Four of the trumpets blow, each bringing with it disaster and destruction, with fire falling from the sky (8:6–12). With the fifth trumpet, the chimney leading out of the Abyss is unlocked, and bizarre locusts emerge in the smoke, stinging anyone unmarked by God’s seal. The sixth trumpet unleashes a vast troop of cavalry who kill “a third of humankind” (9:18). However, the survivors nevertheless refuse to stop worshipping idols and behaving immorally. An angel descends from heaven, announcing the imminent fulfillment of “the mystery of God” with the blowing of the seventh trumpet (10:7).
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Analysis
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Revelation’s heavy use of imagination and provocative symbolism is central to its rhetorical power. Revelation turns to poetics and aesthetics to depict the imperial city of Rome as a beast, stating that “its feet were like a bear’s and its mouth was like a lion’s mouth” (13:2). The beast has ten horns and seven heads and carries on its back “Babylon the great, mother of whores, and of the earth’s abominations” (17:5).
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John’s potent imagery is not only a “call for the endurance and faith of the saints” (13:10), but it also tries to move the audience to a decision to turn away from the beast “so that you do not take part in her sins” (18:4), and instead to turn toward the God of justice who “will wipe away every tear from their eyes” (21:4). Revelation persuades Christians to stake their lives on that decision. In Babylon, everything is for sale. John does not hedge about the immorality of such disparities between the rich and the poor. When Babylon is destroyed, neither God, Christ, the saints, the apostles, nor the prophets mourn. Those who are upset are “the merchants of the earth” (18:11) and “all whose trade is on the sea” (18:17). In addition, “the kings of the earth, who committed fornication and lived in luxury with her will weep and wail” (18:9).