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Quick note - the problem with Youtube videos not embedding on the forum appears to have been fixed, thanks to ZiprHead. If you do still see problems let me know.
The most logical photographer is the man that was shooting Patterson's documentary film. That man has been named recently but I can't remember where I read it (BFF?).
All the guys in that image are wearing the exact same clothes as in the doc footage from Washington. Even the horses are wearing the same tack. It seems logical (but not certain) that it was all done on the same day and by the same cameraman.
Does anyone have the image of the Roger Patterson quote, where he says "We were down there for about a week" or something like that? It is signed by him I believe.
Image: Appears to be Bluff Creek filmed by Roger Patterson.
Description: Bluff Creek scenery with full creek in view. Hillside and foliage (setting) suggests that it may be in the vicinity of the Patty footage. Scratches are consistent with other Patterson footage.
This website contains letters from Ray Wallace to various people.
One of them includes a letter stating that Roger and His brother in law came to visit Wallace.
Plaster pour, not from first reel, taken by Bob Gimlin. Note Patterson's clean shave...
That's large, but the film is flipped and should be seen like this...
Trackway scene...
Cast display scene...
In attempting to explain the beard growth, PGF believers have tried saying that the cast display was filmed at night under artificial lighting. Note that the shadows on background objects move between frames. Gimlin claimed this scene to be filmed by Rene Dahinden at Bluff Creek the following year when Patterson and Dahinden returned to Bluff Creek. This is impossible as this film was shown on October 26, 1967 at the Tudor Room of the Georgia Hotel in Vancouver for the media. Furthermore, between the time that scene was filmed and the Oct. 26 showing, the right cast has been sanded down to remove excess plaster next to the small toe. More details here...
I'm just amazed at how steady and professional the camera handling is before Patty shows up. So steady and the panning so smooth it's like it was on a tripod. This is for both P&G because both guys are using the camera in those scenes. Where did Gimlin get those camera skills?
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