Ok, so I have been looking into Lilith's hawk today, and the most constructive conclusion I can come to is that I don't have any good books on North American birds (recommendations would be greatly appreciated) (1). I have essentially compared the National Geographic Society's "Field Guide to the Birds of North America" with Johnsgard's "Hawks, Eagles & Falcons of North America", cross-checking with pictures on
www.mangoverde.com.
Be that as it may, I think Sharp-shinned can be ruled out entirely. I understand it to be a North American counterpart to the Sparrowhawk, and the bird in the picture fails in that comparison on several counts, most conspicuous of which are the legs, which seem to be far more of buzzard (
Buteo) legs than sparrowhawk (
Accipiter) legs.
"Eastern US" gives us the following plausible species (assuming it is not a vagrant or rare visitor):
Red-shouldered Hawk
Buteo lineatus
Broad-winged Hawk
Buteo platypterus
Red-tailed Hawk
Buteo jamaicensis
Cooper's Hawk
Accipiter cooperii
Goshawk
Accipiter gentilis
I was first a bit inclined towards the Goshawk, but the tail length is wrong, and the tail does not appear to be distinctly banded. Also, the chest is white, which rules out both
Accipiter species. Red-shouldered Hawk would be smaller, and either have a spotted chest (immature) or red shoulders and white tail-bands (adult), which this individual doesn't have. The same goes for the Broad-winged Hawk.
This leaves us with only the Red-tailed Hawk. The individual in the picture does not have a red tail, however, but does that present a problem? It would, were this an adult bird. However, immature Red-tailed don't have red tails. They do have several characters which imply that your bird is a Red-tail, however: strong legs, white chest with black-spotted belly, shorter tail with less conspicuous banding, and so on.
Thus, I think mummymonkey was correct when he/she suggested
Buteo jamaicensis. Indeed, look at the following pictures:
Immature Red-shoulder
Other immature Red-shoulder
Head of immature Red-shoulder
Does this look like your bird?
(This account may seem overly detailed and unnecessarily pedantic, but I have found that when being asked to identify a bird by someone who is not a birdwatcher, the thorough and, perhaps, over-cautious approach is usually the best. If nothing else, the post may serve as instruction to a possible methodology to find the correct species. It is always hard from photos, though, especially such muddled ones as these.
The ideal way to learn birds is, of course, to stay for a year or so at a banding station or bird observatory, where common and uncommon birds can be held in the hand for comparison, and where experts in comparative morphology and field studies can unload years of accumulated knowledge on the initiate. However, not everyone is as fortunate as I am, and the scheme is implausible for most people. The second best is, of course, to attend courses with local bird societies, or find a personal guide of some sort who is willing to help you.
The value of field experience cannot be overemphasised; observe common and uncommon birds for an extended period of time (ideally several years). Don't force yourself to identify
everything at once. Start with common birds, and observe them over the year. Mark how they change their plumages, how their calls vary when they want to attract a mate, warn for a predator, and so on. Learning what the most common birds look and sound like is among the most important things to learn when you want to watch birds. I don't know how many times I put down my tripod and looked at yet another Meadow Pipit before I learned that that is the only bird behaving and sounding like that in Swedish fields. I no longer have to stand and listen for minutes just to arrive at the conclusion that this, too, was a Great Tit or a Robin or so. Excluding the common birds is of tremendous importance, since it will make it easier to recognise species you haven't seen or heard before, and to pick out specific species from a background of noise.
However, the
single absolutely most important thing to learn in the history of everything at all times ever is that pictures in a field guide are consensus pictures of dozens of hundreds of birds. The birds do not look like that in the wild, and above all, birds are variable. Allow for more variation in your judgements, and 90% of all rare birds will disappear. Colour does vary over the year, not all individuals of a species sound the same, and so on. This is especially important when it comes to waders, gulls, terns, warblers, and so on. Photos are only of one bird, and drawings are not of any bird at all, but a consensus. Look at birds and learn how much they can vary, and you'll be a far better bird watcher than those who brag about having seen thousands of birds. As Lilith (and presumably others here) have only recently started with birdwatching, that is the single most important lesson I can distil from a lifetime of birdwatching (I started seriously when I was about nine, but had been a nature kid long before that, and already knew the most common birds and their sounds).
Phew. Now I go and teach people birds.
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(1) Why do they seriously seem t believe that the more or less uniformly brown backs of birds of prey are more interesting to depict than the often more variable undersides? Is this a field guide for the exclusive use of helicopter pilots? Did the painter run out of colours when he did the Falconiformes, and had to moderate his palette?
In general, I find that non-Swedes who paint for field guides are crap. Look at Lars Jonson's excellent "Fåglar i Europa med Nordafrika och Mellersta Östern" (Birds of Europe with Northern Africa and the Middle East) or Lars Svensson and Dan Zetterström's divine "Fågelguiden" (Bird Guide; co-written by Killian Mullarney and Peter J. Grant, and available in English and German, at least).