What idiocy. I played on the kettle drum William Tell's Overature in Little Symphony, which spoiled the piece for all that heard it.
Didn't miss Seattle's own Besos or Boeing either.
Ok.... putting the goalposts back where they'd been at the start.....
It is apparent that Winterbottom's crew did their homework, and perhaps know the lay of the legal landscape better than you or I. There film has obvious parts of it which have been crafted with that obviously in mind.
And you have an advantage over me at least, you have the opportunity, for instance, to actually engage with the FOA folk in Seattle, rather than rely on JREF posts. You have, in theory, the ability to as questions of perhaps Judge Heavey, or discuss with one of the true crime authors about her sources.
You've made the claim that no one, when asked here on JREF, points to a time when they've had a good experience with doing exactly that. Yet my count is up to three individuals (myself included) who've reported to you that they've done exactly that.....
..... made direct contact with someone who's offer something from a unsourced point of view, asking for the source. All three have talked about being pleasantly surprised, about how much these authors really do respond with sources, when asked.
You prefer to make things up about true crime authors, namely that they themselves just make things up. Yet I have yet to come across anyone who has actually made the effort to contact these people who has found out
a better lay of the land than can be gleaned either from their work, or from the discussion here on JREF.
Ok, you have moved. You have heard the criticism when you called FOA's "invested" in innocence, and you have backed off of that. You have actually heard the criticism about Amanda's "inconsistencies", and have adopted what is a more nuanced view - and you're light-years from calling those inconsistencies "lies" as the haters/guilters do....
.... which perhaps shows your own "investment" in innocence, because at the end of the day you are not a guilter or a hater. You, yourself, bring a, shall we say "unique" argumentative method to JREF which is, at the end of the day, valued by most if not all here - including me.
Grinder said:
I have always thought that in more than one way the key to the case was the false "confession" and the obvious fact that police had Patrick as the killer well before Amanda told them "what they knew to be correct."
You seem to be saying here something that is obvious, and I wish you would expand on that rather than the canards about sources - films/true crime stuff.