Bigfoot - The Patterson-Gimlin Film

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David Daegling said:
Chorvinsky has since argued that Chambers had an interest in not confessing, and correctly points out that the denial cannot settle the issue. Chamber’s [sic] death in August 2001 permitted correspondence between Chorvinsky and John Landis that had been “off the record” to become very much [spin-words] on the record. Landis had, apparently, been asked to clam up concerning Chamber’s [sic] involvement—by Chambers himself—and respected his wishes. Chambers could not afford to have his role made public because, according to Landis, “I believe that he signed some kind of non-disclosure agreement.”
This is weak. Did Chambers say he’d signed such a document, or did it just stand to reason that he must have, in Landis’s mind?

In what Chambers wrote to Landis, did he say that he’d done the PGF, or only asked him not to spread the word that he’d done so? If it was a false claim, naturally he wouldn’t want word of his fib to become public knowledge or he would be forced to defend it, which would have been awkward. If it was a false claim, he’d have wanted it kept within the inner circle of film-folk, where there would be only positive fallout. That’s what stands to reason to me.

According to Hansen (and who believes him?) all Chambers did was point him to Pete and Betty Corral.
If it’s true that Chambers claimed to have made the Iceman, in statements to von Puttkamer and in some venue that Dfoot cited, and yet it is on-the-record that he did not do so (according to the Corral’s), then any similar statements Chambers may have made (e.g., a claim to have created Patty) should carry no weight, unless supported by evidence.

Who would Chambers have signed a non disclosure agreement with ?
Patterson, presumably. Or maybe DeAtley. (Less likely, since only Patterson made trips to LA. So far as we know.)
 
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This is weak. Did Chambers say he’d signed such a document, or did it just stand to reason that he must have, in Landis’s mind?

In what Chambers wrote to Landis, did he say that he’d done the PGF, or only asked him not to spread the word that he’d done so? If it was a false claim, naturally he wouldn’t want word of his fib to become public knowledge or he would be forced to defend it, which would have been awkward. If it was a false claim, he’d have wanted it kept within the inner circle of film-folk, where there would be only positive fallout. That’s what stands to reason to me.


If it’s true that Chambers claimed to have made the Iceman, in statements to von Puttkamer and in some venue that Dfoot cited, and yet it is on-the-record that he did not do so (according to the Corral’s), then any similar statements Chambers may have made (e.g., a claim to have created Patty) should carry no weight, unless supported by evidence.


Patterson, presumably. Or maybe DeAtley. (Less likely, since only Patterson made trips to LA. So far as we know.)

_________________________________________________________
I don't know if Patterson really came up with the idea of going to Los Angeles to copyright the actual name "Bigfoot" himself, or if that notion came from DeAtley. DeAtley himself always speaks of having to "structure up" anything he's involved with to protect himself.

If Patterson tried to copyright the name in an attempt to own it, then would he not also use this same high-powered Beverly Hills Entertainment lawyer to "structure up" a simple document with Chambers? Not that it was needed as Chambers (and the other make up men of the day) kept secrets very well when it came to who they worked for and what was done. Yet DeAtley was involved in this venture much earlier than he can get his memory banks to acknowledge. That is a fact.

A strange thing about trying to investigate this scam is running into arguments that use quotes from people. LAL often cites "Krantz" or "Meldrum" or "Green" as if the fact that these gentlemen wrote down some bogus info in a book or article somehow makes it a fact one can use. Drawing bones on plaster has nothing to do with what made a fake print any more than drawing lines on a costume does.

Now we have quotes from "the Corals". I run into this in my own life too. Since I choreographed and filmed the fight scenes for BUFFY the VAMPIRE SLAYER, you'd think I might know something about who did what and how it came about. Yet I run into fans who look me in the eye and swear the actress did her own fighting stunts, etc. They then quote some PR hype or some bogus statement someone made as if that means I dreamed the whole thing.

VERNE LANGDON ran DON POST STUDIOS. They are the people who actually made many of the creature suit masks and parts as well as the gorilla suits of the day. Langdon knows what he's talking about. When he says Hansen came to him and explains what happened next, this is it. He's not some wishful thinking Bigfooter or a person coming from out of the blue trying to insert himself into anything. To him, the guy showed up and had the money. How many other versions of the Iceman were there? Who knows? Those kinds of exhibits were common in those days. I'd seen them myself.

Chambers never claimed to have made the Iceman or anything else. Langdon was first approached by Hansen at Don Post Studios. Langdon introduced him to Chambers and Howard Ball. Ball made the first Iceman for Hansen and Chambers helped with that. That was the first one. There were others. Chambers also made one for Jerry Malone to exhibit. There was another guy years before who ONLY made fake carney exhibits - like frozen cavemen, shrunken heads, dead mermaids, etc. Like I said, this was nothing new.

Hansen's thing was just another side-show until IVAN SANDERSON and his ilk decided to write about a side-show joke as if it were a real find. (This is the same man who decided that fake dinosaur tracks must be the result of a giant Penguin sneaking around America). Most people thought that this thing died out when Hansen confessed to the hoax. Yet it didn't and he found he could just make up a new tale to re-invent the Iceman. Amazing. Freeman did this when he was caught hoaxing. Patterson changed his story and nobody cared. Wallace was even brought in by the sheriff back when he first began making fake prints and it got in the news. Wallace simply added the sheriff to the story and went on. Finding clear evidence - or even a confession - doesn't seem to stop a hoax that people are in love with. They are much too willing to suspend their common sense and do back bends to support something that gives them so much fun.

ON THE PHOTO BELOW: I've drawn lines at the hip and neck. This is where the costume separates - just as many gorilla suits of the time period did. You can make arms or legs longer, shorter, wider - whatever. Stop measuring a suit. This is an illusion and a simple one at that.

After Chamber's death I spoke to one of his friends. This man had been quoted before as saying he couldn't recall where he'd heard this rumor about Chambers making the suit. The truth is that he lied. He told me this himself. He said that it was Chambers who told him he'd made the suit but please not to speak of it as long as he was alive. His friend kept his word and so did Chambers.

John Chambers was one of the pioneers of the industry and the first to win an Academy Award for make up. He didn't need to insert himself into the Patterson hoax in order to "get attention". It was a secret prank. A joke job. That's all.

- Dfoot
 

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Patty's head in the image attached by Dfoot seems to be in profile. Yet, this image seems not to show a nose. But at other frames, a nose can be seen, and at the render of Patty at that early bigfoot book (as well as other renderings) show a nose not unlike human's.

However, some renderings avaliable show a more gorilla-like face.

Any ideas on the reasons?
 
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Typical creduloid debate tactics:
At post #2625
...snip...I don't need luck on that, cause I ain't shooting one unless I'm attacked. Then I'm legal.

And, with the way the law appears to be written, ownership of the carcass will be in question.
...snip...

But, at post #2485, this very person wrote:
But, I figure, as long as I'm after the moose, caribou, bear, and deer, I'll keep my eyes peeled for bipedal apes. And I won't be armed with a rooster.

I sure hope folks don't walk around these woods in ape suits.

Under the potential circumstances of that scenario, I'm a believer in the "Three S's":

Shoot
Shovel
Shutup
And skeptics are being accused of several sorts of dishonest debate tactics, among other things...
 
Let’s start from the beginning.

Yes, lets. Parcher initiated this foolishness by posting his remarks about the statue, and instead of merely pointing out that it was only a carving, and that the sculptor was not very experienced, and leave it at that, you launched into a defensive ramble (post #2616) about possible creases/hernias (pick one), the butt, the upper thigh, the breasts, and the head/face/ears.

At that point it was already a pretty weak argument to be debating a carving, but it was compounded when you brought it up again in your postscript to your post #2666. There, you spent an additional two paragraphs on the thigh bulge, and whether it may have been hernia, costume fold, or anomaly. You even included a thumbnail image to bolster your point.

It was at that point that I suggested the folly of the situation by posting -- "...surely the evidence is not so poor that we're reduced to debating an artistic recreation of the film subject?"

By your continued discussion on this topic, it appears you DO find it necessary to debate the statue/carving. That answers my question about poor evidence.

RayG
 
There was another show on the Travel Channel last night called Bigfootville. A bunch of footers out in the woods of Oklahoma. They kept claiming to see something in the distant woods. Soemthing was apparently throwing rocks and branches at them.

One guy actually fired his pistol several times at whatever they thought they saw in the woods.

Then they claimed that something threw a rock in the bed of their truck. We never see the rock though. You'd think they'd collect these rocks and branches as evidence, or at least examine them for hair or primate fingerprints...
 
Check and mate, baby.

IF we go by the diagram provided then I would agree with you, however, I tend to believe my eyes. I would want to question whoever made that diagram about what criteria they used to come up with their specific measurements.

Picture2.jpg


It's still a man, or an ape with unusually long thighs and forelegs.

We can also see above that the right hand, as the man walks, is at about knee level, like in a human, apes with much longer arms and shorter legs drop their hands much lower than the knee when walking upright.
 
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This just caught my attention .. ( Sorry RayG for continuing the carving issue )

In the third paragraph, I was trying to forestall a comeback by Parcher that the sculptor should have made the hernia more prominent, and had been devious in not doing so. I countered that by stating that the sculptor’s purpose had been “to communicate Patty’s ordinary appearance,” and that highlighting the bulge would have diverted attention to a “side-issue.” The three possible interpretations of the thigh bulge were listed to illustrate its unsettled or indeterminate nature.

Ordinary appearance? An ordinary ' what ' ?


I'm sure you don't want us diverting attention to side issues like bulges, breasts that don't move very much, unremarkable gait, unremarkable proportions, unremarkable height & etc; but why else would we even be discussing this?
 
Typical creduloid debate tactics:
At post #2625

Originally Posted by Huntster :
...snip...I don't need luck on that, cause I ain't shooting one unless I'm attacked. Then I'm legal.

And, with the way the law appears to be written, ownership of the carcass will be in question.
...snip...

All true. I carry a small digital camera with me in the woods, but I'm always armed, even if it's just a .22 revolver in the winter for the occasional grouse.

Originally Posted by Huntster :
But, I figure, as long as I'm after the moose, caribou, bear, and deer, I'll keep my eyes peeled for bipedal apes. And I won't be armed with a rooster.

I sure hope folks don't walk around these woods in ape suits.

Under the potential circumstances of that scenario, I'm a believer in the "Three S's":

Shoot
Shovel
Shutup

Joke.

I suppose I should have used some of those little smiley things, but I'm not very creative, remember?

Oh, well; like I've written in the past, I should be more careful writing to a room full of lawyer-types.

Now I'll be accused of name-calling again....sigh..........
 
Get out your rules and calipers. Here's more evidence that BF's proportions aren't human. You'll never convince me that this is a bloke in a suit!

BGFT01BN_1.jpg


A dwarf who brings a standard along with him to measure his own size - take my word, is a dwarf in more articles than one. (Laurence Sterne)
 
Let’s start from the beginning. Parcher posted:
Yes, lets. Parcher initiated this foolishness by posting his remarks about the statue, and instead of merely pointing out that it was only a carving, and that the sculptor was not very experienced, and leave it at that, you launched into a defensive ramble [you’re “losing it”--RK] (post #2616) about possible creases/hernias (pick one), the butt, the upper thigh, the breasts, and the head/face/ears.
Parcher accused the sculptor of deliberately creating a statue that misrepresented Patty in order to make her appear more authentic. He put forward five claims:
• The thigh bulge was missing (I countered that it was visible when viewed from the side);
• The butt was made more natural (I disputed that, saying that the indentation lines above and below it were unnatural, as was the thinner thigh (more humanlike, hence more consistent with a hoax);
• The breasts were moved higher to look more natural (I argued that post-adolescent breasts look more natural in a lower position), and a different shape (which I disputed);
• The head was different (I explained that it was based on a profile view in frame 344, and the difference was not intended nefariously).
• The statuette would look very different if compared to Patty (I disputed this, saying the side-by-side photos on p. 96 of Meet the Sasquatch were similar).
So I responded in a pertinent fashion; I did not “ramble.”

You stated that I should have “merely point[ed] out that it was only a carving, and that the sculptor was not very experienced, and le[ft] it at that.” In other words, that I should have conceded that Parcher was correct in his characterization of the statuette. Question 1: But why should I have conceded that Parcher was correct, if he was wrong in asserting that certain differences were present (if they weren’t), or that they made the creature look more authentic (if they didn’t), or that they were significant (if they were only trivial)?

Next, You suggested I should, in effect, have pled guilty with an explanation, stating that Bourtsev was inexperienced and "it was only a carving" that was under discussion. Correction, the issue on the table was Bourtsev’s honesty (and by implication the level of honesty to be expected from Bigfoot researchers generally), which is a very important issue. That was the point behind Parcher’s post, as indicated by his lead-in:
Another example of contemporary modification of Patty to make her look authentic.
Question 2: Should I have conceded the justice of an unfounded attack on the character of Bourtsev, and by implication of other Bigfoot researchers, or was it appropriate for me to respond? (I did so calmly and honestly, conceding points where Parcher was on-target. I defended in a non-“defensive” way.)

At that point it was already a pretty weak argument to be debating a carving, [no, defending the honesty of Bourtsev et al.] but it was compounded when you brought it up again in your postscript to your post #2666. There, you spent an additional two paragraphs on the thigh bulge, and whether it may have been hernia, costume fold, or anomaly.
As I stated in my post prior to your response, I spent those paragraphs trying to “forestall a comeback” I anticipated from Parcher: That Bourtsev should have made the thigh bulge larger. I hoped to avoid one round of wrangling with him, IOW. So my post was not wasted space, as you imply, but the reverse.

You state that I discussed the bulge at length, implying that I was trying to defend Patty’s authenticity thereby, or because I just liked to ramble. But I mentioned that there were three possible explanations for the bulge only to indicate that its nature was unsettled and that therefore making it prominent on the statuette would have been inappropriate. I wasn’t arguing about which of these interpretations of the bulge was correct, or using my interpretation to bolster the authenticity of the PGF, as you have implied.

You even included a thumbnail image to bolster your point.
You imply my “point” was to defend the PGF, but it wasn’t. You won’t be able to find and quote any words of mine to that effect. I posted the thumbnail image of the statuette’s thigh-bulge only because not everyone has a copy of Meet the Sasquatch, and I wanted to put my evidence on the table by showing what it was that I was seeing. (I should have done so in my first post, but it hadn’t occurred to me to crop the image.)

You made reference to the thigh-bulge on the statue, even giving possibilities for what it might be -- hernia, costume fold, or anomaly. I voiced my opinion that the evidence for Patty must be very weak if we are debating a carving of Patty.
No, I was defending Bourtsev from the implication that he’d carved a dishonest or inappropriate statuette in the thigh area. Nowhere did my discussion of the bulge or my thumbnail image aim at bolstering Patty’s authenticity, as you have charged. My previous response to your statement quoted above was a challenge (below) to you to quote words of mine defending the PGF based on evidence from the statuette:
Where did I do that? Nowhere, that’s where.
(You failed to respond to the above—because you can’t.)
Question 3: With what words (QUOTED) did I use the statuette as “evidence for Patty”?

By your continued discussion on this topic, it appears you DO find it necessary to debate the statue/carving.
No, to clear up your obfuscations.
That answers my question about poor evidence. RayG
Oh, brother.
 
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This just caught my attention .. ( Sorry RayG for continuing the carving issue )
In the third paragraph, I was trying to forestall a comeback by Parcher that the sculptor should have made the hernia more prominent, and had been devious in not doing so. I countered that by stating that the sculptor’s purpose had been “to communicate Patty’s ordinary appearance,” and that highlighting the bulge would have diverted attention to a “side-issue.” The three possible interpretations of the thigh bulge were listed to illustrate its unsettled or indeterminate nature.
Ordinary appearance? An ordinary ' what ' ?
There are over 900 frames in the PGF. The thigh bulge appears in four of them, and is prominent in only two (or maybe three) of them. “Ordinary” frames lack this feature.

I'm sure you don't want us diverting attention to side issues like bulges,
You’re “sure”? You won’t find anything in my posts on BFF trying to put a lid on such matters. I’ve said there, “let the chips fall where they may.” If you remember, I conceded the reality of your discovery of one such “bulge,” Patty’s Donuts, when you pointed them out (as Skeptical Greg) on BFF. (You even congratulated me for making a rational response.) I’ve welcomed other discomfiting posts, if I thought they made a good point, or deserved further examination. One example was BEH’s claim that he saw “tent poles” rather than saplings in an early frame of the PGF. And I recently conceded here the reality of Cliff Crook’s key-shaped fastener,” or “zipper tag,” and other similar suspicious items:
Mark A. Hall said:
… things appear to be suspended [by paste] from the bodies of the creatures in the films.
The “things” he has in mind include Cliff Crook’s supposed zipper tag (which I’ve dubbed “Patty’s reticule”) at her left waist (briefly visible), the egg-shaped blob that swings at Patty’s hip joint in some sequences, and the possible "tumor" on the right breast. Conceivably, these might also be the cause of Diogenes’ “Donuts” on the arms. (It [paste] might have caused the hair to clump together in ridges ringing the arms.)
I think I suggested here that these features (“half-a-dozen-and-counting”) may turn out to be authenticators in the end.

breasts that don't move very much,
Since we lack a captured (or additionally filmed) specimen, you can’t be too darn sure they aren’t actually moving “just right.” It would be a stretch to claim they plainly move artificially. I speculate that it would have been easier for Patterson to have made more pendulous, beanbag breasts, like the ones Ostman had reported (and that Patterson drew in his book). He could have just used beanbags. (But, if he had, he would be criticized that he made them that way because making them firmer and higher would have been more difficult and expensive.)

unremarkable gait, unremarkable proportions,
I have no fear of you “diverting” attention to those matters. And I’m pleased that you think the gait and proportions are unremarkable—it gives me an opening to say, Let’s see you walk the talk. And post your own measurements of Patty’s proportions.

unremarkable height & etc;
Within the past week I posted here to RayG that we should get away from absolute measurements (like height) and focus on ratios. I’m prepared to concede Patty’s height as being under 6’6”—and maybe under 6’3”, which would be unremarkable.

but why else would we even be discussing this?
I voiced no objection to discussion of anomalous features. My statement implied that it is not appropriate, on an educational statuette meant for the general public (of any animal), to display transient features. You can create a statuette simultaneously showing all the transient anomalies if you’d like, in the proportions you think correct, and sell it (or give it away—it’s only plaster) at skeptics’ conventions. I’d be delighted if you did so.
 
Roger,

I apologize.. With hindsight, my snide re,marks were out of line..

It is true that you have given a critical look at the anomolies that have been brought to your attention..

Your critical apparoach is one of the voices of reason over at BFF..

Stick around.. Check out some of the other discussions...
 
The thigh and calf bulges are certainly there. Perhaps a look at an unedited film will tell us all more.

We lack an initially filmed specimen as far as anyone can say.

I suspect that Roger was unable to get the breasts to look realistic, so he settled for constantly describing them as realistic in the film when they actually weren't.

I think we have specifically nailed Patty's height as unremarkable.

I think we have pretty well nailed the "mid-tarsal break" as unremarkable.

Ratios from a suit? Haven't we been there before?
 
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