The difference between the Chiacchiera story and the old lady is that we know Burleigh's source - the old lady herself. We can reasonably believe Burleigh has not made it up. Of course, the old lady might be an attention-seeking fantasist but if she is, she's not a very successful one. What happened to that watch? That's the question.
This is perhaps the one time I will defend Grinder in his innate criticism of the true crime genre.
When asked, Candace Dempsey will talk about her sources. When asked (and I am not one who has) John Follain will not - or so it seems.
He includes a little tidbit in his true crime version that Marco Chiacchiera counselled on the morning of Nov 6 NOT to arrest the three - Knox, Sollecito, and Lumumba - but have them released and observed closely. Napoleoni and Mignini rejected that advice.
That's Follain's assertion. Does he ever say where he gets this from? Not that I can find. On the face of it it is an incredibly titillating tidbit... Wow, if true it's an insight into how things went wrong?
But there's really no more to be known about it than that Follain asserts it - hence the limitation of the true crime format. Fact or factoid? Only John Follain knows. Perhaps even Marco Chiacchiera knows. If the story is at all correct, then both Napoleoni and/or Mignini should know, unless it was not that important to them to remember.
Where Grinder errs is in assuming that this is being claimed as an iron-clad fact. The problem with the true crime format is that there's no way of knowing. The advantage of the true crime format is as Candace Dempsey writes.... it gets the overall story out there in popular-"novel" fashion.
I happened across an early manuscript of one of the true crime accounts, and saw a bit of the "structure" of how it was put together, this one did have brief notes to sources - a device for the author to remember what is intended to be written in that place. Whether or not this is how all true crime authors proceed I don't know, but this one (seeing the structure behind the assertions) was brilliant.
The deficiencies of Follain's work is for all to see. As far as the Chiacchiera thing is concerned, there is no real reason to know if Follain is correct, or (as Grinder is always on guard for) simply invented it out of thin air.
My own fantasy on that point is that Mignini offered this to Follain as a deal in not prosecuting him along with Curt and Edda for defamation for what Follain quoted about them in the Telegraph. Imagine, the person being quoted being charged with a crime, but the author of the piece AND the publisher conveniently missed out. Mignini said, in my fantasy, "If you say not another word about that bastard Chiacchiera, I'll not have you charged with defamation in the 'slap on the head' matter."
See I can do conspiracy!