Hey all.
Haven't posted any updates recently because I've been flat-stick actually doing stuff. I'm roaring through my major rewrite of the final chapters of my book, and have some fantastic feedback from my primary test-reader/editor so I'll go back and tweak a few things that will really enhance it.
I've also found a solution to a long standing problem, and am very happy with it. My book is quite adult and dark, dealing with realistic warfare, and revenge as a major theme. But because it begins in a farming village with a child, it starts quite "innocently" with just a hint of the things to come.
In addition, there's no real antagonist or anything to sink your teeth into dramatically in the opening - it's more building a sense of ominous foreboding, and weaving the threads of mystery (or something).
But my concern is that means anyone reading the first few chapters to see if they like it (either a reader with a sample or a publisher with a submission) is not seeing my best work at all, and might get the wrong impression about the tone.
Anyway, to cut a long story short, on thinking about it I realised I had the threads of a nice subplot that answers all of these problems, so I've sketched it out, worked out where it fits pretty neatly into the existing story, and the feedback I've got from the outline has been pretty positive. So once I'm done with this rewrite it's back to the beginning to weave some drama into the beginning, and I'm really actually looking forward to that.
It's funny, after fifteen years of work, whenever I come back to the beginning of the story and rework my Parth scenes it feels a lot like coming home, I'm so familiar with that little village and its residents!