Here's an excerpt from an interview I did with John Chambers back in '97. As you can see, I was trying to address the long-standing rumors that he had been involved with the classic footage and here's what he said, sort of:
Joe: There’s been a rumor that you did the Bigfoot make-up seen in that famous clip?
John: No. I made up a Bigfoot and it’s going around yet. I used an actor who was over seven feet tall, and I said, how am I going to make that bigger? I had a couple of guys who weren’t working, and I had trained them to be with me when I had big jobs to do, mixing the plaster and things like that, so I used them, and we got this guy and gave him a few hundred dollars, I said, ‘It’s bare minimum, but I want to give these guys some work,’ and there was one guy I promised he’d do it, he wanted a Bigfoot, and he said, ‘I don’t want my face that way,’ but I said, ‘I’ll rig up the forehead a little, make a bigger forehead-’ and he said, ‘Don’t ever mention my name.’ This was a full body for a coffin, and they wanted him in a coffin, and we didn’t care what he was made of, so the most expedient way which was to take artificial stone, which was dental stone and it’s hard and we cast him in sections- head, half of the body, legs, feet; they cast beautifully, and when I put them together, I worked the texture into where the blend lines were, but on the lower legs, I separated them and added a section to make him over eight feet, so when I put that section in, he was a giant. I had Werner Keppler lay hair on it for me, and the breasts had little nipples, all the pores on his face, and if you scrutinized it, you wouldn’t believe it, it looked so natural. We had a coffin made, a big, heavy red-lined box but it looked like an open coffin, and it weighed a ton. I had it taken out and tested in the carnival area, so I could see what people were saying.
Joe: So what was this being done for?
John: A carnival. There are a lot of guys out there doing that. You know the block of ice with this body that was frozen in a block of ice? This guy’s story was really good, and he brought it to me wanting artificial eyes, and I gave him artificial eyes and I gave him the people that would do the hair, and then he had it implanted in ice. He finally got arrested by the Canadians, bringing that body across the body. They wouldn’t let him go into the ice to see if it was fake or flesh. That’s what happened with this thing; it was passed off as a real body- people would say, ‘Look at the toenails, look at the... it must be real!’ We had a speaker right near him, and we were listening to everything, but the funny thing was, the guys says, ‘I need a sign to really finish this, and I don’t know what to with it.’ I said I had an idea to make it real, so I said, ‘Listen to what I say: the creature in this coffin once lived and felt the sunset glow; like that poem, “Who lived and saw the sunset glow; now he lies in Flander’s Field;’ I took some of those phrases and put in, so it said, ‘This creature was alive, in this coffin,’ but I didn’t tell them, I put a fly under his arm, a big horsefly, and it lived and felt the sunset glow,’ and I said, ‘I’ll prove it for you, do you believe me now?’ He said, ‘You can do that?’ so I had the fly caught, because when he was challenged, he had to show the fly! That character was on the carnival circuit for years, but that was the kind of jobs I got.