Okay.
I went to the Wikipedia entry for Streicher here.
// en.wikipedia.org/wiki/Julius_Streicher
It is fairly thorough in its description of his life.
While he clearly dislikes Jews, I see nothing that indicates he wants them physically harmed in any way. As far as his diatribes in Der Sturmer, I believe that Germany at the time still had freedom of speech laws.
A quick search of life during the Weimar period turns up this.
w w w. ukapologetics.net/weimar.html
An expose of the most disgusting perverted lifestyle ever brought upon an historically conservative culture. German citizens were reeling in their Great Depression, so obviously they had no part in the creation of this lifestyle.
That leaves Germany's Jews.
Here is another:
w w w. salon.com/sex/feature/2000/11/22/weimar/print.html
A snapshot of Berlin between the world wars includes nudist magazines devoted entirely to children; glittering cabaret shows parading acres of sweaty, perfumed female flesh; and an endless supply of cafes, bars and private clubs catering to gay men, transvestites, lesbians and sadomasochists.
Inflation is so rampant that the local paper currency is good only for toilet paper. Cocaine, morphine and opium are peddled on every street corner. And more than 120,000 desperate women and girls of every age and stripe sell their bodies for a pittance, including mother-daughter prostitution teams and brazen streetwalkers well into the third trimester of pregnancy.
Such was the glory that was Weimar Berlin, a burg American writer Ben Hecht called the "prime breeding ground of evil." Most are familiar with its reputation as a crime-ridden sewer of frenetic debauchery through period classics such as Fritz Lang's "M" and Josef von Sternberg's "The Blue Angel," stage productions of Brecht's "The Threepenny Opera" or screenings of Bob Fosse's lurid, leggy movie musical, "Cabaret." However, very few of our assumptions about that decadent interwar wonderland are based on actual documentation of Berlin's whorish past. And most of it has been filtered through the arid prose of academia.
Now with Mel Gordon's new tome, "Voluptuous Panic: The Erotic World of Weimar Berlin," connoisseurs of carnal excess have the next best thing to a time machine with which to visit that era of blissfully morbid hedonism.
....
It is this hedonistic lifestyle and everything associated with it promoted by Germany's Jews that Streicher appears to be writing against
Is that correct or am I missing something?