Katody Matrass
Master Poster
- Joined
- Aug 18, 2010
- Messages
- 2,119
The appeal points out courts error in dismissing Vinci's conclusion.
The prints were photographed in darkness, but without fluorescent measuring tapes, as it is recommended. Thus it was then necessary to assess the sizes based on intermediate measurements i.e. the tile size - photographed in light. The problem is that the prints were not photographed orthogonally, as recommended, but at an angle, so a perspective correction was needed. It's not easy when you have a photo made in the dark without clear landmarks or reference points.
Rinaldi first measured the print in such indirect way as 227 mm. Then corrected himself and made it 245 mm.
The court thrown out Vinci's 215 mm result on the basis that Rinaldi was first wrong with his perspective assessment, so Vinci must have had wrong data.
But the truth is that Vinci made his own perspective correction, using specialized software and selected reference photos. So his measurement was thrown out on a nonsensical basis.
The prints were photographed in darkness, but without fluorescent measuring tapes, as it is recommended. Thus it was then necessary to assess the sizes based on intermediate measurements i.e. the tile size - photographed in light. The problem is that the prints were not photographed orthogonally, as recommended, but at an angle, so a perspective correction was needed. It's not easy when you have a photo made in the dark without clear landmarks or reference points.
Rinaldi first measured the print in such indirect way as 227 mm. Then corrected himself and made it 245 mm.
The court thrown out Vinci's 215 mm result on the basis that Rinaldi was first wrong with his perspective assessment, so Vinci must have had wrong data.
But the truth is that Vinci made his own perspective correction, using specialized software and selected reference photos. So his measurement was thrown out on a nonsensical basis.