Coloration can also be caused by harmonic distortion. ES referred to this in his comment about certain audiophiles who prefer vacuum tube equipment.
Another factor is damping ratio. Here's a relatively good article describing what it is and how speakers and amplifiers work together (or fight each other):
http://www.classic-audio.com/marantz/mdampingfactor.html
I suppose damping factor is another way to affect the balance between harmonics, but it is better to just talk about damping factor on its own. Some speakers are more sensitive to damping factor than others, so certain amplifier designs have an adjustable damping factor that allows the user to adjust the amp to the speaker. Here's an example of one such design:
http://www.supratek.biz/poweramp.htm
I read through the page and while most people will think the Suprateks are pure b.s., the technical basis for their claims are sound. Of course, I have no personal experience with these amps but these ideas are nothing new in the field of tube amp design. Audio Cyclopedia has a rather interesting section on amplifier output impedance and its effect on different speaker loads, and electrostatic speakers seem to be the most difficult load for an amplifier to handle.
Anyway, I thought I'd bring up damping ratio as an example of something that isn't so much an influence the steady-state frequency response as it is on the transient respose of the amp.
Edited to add:
I forgot to say that like harmonic distortion, damping ratio can also be measured, no magic at all.
Another factor is damping ratio. Here's a relatively good article describing what it is and how speakers and amplifiers work together (or fight each other):
http://www.classic-audio.com/marantz/mdampingfactor.html
I suppose damping factor is another way to affect the balance between harmonics, but it is better to just talk about damping factor on its own. Some speakers are more sensitive to damping factor than others, so certain amplifier designs have an adjustable damping factor that allows the user to adjust the amp to the speaker. Here's an example of one such design:
http://www.supratek.biz/poweramp.htm
I read through the page and while most people will think the Suprateks are pure b.s., the technical basis for their claims are sound. Of course, I have no personal experience with these amps but these ideas are nothing new in the field of tube amp design. Audio Cyclopedia has a rather interesting section on amplifier output impedance and its effect on different speaker loads, and electrostatic speakers seem to be the most difficult load for an amplifier to handle.
Anyway, I thought I'd bring up damping ratio as an example of something that isn't so much an influence the steady-state frequency response as it is on the transient respose of the amp.
Edited to add:
I forgot to say that like harmonic distortion, damping ratio can also be measured, no magic at all.

