You posted those sculptures as "suits under construction". Well what are they static sculpture or primate suits under construction that will later be either worn by a human mime or otherwise powered to move? If you want to talk about sclupture we can go back to the beginning of civilization.
The reason they were posted is to show a process sculpting in clay to prepare forms for moulding for later incorporation in a fur-suit (you referred to the sculptures as
suits, that's what I was correcting by saying 'not suits') . They are one of the best examples of muscular definition in the design stage that I have to hand. They are to illustrate Sweaty's beloved 'body contour' and
one way it can be achieved. As you say above, the art of sculpture is virtually timeless. Yet over eager proponents of the PGF seem to suffer a mental block when it is suggested that the process could be used to prepare a subject similar to the PGF in 1967. The Gorn (Thanks KK)
is a good example of a form derived from a sculpture in the 60's. Yet you can't imagine it would be possible to incorporate it into a fur suit?
Bill Munns has made many exquisite static primate models yet Bill will be the first one to tell you that there is a huge difference between design for movement and design for static display. Not surprisingly static display is the far easier of the two types.
Precisely the reason I edited out "In your own words not Bill Munns' please" from my previous post.
That said I suggest you understand and recgonize a static sculpture under construction before you throw one out here as a suit under construction. Also if those are scluptures for stop motion animation they don't count in a discussion of the PGF since the PGF is a true motion film.
I don't understand the above. Are you suggesting the figures I posted are for stop motion or static display? The artist must be very small indeed if he's preparing a stop motion figure. Stop motion, suit, static display? You are willing to argue, yet you don't seem to understand what you are looking at or the processes involved.
While we are on that subject, posted again:
A 1950's stop motion puppet 'sans' it's coat of extremely short custom made rubberised fur. Stop motion animators in the 50's could produce superbly muscled figures, covered in flexible custom made short hair pre PGF. But they 'don't count'. Convenient that.
Lastly if you believe that there are examples of pre 1968 fur covered primate suits that show the kind of muscle defination in your post lets see them. I'm entirely confident that you won't find any. If there were there they would have shown up here by now.
Shown 'in my post' - you sneaked that one in to up the anti. Once again, only to no doubt have the goalposts moved, we come to
Charles Gemora.
Suiting up. Padding on and eyes made up, Charles Gemora prepares to don one of his amazing gorilla suits.
And another
interesting page originally posted by Correa Neto from memory.
Edit - this to show the sophistication of a
1940's ape suit - note articulated hand extensions, then say 'NASI report'.
So yes - they have shown up by now.