Bill Munns
Banned
- Joined
- Mar 3, 2008
- Messages
- 449
Wow!
15,000 posts and still people are quarreling over petty things instead of issues of substance.
Can't we at least establish some kind of perspective on this film and agree on some foundation issues so the debate can focus on real issues of contention, instead of slinging phrases like "piece of crap film" or the like into page upon page of pointless childish bickering?
My suggestions for some foundation issues we should be able to sign off on:
1. Regardless of your perception of the PG film, one essential fact about it is undeniable. It represents the most detailed and lengthy filmed study of either a suspected cryptid primate or a human in suit hoaxing an event. It has a level of detail in the imagery that allows debate on whether fingers bend or a wrist turns, enough detail to discuss specific lines of changes in apparent fur texture on specified parts of the body and debate whether any given line is a natural fur anomaly or a suit flaw. No other film or video of a "Bigfoot" (in quotes to mean real or fake, allowing both prospects) is as clear, as long, as detailed in image data, and has been subjected to as much examination and debate, as this film.
2. The fact that it is on film, instead of video, represents a level of potential image detail for analysis beyond any videotaped sighting done more recently. In that sense, it is in a class by itself, as compared to the average YouTube video blobsquatch.
3. It represents a unique instance where there is sufficient footage, in bright sunlight, of a figure in consistent walking motion, to analyze issues of either real musculature or suit structure components.
4. Issues showing irregularities in the fur patterns of living creatures have as much relevance to this discussion as showing irregularities in known fur suits, because the figure in the film does have irregularities in its fur patterns. So as much as those advocating a suit may show stills from other known suits and point out similar shadows or apparent padding structures as compared to what's seen in the film, persons may reasonably show pictures of real animals and point out irregularities in their fur patterns as compared to what's seem in the film. Both comparisons should be respectfully evaluated in relation to the film. And both, seen and studied in motion, are superior to studies of still frames alone.
5. If it was "an obvious fake", the issue should have been settled 39 years ago (within the first year of its existence and examination). The fact that it wasn't means that there is nothing "obvious" about the film or the issue of real or hoaxed.
6. The number of people who are actually open-minded as to any actual final determination are few and far between, and most people who discuss it seem to have fully made up their mind. As such, they tend to argue only for their conclusion on virtually any point of contention, making the majority of arguments essentially worthless as far as actually resolving the individual points of dispute (or the big question, real or fake). And on both sides of the fence, they just end up embarrassing the whole discussion with petty verbal tit-for-tat bantering. More understanding, and less arguing, might benefit everyone.
7. Any discussion forum is made great or petty by the quality of thought (or lack of same) the posting participants contribute. This discussion could be great, factual, well reasoned, and truly a fine learning experience for those who might read and participate. As it stands now, it isn't. I would love to see it become great, and see the fine minds who view and post actually raise this topic up to an enlightening and educational discussion on the topic. But I'm simply one voice, and far more participants would have to share that vision for that vision to prevail.
So that's my suggestion, as we inch past the 15,000 post mark.
Bill Munns
15,000 posts and still people are quarreling over petty things instead of issues of substance.
Can't we at least establish some kind of perspective on this film and agree on some foundation issues so the debate can focus on real issues of contention, instead of slinging phrases like "piece of crap film" or the like into page upon page of pointless childish bickering?
My suggestions for some foundation issues we should be able to sign off on:
1. Regardless of your perception of the PG film, one essential fact about it is undeniable. It represents the most detailed and lengthy filmed study of either a suspected cryptid primate or a human in suit hoaxing an event. It has a level of detail in the imagery that allows debate on whether fingers bend or a wrist turns, enough detail to discuss specific lines of changes in apparent fur texture on specified parts of the body and debate whether any given line is a natural fur anomaly or a suit flaw. No other film or video of a "Bigfoot" (in quotes to mean real or fake, allowing both prospects) is as clear, as long, as detailed in image data, and has been subjected to as much examination and debate, as this film.
2. The fact that it is on film, instead of video, represents a level of potential image detail for analysis beyond any videotaped sighting done more recently. In that sense, it is in a class by itself, as compared to the average YouTube video blobsquatch.
3. It represents a unique instance where there is sufficient footage, in bright sunlight, of a figure in consistent walking motion, to analyze issues of either real musculature or suit structure components.
4. Issues showing irregularities in the fur patterns of living creatures have as much relevance to this discussion as showing irregularities in known fur suits, because the figure in the film does have irregularities in its fur patterns. So as much as those advocating a suit may show stills from other known suits and point out similar shadows or apparent padding structures as compared to what's seen in the film, persons may reasonably show pictures of real animals and point out irregularities in their fur patterns as compared to what's seem in the film. Both comparisons should be respectfully evaluated in relation to the film. And both, seen and studied in motion, are superior to studies of still frames alone.
5. If it was "an obvious fake", the issue should have been settled 39 years ago (within the first year of its existence and examination). The fact that it wasn't means that there is nothing "obvious" about the film or the issue of real or hoaxed.
6. The number of people who are actually open-minded as to any actual final determination are few and far between, and most people who discuss it seem to have fully made up their mind. As such, they tend to argue only for their conclusion on virtually any point of contention, making the majority of arguments essentially worthless as far as actually resolving the individual points of dispute (or the big question, real or fake). And on both sides of the fence, they just end up embarrassing the whole discussion with petty verbal tit-for-tat bantering. More understanding, and less arguing, might benefit everyone.
7. Any discussion forum is made great or petty by the quality of thought (or lack of same) the posting participants contribute. This discussion could be great, factual, well reasoned, and truly a fine learning experience for those who might read and participate. As it stands now, it isn't. I would love to see it become great, and see the fine minds who view and post actually raise this topic up to an enlightening and educational discussion on the topic. But I'm simply one voice, and far more participants would have to share that vision for that vision to prevail.
So that's my suggestion, as we inch past the 15,000 post mark.
Bill Munns