Bigfoot - The Patterson-Gimlin Film

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How many other proported female Bigfoot have there been reported or filmed since the PGF?

To the best of my knowledge (although I'm hardly an authority on the matter):

The subject of the Memorial Day footage is said to be female (at least, according to Meldrum and Noll) and it is assumed that one of the subjects of the Freeman footage is a female. Ray Wallace and Ivan Marx both took pictures of what they claimed were female Sasquatches. I also recommend Googling "+bfro +female +bigfoot."

The leap that Patterson and his cohorts would have needed to make in order to present thier idea in the feminine form was, in my not so humble opinion, beyond their thinking. The creation that they came up with as a male or gender neutural would have served the same purpose as the female version seen on the film as well as having been easier to construct.

Hardly. I'll spare you a repetition of the countless reasons we've given for Patterson deciding to use breasts on a costume (along with references to the movie "The She Creature") in order to highlight some lesser-discussed possibilities.

Some have suggested that the Patty costume was originally intended for a recreation for the Roe Sighting and that at some point, Patterson got the idea to use it for a hoax instead, using the original sighting as a "script."

Last month, while waiting for a friend's party to start, I decided to kill some time at the local Borders bookstore and thumbed through the reprint of Ivan Sanderson's Abominable Snowmen: Legend Come to Life. While reading it, I noticed some very interesting details about the Albert Ostman story. Ostman described the eldest female Bigfoot (aka the "old woman") as walking like a goose and sketches were shown of the creatures head that depicted a crest similar to that of Patty. As I recall, Sanderson stressed that Ostman had been very specific about the look of the head and how it had to be redrawn a few times. Now, as a Sasquatch researcher, Patterson definitely knew about the Ostman story; he even drew a picture of the "old woman." It's also known that Patterson knew of Sanderson's writings and it's possible that he could've read the book (which predates the P/G film). Then again (assuming I'm remembering this right), this would also assume that Patterson either skipped or simply ignored a part Sanderson made in the book about Bigfoot not having lips...
 
AtomicMysteryMonster:

I know Dfoot has posted a lot of stills and videos. I haven't seen them all.

Thank you for the reference to the films and videos. I'll put them on the list of items I should examine and study.

On the leg thing, as I understood, proponents of "real" describe a herniated bulge or something like that. For the record, I don't susbscribe to such an analysis. I see anomolies in the right leg fur patterns, but I have not formed any conclusion yet.

Your explanation for difficulties in reading full threads at BFf is certainly reasonable, considering computers today. They drive me nuts sometimes and my current machine is a lemon that crashes all the time.

The water bag thing is not something I've done personally. I just know it was done pre PG Film. The word "ventilated" can have two meanings, and thus may cause confusion. In film terms it's hand tying hairs on to a fine lace mesh, like good men's toupees are made, with a fine needle like a chrochet hook, but much smaller. The actual hair used can be real human hair, yak hair, or synthetics. The second meaning of "ventilated" is used more for costumes for stroller characters in a theme park, and referrs to the looseness inside allowing air to circulate inside the costume (plus having wire screens to look out of), which allows additional air to ventilate inside.

"Fake fur" generally refers to fur woven like a carpet, onto a backing, a mechanical weaving process.

I guess when terms come at you and if you may not know the industry definition, it may be confusing (most non-makeup people would not likely guess what a "ventilated moustache" really refers to (for example- a moustache hand tied onto lace.)

For the breast comments, I described a generalized gel or fluid pouch to create the fluidity under the foam latex skin. In 1967, water would have been the most probable fluid, and the pouch could have been a condom or a party balloon. Low tech, but would work.

The ice thing I never thought of, but for a Godzilla type suit (hollow actually, held up by suspenders, I believe) pouring ice into it might have worked fine. But for a form fitting padded movie suit of a primate, for example, the suit is too tight to pour anything into. But a Hudsen sprayer is pressurized, so it forces the water into the suit even when it's snug, especially if you use a long tubular spray wand.

You're not being difficult on the "Hollywood Hoax" thing. I was being colorful in my phrasing, but actually trying to say you can have an elaborate hoax involving many skilled people, or a much more modest hoax of a few people doing a hoax on a whim, or any level of sophistication between. I try to stay out of estimating how simple or complex a hoax may have occurred if it did. Seems there are simply too many options to speculate upon.

On my analysis, and your respectful disagreement, if I start with a presumption I'm looking at a suit and then study if the materials can do the suit, haven't I already stipulated to "if it's a suit"? And if i stipulate that, then it seems to me that I don't need to study the particulars before or other peripheral elements of the scene and event. Respectfully, you lost me here.

Yes, my study is certainly open to the possiblilty the filmed subject is a real bigfoot. But isn't everything you address here arguments for "real"? For a suit, the hair length is reasonable. Why would the odd film speed affect my idea, or even the smoothness of the gait? Those seen to be arguments for "real" and I personally am not using them to say "can't be a suit". I know people are studying these issues, but I'm not, at this time. Honestly, as much as i've seen, I don't have trouble thinking a man in a suit can do the walk.

On the Dfoot post copy, those two paragraphs are straight across from the original post. Just thought it would clear up the remark for you.

On Giganto inspiring others and others inspiring me, I worked pretty much just with primate anatomy references. but apparently some people copied Giganto or parts of him for cryptid things, like a line drawing of a "Chinese Wild man" which was just a tracing over my giganto photo. So I can confirm cryptid things were influenced by the Giganto images, but no cryptid material was used by me to make Giganto.

Thank you for your comments and questions. Hope I answered then.

Bill
 
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Can't keep up. Adding more.




Sweaty Yeti:

If i just watch the figure overall, yes. When I start looking closely at the surface of the body, fur. light dark patterns, etc. I have doubts.


LTC8K6

yes, I did not come to hear people whine. I really want to listen to people express ideas and debate issues.

MOTS

I share your hope that respectful nature will continue.

Diogenes:

I had no idea how my notes might be received. I really was unprepared for the response. I recall Chris being well received at first from what I read of his thread, but I didn't follow all of it to see why he left.

Did I sidestep the shoulder pads? Sorry. I'll be glad to comment if you can refresh me on the question.

On the breasts again, I'd expect a difference of movement of one breast to rule out a simple prosthetic (latex/polyfoam) because they have no movement, but I suppose a fluid filled fake breast, as well as real ones might have a different motion one side to the other. My best guess there.


Bill
 
Atomic....

As Bill Munn's costume assesments continue and Dfoot continues to dig up evidence it looks to me more and more that Patterson and his cowboys didn't mastermind this thing. At times I find myself asking the question of who was really behind the camera and who was actually in the suit.
 
For whatever reason, my computer doesn't "play well" with the BFF. I have no problem reading the first post in a thread, everything after that is a crapshoot. Posts that I can see on a different computer (using the exact same browser; I should also note that my ability to access to that computer varies) will not appear when I visit the BFF on my own PC.

Not sure if this is the problem or not, but next time you open a thread there, click on 'Options' in the upper right (on the same line as the thread title), then, under 'Display Modes', ensure you have 'Standard' selected.

RayG
 
Atomic....

As Bill Munn's costume assesments continue and Dfoot continues to dig up evidence it looks to me more and more that Patterson and his cowboys didn't mastermind this thing. At times I find myself asking the question of who was really behind the camera and who was actually in the suit.
An interesting thought. What if a third party had been aware that a couple of well known bigfooters, known perhaps for a bit of critical laxity, were going out to do a documentary, and decided to hoax them? Too ready to believe what they see, they do all the work except for the suit, and get the blame if the hoax blows up.
 
Please make up your mind. Do you want my notes to go away or stay and be discussed?

I have no problem with your notes being discussed. For some reason you think it is gossip when people do so though. I could care less one way or the other. If you want to present your case that it is not (or unlikely) a man in a suit (at least that appears to be your position), I suggest you do it one step at a time so each item does not get lost in the confusion.

And your "the impresion" of my being a PGfilm expert is different than my saying I am one. You seem to feel I must be answerable to other people's impressions of me.

So let me get this straight then. Are you stating that you are not an expert and your opinion has little or no weight? It seems that bigfoot proponents find your opinion and analysis very important. Apparently, you have posted a great deal about your expertise in the other forum. Your actions give the "impression" you are speaking from authority and an expert of some kind that applies to the PGF. Now you suggest that you are not an authority. If you don't consider yourself an expert, then I can only assume that your analysis/notes are essentially no better than the usual believer. Please make up your mind on this matter because I have seen quotes from other experts in your field stating the opinion that it is a man in a suit.
 
Astrophotographer

Can you distinguish between "an expert in costume suit fabrication and technology" and an "expert in the PGFilm"?

A person may have expertise in one and not so the other, and still be an expert in something.


Added:

If what is in the PG Film appears to be a person in a suit, as some people contend, than an expert in suits can appraise the film content from the person's subject of expertise, as I do. That is different from being an expert on the film itself, which embodies many other considerations aside from the issue of whether the figure in it is a suit.
 
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Is anyone stoping you or Kitakaze or anybody else here from copying my notes and taking them to somebody for review?

No there isn't ;). Nor is there any reason that the results of those (discreet) enquiries have to be posted on a public message board - and certainly not one where PGF proponents have the majority.
 
Atomic

I'm glad you posted the link to the Hoffman video. I've seen it before but never knew who made it. That's the best looking thing of all but as usual it shoots itself in its own "bigfoot" by being not more than a snippit of creature. Yet even within that snippit I saw enough to condemn it to the fake pile. There is a brief moment where the back of the creatures right hand is visible. It appears dark as if fur covered. Even dark primate skin shows up light of the way light can reflect off of it. Also I seem to remember Hoffman offering the full length video for sale to viewers. No he's not in it to make a buck lol!
 
Bill,

You are attempting to determine whether costume Technology from the 1960's would or would not be able to produce the images we see in the PGF.

Is this a reasonable goal, considering the blur, shake, and overall poor quality of the film?

Wouldn't any analysis of the PGF from a costume experts point of view, have to have some form of caveat(or Asterisk w/ footnote) with regards to the poor film quality? If yes, how would you word that?
 
No one knows what a sasquatch's feet or hands look like, Crow. They might be fur covered or dark.

True but the palms of primates hands furless as it the PGF Patty's. Atomic brought up the Hoffman video so Bill Munns might use it for yardstick purposes. With regards to the PGF there is only one element that still grabs my gut and leaves at least one nail in the PGF coffin not fully driven home. That element is the view of the palm of the creatures left hand as it swings into view shortly after frame 352. Its not only light in color and furless but it is huge and has a palatable sense of mass and flesh. Its best view in motion on the MK Davis gif. If the costume designer got the breasts wrong the designer did a heck of a good job on the palms of the hands.
 
Crowlogic - there's a picture showing the 'large' right hand that I believe was shown to be an artefact?
 
Apologies if I'm barking up the wrong tree - this is what I was thinking of:

largehand.jpg
 
Starting with Mr. Parcher's question about my lack of using the quote function:

I compose my statements and replies in Wordpad, on one screen, while having the forum page I'm responding to on the other screen. I write a first draft with my mind going a bit faster than my typing, and spelling never was my best skill, so I take time to proof and check spelling. The "quote" copies into WordPad only as text. Once I've done a first draft, I prefer to think things through, re-read for clarity, and try to make the most responsible statement, not just an off-the-cuff impulse statement. So the "quote" function get lost in the process. Sorry for the inconcevenience.

Understood. There are still things you can do to fix this. When you are done composing in WordPad, you paste this into the JREF reply window. At that point, you can use the quote function to isolate quotes. There is an alternative approach that would help. You could simply bolden the quotes as a way of visually distinguishing them from your responses. But then after all, the bold function requires no fewer mouse clicks than does the quote function. These suggestions can just as easily be used by you on BFF.

...spelling never was my best skill, so I take time to proof and check spelling... Sorry for the inconcevenience.

Dude!

Did it ever occur to you that perhaps I may care about a final conclusion simply because I want to understand better what's in that film? And I put notes and thoughts into a public forum so it may be criticized by others, forcing me to re-examine my facts, premises, and logical reasoning methods.

You chose the BFF as your "public forum" for criticism. The nature of that forum is based on a belief in Bigfoot as well as Patty (being real). Your received criticisms and comments there are going to reflect that. There are some genuine skeptics there, but they are always walking in a minefield of believers. The JREF forum represents something like a completely opposite zeitgiest. This place will test your hypotheses in ways that just won't happen on BFF. It's mostly because the BFF is a relatively hostile place for powerful and motivated skepticism of Patty and BF in general. That situation is a conversation in itself, and is directly related to the behavior of people within cults.

You say " That is unless you change your present course." The sad thing about this whole dialogue is you cannot comprehend my course. You truly do not know anything about my life thus far (59 years of it, to date) what I've learned, what I've invented, what I've proven, and what challenges I have faced for the actions I've taken.

The following is not meant to place you in a tiny box: Your life history, accomplishments and 'course' are not germaine to the issue at hand. These things may help to explain why you do what you do, but this is about your analysis of Patty. You are leading the BFF crowd (intentional or not) into thinking you will deliver Patty as a Bigfoot at the 'end of the day'. It is precisely your history, past accomplishments and present status that assures them that this is not just another Joe Blow talking about Patty. Bigfooters are absolutely desperate to latch onto somebody like you. You should see how they deal with Jane Goodall. From the moment she announced her romantic belief in Bigfoot/Yeti on NPR... the pimping began.

Do you think you must warn me about being ostricized by my profession or community because I take a stand on a matter that the prevailing opinion or dogma opposes. I've been there, done that, and I'm still standing, so, trust me, I can deal with somebody not liking me if I come to a conclusion that person or persons bitterly oppose.

I see that you are capable of misrepresenting someone as much as (you claim) is done for you. Ostracism within the community of costume designers was not what I had in mind. I may be rough on you, but I am not stupid. You are an artist and craftsman working in the visual entertainment field (we can call it "Hollywood" for simplicity). Your personal beliefs have very little bearing on your ability to work and get paid in Hollywood. Those who contract you probably don't give a rat's ass if you think space aliens are molesting people and random cows, nor if you sleep with a penny balances on your nose. You make costumes and Hollywood buys your work. Your productive career is not at much risk.

There is a meaningful connection between highly-gifted artists/academic/scientific "geniuses" and the issue of bizarre personalities. This has never been a secret, and in fact, society feeds on this when it is put on display. You can see this if you dig into the biographies of people like Van Gogh, Pollack, Warhol, Poe, Hemingway, Capote, Freud, Tesla, Einstein, etc. etc. etc.

You must take risks if you truly want to learn, and you must be willing to face the most withering criticisms from people of all intellectual plateaus, whether the most lucid and logical or the most deranged and naive. You must be willing to criticize yourself, and not fear to even prove yourself wrong if the data leads there. But most of all, you must value understanding above winning, because if "winning" becomes your goal, then you start refusing facts, twisting logic, and denying ideas of merit. And all you win is ignorance.

Thanks for your views on how to live a fulfilling life. Your Patty analysis is packaged as a kind of scientific pursuit. Among other things, science is a contest of ideas. There are winners and losers. The battleground for these ideas (as hypotheses and theories) is the arena of peer review. Your work on Patty would include (at the minimum) several different peer review arenas. These are costume design, photo/film forensic science, physical and cultural anthropology, zoology, and sociology.

I want to understand what's in the PG film. It mystifies me and I would like an answer. That is my goal, my ambition, my intention. Do you find that so hard to grasp? And would you please give it a rest predicting my future if I pursue my "present course". Spend more time predicting the course of your own life.

Sure I can grasp that. I already did this before you arrived here. You are not wearing a thick skin in a forum where that is standard apparel. I am strongly skeptical of Bigfoot as well as its believers. Actually, I think BF does not exist at all outside of the minds of believers. Further, I think that many so-called believers don't actually believe in a real sense, but instead enjoy playing the "game" of Bigfootery (sometimes for monetary profit). I play the "game" of BF skepticism and it's one of my hobbies. Part of that involves engaging my imagination and making speculations (what the future holds based on the past and present) about Bigfootery and those involved with it. Bill, you are going to have to deal with that. The "worst" one of the bunch (me) is paying attention to you. Telling me to stop talking about your future and instead focus on my own only adds fuel to my intrigue of cryptozoologists and how they interact with skeptics.

Focus on your own real accomplishments, instead of simply being a commentator of others lives (past, present or future). Don't you want to walk away from the computer sometimes, and look out at this splendid, majestic, intricate and astonishing world we live in and feel like you understand it, a little better each day, because you opened your mind to exploration and discovery, choosing to walk down a road even when you don't know where it leads, to see what's at the end of it? I do.

Bill, this part contains extreme irony. I am very much intrigued with the natural world and the mysteries it presents. I almost always want to "walk away from the computer", and do it regularly as part of my life. My primary interests are based on scientific naturalism and animal life. I am devoid of religion and seek happiness in nature and human interaction. Humans are animals too, and they are the easiest ones to observe and serve as objects of wonderment. This is not limited to others, as I am constantly intrigued with myself (not as narcissism).

So Bill, the irony of your paragraph is that I am, and do, exactly what you speak of. This is why I am a Bigfoot skeptic and am highly-intrigued with Bigfoot believers and Bigfootery.

I think you are asking for a "live and let live" philosophy. Do your own thing and let me do mine. I could never argue against that. But there is an inherent problem, and you are facing it now. Sometimes the "thing" that people do is to look at other people and what they do. You even had to do it in order to formulate your suggestions towards me on how to deal with you. Do you feel bad or hypocritical, for making suggestions about how I might improve my life, as a way of deflecting me from making such suggestions of you?

I have no interest in offending or harming you as a person. It's about the Patty thing. But I can't leave you out of the skepticism thing, because it is you that is analyzing Patty. Bill, regardless of what happens in this forum, your time here will not be wasted. My initial JREF posts (the 'worst') about you were meant to both criticize and lure you here. From my perspective, coming here is the best thing that could happen to you in relation to your interest in the PGF.

The BFF has the capability of brainwashing almost any willing mind. This is a cult of Bigfoot believers. Nobody is forced to go there, but once there, many people are exposed to a whole range of garbage that feeds their interest in Bigfoot. The mods and admins will delete and edit any posts that they want to. There are cliques, and ostracism looms over anyone at any time. All of this is poison to open inquiry and any form of genuine intellectualism. The BFF fosters a special kind of rationality and reason that is focused on Bigfoot as an existing animal. It is very much like a religion. You might like being part of the BFF community. So far, it seems that way.

Live, and let live. Judge, and prepare to be judged. Rock on.
 
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