My notes on muscle padding and muscle simulation suits explain this quite thoroughly? Furcloth of the time moves it's own way, like cloth, and little (if any) movement can be transmitted through it by some other force?
Yes, I saw your notes; the problem I have is that I've seen two things that seem to show otherwise. Since Dfoot posts here, hopefully he'll repost his fake fur and muscle padding demo for you. I suggest talking to the webmaster of the site that I linked to about fake fur, as they have more experience than I have in that department.
Seams are harder to hide with short hair. It's an odd choice for anybody trying to make a suit with 1960's hair materials.
I agree that long hair hides seams better than short hair, I'm just noting that use of such hair in monster costumes (be they for entertainment or hoaxing purposes) aren't unheard of. This is the main reason I said that I'd love it if you analyzed the
Ivan Marx "cripplefoot" film and the
Harley Hoffman film; I think they could act as "controls" of sorts in your analysis of the P/G film. Speaking of films featuring short-furred hominid costumes, 1925's "The Lost World" features one. You can see it from 01:14-01:33 in
this video. I sincerely hope that you have the time to watch those clips, offer your notes on them, and compare them to the P/G film. I am more than willing to address the availability of those titles on home video if you'd like.
"A good example of this is how he dismisses the idea of the "rippling leg muscle" as being loose fabric since he can't imagine someone leaving part of the costume loose. "
I said if it's a suit, the leg thing could be explained as a flap of furcloth loose. I acknowledged that, which you obviously missed. I wondered why nobody would have missed re-gluing it before the cameras roll. I can't imagine that, because if I were there, I'd never let it happen.
Although I now think you didn't intend it this way, your wording at the BFF and in your reply can give the impression that you're casting doubt on the costume aspect. This is why I wrote what I did.
I acknowledged being aware of water pouches suposedly used by Charlie Gamora for a 40's gorilla suit. And I explained exactly how fluid filled breasts could be made with 60's technology. I said I was unaware of anybody actually doing so (fluid sacks to make bouncing breasts) at that time.
Okay, this is going to require some backstory: For whatever reason, my computer doesn't "play well" with the BFF. I have no problem reading the first post in a thread, everything after that is a crapshoot. Posts that I can see on a different computer (using the exact same browser; I should also note that my ability to access to that computer varies) will not appear when I visit the BFF on my own PC. Sometimes when I try to link to certain parts of a BFF thread, other JREF posters will note that the link leads to a different part of the thread. It is only on very rare occasions that I am able to see entire threads, and this usually applies only to threads that are several years old. To make things more annoying, the other computer I mentioned is set to automatically block cookies, so I can't do any posts here on that computer.
As a result of this, I can only check on your BFF threads at random times and can't comment on them until I get to my computer much later in the day. This means that I have to do it all from memory. This could account for some discrepencies/mistakes/etc.
This also means that since these are posts I did months ago (and judging from the odd spacing and grammar at points, some of which I did while being tired), so it's hard to recall what I was thinking the moment I had written that. I suspect that my water bag comment was based on your comments about muscle movement and fake fur, which wouldn't apply since (at least to my knowledge) the suits used in those movies were "ventilated" and didn't use "fake fur." On a side note, I suggest looking into whether or not the supposed muscles are film grains or artifacts. I only recall the possibility of them being tricks of the light being brought up the last time I was at the BFF, hence my bringing this up.
My memory is vague about the breast issue, but I don't seem to recall your breast comments involving using water; you seemed to be focused on gels and the like. But, as I've noted before, I'm going by admittedly fuzzy memories and could be wrong.
Did you miss my explanation of actually working in a suit myself, for Swamp Thing", and having crew squirt cold water into my suit with Hudson Sprayers? Or did you miss the part of my notes where I said specifically that people can train and condition themselves to endure longer in suits?
This also seems to be due to issues sparked by my BFF-viewing woes and my inability to recall what I was and wasn't thinking while crafting my comments back then are rather compromised. But I'll be a sport and try to second-guess myself. My comment about the bags of ice imply that either I had forgotten about the sprayer or that I was operating under the idea that you were only considering complicated cooling methods. Judging from your comments here, neither of those is what you intended.
I suspect that a similar comment in the thread that seemed to imply amateurs wouldn't have someone train for a long period of time could've played a role as well. I feel that such things are dangerous assumptions to make about "amateur" hoaxers and is exactly the kind of thinking that gets people tricked. After all, the Surgeon's Photograph of the Loch Ness Monster fooled people for decades and although many people disagree over the exact nature of the hoax's construction, they do agree that it's a hoax.
Are you talking about a professional Hollywood hoax or a "two cowboys and a friend" hoax?
I hate to sound difficult, but I'll require your personal definitons of "Hollywood hoax" and "two cowboys and a friend" hoax. Some skeptics think that Patterson, Gimlin, and a third person hoaxed it themselves using a costume (and possibly some grooming/maintenance tips) from people in Hollywood (using Patterson's connections; I think he might've visited Hollywood at one point, but I'm not 100% sure). Which grouping would that fall under?
All of my analysis is pertaining to building suits. I have avoided any consideration of a backstory, and focused on the material skills, processes and techniques of building suits. It's called "focus on the hypothesis". Can a suit appearing like the figure in the film have been made with 1960's suit technology, and if so, how? That's my hypothesis.
I must respectfully disagree with that approach. Researching the events that happened prior to and after the filiming are a must if you are trying to figure out the nature of what's going on onscreen. After all, such information could get you on the right track if an aspect of the film throws you off track without realizing it. Here's an example: Many look at the film and assume that any signs of hoaxers would've been left on the ground. These people don't realize that there was heavy rain hours after. It was so bad that there was flooding and no planes in that area were allowed to fly. This would destroy any and all tracks left on the ground. Yet, days later, Bob Titmus claims to be able to see Patterson's tracks along with those of Bigfoot.
Correct me if I'm wrong here, but isn't your analysis open to the possibility of the filmed subject being a real Bigfoot? If so, wouldn't Patterson's claim of the hair being 2-4 inches long be of importance to you? Likewise, wouldn't the knowledge that Patterson was filming at an odd speed and that the film often has its speed adjusted for play on TV, in films, etc.? This would definitely effect aspects of the film, such as the "smoothness" of the gait.
Not in my Part 4 analysis, found here:
Page 6, Post 144, D foot thread BFF
Due to my BFF-viewing issues, I can't double-check myself. When I get access to another computer, I can double check on this if you'd like. However, I suspect this is due to my computer displaying things differently than the other computer.
2. When did Munns make that statue?"
It was made in 1988, when I worked at Creative Presentations.
Thank you; that definitely rules out Marx or Freeman copying your statue.
"3. What could've inspired the look of the hand casts if it wasn't the statue?"
It's called artistic speculation, based on studying various primate and human hands, and realizing that no fossil hands (or anything below the jaw) exists for Giganto. Read "Other Origins" for how I speculated about the body skeletol design. I just had to make a plausible estimation of how it might look.
Thank you for the input; I'll have to check out that book sometime. However, I should note I was talking about what could've inspired peoples' fake Bigfoot hand designs if they weren't using your statue's hands as a guideline and not what inspired you. I'm guessing that my sandwiching it between two questions relating to you is what caused the confusion and I apologize for that/will keep that in mind for future posts.
I've never attended any Bigfoot conference. I attended one for the Americal Association of Physical Anthropologists (where I met Grover Kranz) in 1988, and when he had his photo taken beside one of my Giganto figures. Perhaps someone made an assumption my meeting Grover was at a Bigfoot event, because he went to them.
Ah. Your theory on the matter sounds likely.
4 way stretch spandex fur was introduced to the industry in the early 1980's by National Fibre Technology of Lawrence, MA. Confirmed fact.
I think I should point out that my comment was made assuming that kitakaze saying "is this some kind of joke" meant that he knew something I didn't.
Just one simple question, if I may. If you were so determined to wonder about me, my motive, and my notes, why not just go over to the BFF and ask me directly? Don't you like going to the source for a direct first person answer? Just curious here.
Personally, it's due to the browsing issues I have with BFF. In fact, I was planning on e-mailing you directly once your notes had finished (after seeing the wisdom in Correa Neto's decision to wait). I'd imagine that others would be apprehensive about joining due to the behavior of the moderators, especially due to the incidents involving Dfoot that occurred not long after you had joined. Since several people at the JREF do post over there and occasionally crosspost ideas from here to the BFF, it may have been assumed that their comments were getting brought up by those people. In fact, that's why I was making my comments on your notes here.
I should also point out that nobody was talking about your notes until a proponent by the name "manofthesea" brought it up here.