The latter case was stated, the first was not. So we have a one to one mapping of titles to paintings.
It must be one to one otherwise when the muse gave the same title to the artist twice then he'd paint a different picture - which is contrary to the given behaviour for the artist (he must always paint the same picture given the same title).
Again, it was not clear from the story that there could be a painting in the art gallery that was not produced in the way you stated. So we have muse, artist, art critic and ... clumsy assistant?
Anything you wish - the point is that now any work you might wish to consider 'art' is in the gallery and as such should have a title. If the collection is complete then you attempts to create a piece of art not in the gallery must fail - by whatever means you attempt.
I don't know where you got the notion of supernatural numbers, not from anything I wrote, that is for sure.
Supernatural is to natural as supernatural numbers is to natural numbers...
How would you mathematically describe the how it feels to eat a peach?
Well that is the crux of the problem is it not? Argument from incredulence ("but I'M A
REAL BOY!")
You could describe the neuro-mechanics and the physics behind it in as much detail as you like and you would not have described how it feels to eat a peach.
Yes. Yes I would. You would just fail to recognise the isomorphism. The fact that the description failed to resonate an emotional reaction in your brain ("but I'M A
REAL BOY!") doesn't change the facts as written down.
Mathematics can describe a group of arbitrary events, but it could never describe a single arbitrary event or the event would not be arbitrary.
Er no... it can sure
describe it - a single arbitrary event would be
isomorphic to a non-arbitrary event.
You need to get your head around the concept of isomorphisms - this is why I introduced the notion of the painting as some drawn out aspect of the natural numbers. It is perfectly natural for a person to draw a visual isomorphism - i.e. if two things look the same they are the same.
You need to disentangle the isomorphic analysis (how the paintings look) from the typographical analysis (how the painting was constructed).
You have hidden two very large assumptions in that question, 1) that anything describable can be described in mathematics and 2) anything undescribable cannot exist. That is not even true of the natural world.
Well your attempts to show that so far are hardly water tight.
Demonstrate the existence of something you
cannot describe. (Of course if you do so you tacitly say you really do not comprehend the paradox being presented here).
And I don't know where you got the idea of illogic having a logic unto its own. Again, not from anything I wrote.
It's there - you just don't recognise the paradox inherent in your own words as you continue to try and say defining the undefinable isn't defining it.
What concept is metamathematical? The supernatural?
It would be as it relates to the physical world.
Again, here is what I said "So the proposition is that there something that cannot even potentially be modelled using mathematical concepts and yet is not arbitrary." So obviously that would include metamathematical concepts.
I would like to know how you would prevent me inferring a mathematical isomorphism for a non-arbitrary supernatural system - I really would.