skyrider44
Muse
- Joined
- Jan 1, 2013
- Messages
- 979
I wonder where Pirie claims that the argumentum ad "so" allows you to substitute your own inventions for what a poster has actually posted.
You appear to have difficulty in understanding the role of analogy in argumentation.
"Divine inspiration"; "mundane explanations". Or, as reality woulde have it, "superstition" and "reality".
Quintessential atheistic thinking.
You need to demonstrate, with actual evidence (rather than, for instance, appealing to the magical), the mere existence of the "divine afflatus" (as distinct from, say, delusion and self-deception) before you can honestly compare it with, or assess its superiority over, reality-based "explanations".
The creators of some of the world's greatest inventions and works of art have already done that.
One wonders why so many "divine inspirations" flatly contradict each other; why so many "revelations" come at the heels of legislative action...
Here you commit the fallacy of one-sided assessment. Pirie writes: "Many of the decisions we are called upon to weigh up have both advantages and drawbacks. The fallacy of the one-sided assessment is fallen into when only one side of the case is taken into consideration. Decisions usually require both pros and cons to be taken account of, and a preference made for the side that wins on balance. To look at one side only is to avoid judgment of that balance." (How to Win Every Argument, Madsen Pirie, pp. 121-122)
It seems here that you are advancing the claim that Messiah is somehow significant because you claim Handel claimed to believe in "divine inspiration".
We were discussing the role of divine inspiration in the creation of exceptional inventions and works of art (or, as you prefer, as an explanation for how such inventions/works of art came to be). We weren't discussing the merits of those inventions and works of art. In any event, the Messiah is "somehow significant" because it is a musical composition of surpassing beauty.
I wonder if you would explain how, in your understanding, a composer's superstitions advance her compositions.
"Superstitions" don't advance "her compositions." Little wonder that you wonder.
Oddly enough, your first mention of Pirie in these threads was to accuse me (incorrectly) of employing his technique of intentionally resorting to logical fallacy in order to "win" an argument. I am curious as to why you think that others "would do well" to practice Pirie's suggested techniques.
Isn't the answer obvious? They would do well to apply Pirie's advice in order to identify and critique fallacious arguments. Of course, if one believes he/she knows more about what Pirie calls "the use and abuse of logic," then there is no reason for he/she to read the book.