I'm wondering if I can ask you to focus a little longer on this issue.
If Mignini, Napoleone, Zugarini, recognize Guede's MO at the Kercher crime scene (there's video of Zugarini and Napoleone greeting Mignini at the crime scene which I find mesmerizing), AND, they know that Perugian authorities (whoever) intervened with Milan just 5 days earlier to free Guede and bring him back to Perugia, that's a big deal. It means they own his crimes. It means they aren't just covering for Guede, they are covering their own asses.
Now, tell me again, what is so compelling about the reasons they gave for claiming they knew immediately that the break-in was staged?
And what
are the reasons they give for the break-in being staged?
There was some BS about glass being on top of clothes in Filomena's room. Not convincing when one looks at a photo on IIP.
Can you explain their theory?
In terms of the police motive for the framing of Knox, Sollecito, and Lumumba, I can offer perhaps three possibilities. I am aware that if they recognized Guede's MO and decided to protect themselves in terms of the release of Guede in Milan, the police could be considered
more culpable.
In an upthread post, I quoted an ECHR decision finding Italy in violation of Article 2 for the early release of a man who had been convicted of rape and murder, who then murdered two women after his early release.
My position is that there is not enough information in this case to be
absolutely sure of which theory of police motive is true. Thus, one may pick a favorite or, in a fanciful quantum-mechanical type of construct, believe that elements of each theory are true.
The three theories I am considering are:
1. Police recognized Guede's MO and, since they were responsible for his release and thus morally responsible for his committing the murder-rape, they had to frame individuals to distract attention from the police involvement.
This theory is consistent with Guede having been a police informant, but it would also apply if Guede were protected by the police because of his previous relationship to a respected wealthy Perugian family or even simply because the police admired his skills as an amateur basketball player.
2. The police recognized that a sub-Saharan African was involved in the crime. They learned that Amanda Knox worked for such a person. Amanda had no lawyer, was in Perugia with her boyfriend the night of the murder, had a key to the apartment, was a beginning speaker of Italian, didn't know her legal rights, and was an American female. She had communicated by phone message with Patrick Lumumba the evening of the murder, in a message that the police could intentionally misunderstand. Therefore, the frame is logical. Why look for the actual perpetrator?
3. The police saw that the window was a break-in; possibly a common method of entry for burglars in Italy and elsewhere. It would be efficient for the police to decide that the break-in was staged and that the murderer and rapist was someone who had been close to the victim. Thus, start with the boys downstairs. Oops, they have strong alibis. Next, the other residents of the victim's apartment. How about Amanda Knox? Amanda had no lawyer, was in Perugia with her boyfriend the night of the murder, had a key to the apartment, was a beginning speaker of Italian, didn't know her legal rights, and was an American female. She had communicated by phone message with Patrick Lumumba the evening of the murder, in a message that the police could intentionally misunderstand. Therefore, the frame is logical and convenient (minimizes police effort). Why look for the actual perpetrator?