I'm interested in seeing just what people are looking for, and the equipment they're using these days. I can understand the "no digital camera" line because the images are way too easy to manipulate, plus depending on the sensors and the electronic shutter methodologies used that interesting aberrations can be created in the camera itself.
Um... it's not all that hard to manipulate film images, either. I do it all the time. And
aberrations will occur with
any lens if the appropriate conditions obtain: lens flare; "ghosts"; chromatic fringing; light-falloff; barrel distortion; etc., etc.
Countless people have mistaken simple lens flare for "ghost orbs", and it's a piece of cake to produce an actual transparent "ghostly" image through double exposure in a dark or dimly-lit room. And if nothing else, the print from a film image can be scanned into a computer, PhotoShopped(tm), and then printed back onto photo print paper.
So I don't really see any particular reason to avoid digital cameras, unless you intend to take really
long time exposures of still images.
Candles for detecting air currents seems kinda old hat, plus a bit dangerous. Cavers would hang a long strip of aluminum foil from the chamber ceiling to measure air flow (some caves "breathe," and watching the foil gave you an idea of the period). I think quarter-mil aluminized mylar would probably work better, plus there's some really handy non-toxic theatrical smoke-in-a-can that would be good for tracking air currents.
Portable -- even hand-held -- aenemometers are available.
The electronic evidence interests me, mainly because I'm wondering just how they manage to pull a discernable signal out of all that noise. I would think something similar to brain-wave analysis, where you hunt for specific frequencies, would be the rage, what with all the FFT and signal-processing packages available for laptops available these days.
Depends on what you mean by "signal". One of my alter-egos is as a music composer, and I have done considerable work in electronic and experimental music. I have built whole series of pieces in which the sound source was nothing more than a white noise generator. By running white noise through a bunch of filters and manipulating the filter parameters you can produce an astonishing range of sounds, pitches, timbres, envelopes, etc.
In other words,
there is no signal hidden in the noise; the signal is being created
from the noise. With enough gear you can get people to believe they are hearing anything from cellos, to drums, to voices in the finished product. Also, there is a natural tendency of the human brain to attempt to organize sustained random input into recognizable patterns. With sufficiently immagative listeners you can get away with less gear and get the same reaction
I'm looking for hardware, not for having a bunch of psychics wander the grounds and then give me their impressions. Yeah, you can play statistical games with opinions, but I'm more interested in things that are quantifiable, rather than qualitative. Of course, I realize that if such a thing had been achieved, then Randi would probably be one million dollars poorer.
The real issue is -- and always has been -- that the subject matter you propose to study ("ghosts") has never been adequately described in quantitative
or qualitative terms. In other words, there is no agreement on what sort of measureable physical parameters might be associated with "ghosts," and so deciding what sorts of things to physically measure is problematic.
If you have the equipment (and the budget) there are all sorts of physical things that can be measured, from temperature variations, to radio waves, to nuclear-magnetic resonance. You could have a seismograph and measure the movements of the tectonic plates. You could use a photovoltaic array to measure the amount of moonlight incident on the scene under scrutiny. You could bring in a mass spectrometer and run a profile of gound water chemistry. . . and on, and on.
None of which will tell you if you have measured a "ghost", since there isn't any agreement on what sorts of things, if any, can be measured about ghosts (if, indeed. there is any such thing as a "ghost" to measure.)
BTW, I'm impressed by the rapid response to the thread, of which I'd rate the responses as 65% serious.
Well, if you've got the cash to blow and you happen to be a techno-geek into equipment for its own sake, I suppose it could be an interesting hobby. But IMO all you will be doing is collecting equipment.
Have fun.