In 2023, Berlin-based artist Sung Tieu opened two shows along the Eastern Seaboard.
Infra-Specter, currently on view at the Amant, Brooklyn, and
Civic Floor, at the MIT List Center. Deftly interweaving sculpture, installation, sound, and video,
Tieu’s work exists equally in the interpretation of facts, testing of realities, discovery of obfuscations, and awareness of social control.
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Rail:... I think it was with the Havana Syndrome, you started to focus on US issues. Do you feel that you have an advantage coming from a different cultural position when looking at information and information systems in the US?
Tieu: I was always interested in the relationship between Vietnam and the US. This has always been influenced by my biographical background and personal experiences. The way information was spread during the war in Vietnam was a crucial aspect that shaped my work, particularly in projects like No Gods, No Masters, (2017) which delves into the research around Ghost Tape Number 10 and psyops and the manipulation of information for military objectives.
Rail: Ghost Tape Number 10 is a manufactured recording of a dead soldier telling people to give up, psychological warfare against Vietnamese people.
Tieu: Exactly. The war in Vietnam has a complex history where there was no singular neutral perspective, neither from the Americans nor the Vietnamese, nor even from the general media. This lack of neutrality fascinated me. Havana Syndrome presented similar qualities. I became intrigued by the sonic attack itself and its connection to concepts of specter, as seen in Ghost Tape Number 10. Additionally,
I was interested in the ambivalence surrounding the nature of the Havana Syndrome, what Havana Syndrome actually is/was and how information about it has been used and manipulated to serve specific political agendas. That ambivalence of information resurfaces within my research about hydraulic fracturing.
Art In Conversation: Sung Tieu with Amelia Saul (The Brooklyn Rail, July/Aug 2023)