"Being an editorial cartoonist is a high-wire act," Rall said.
"If you're any good, you're taking lots of chances all the time.
When you take chances, you fall and you screw up."
How are political cartoonists going to manage? Nobody seemed to have had problems with depicting Shrub as a moron, or a monkey, nor were objections raised over Condie's depictions, but now its a BIG problem...
Has our sense of humor gone political, too?
NPR's Talk Of The Nation had a segment on this yesterday, most all the callers said they did not find the cartoon racist, and identified the deceased chimp as a metaphor for Congress, rather than Obama.
(Which is the interpretation I got on first look)
There's another thread on that in politics. That particular cartoon is not the whole issue--but in typical fashon, the far-left is making it the precedent for all that follows.No, I think that certain groups' sense of humor has gotten a little out of hand. There was recently a political cartoon with two police officers and a dead chimp, with three or so clear bullet holes in it, with the cops saying something to the effect of "who's going to write the stimulus bill now?" Aside from the possible people who are going to take that as racial stereotyping-- and there is some veracity to the claim due to the current use of such stereotypes in certain racist groups, but I don't think that was the artist's intent in this case-- portraying what could possibly be taken as shooting the president in a political cartoon would be a huge jump from hyperbole to outrageous (and possibly threatening) rhetoric. I'm not aware of any caricatures of Bush making it onto big newspapers-- the cartoon I mention was in the NY Post, I believe-- that advocated or made light of shooting him. Caricatures of Obama are going to be made, and people who are sensitive to that need to just get over it (every prez gets it), but the unclear nature of what the cartoon I mention was exactly getting at arguably crosses a line I don't really think is safe to cross here.
That would apply whether it was Obama, W. Bush, Clinton, HW Bush, Reagan, or Carter, by the way. My objection to the cartoon I'm talking about has nothing to to with its obvious partisan message-- people are going to have preferences, that's not difficult to live with (and I thought the terrorist-fist-bump cartoon was funny)-- it has more to do with the placing jokes about shooting presidents on major publications.
The main problem political and other cartoonists are having is the dying or print media. Is there a significant threat to the the freedom of speech of cartoonists? If so, let's see the evidence.How are political cartoonists going to manage?
There's another thread on that in politics. That particular cartoon is not the whole issue--but in typical fashon, the far-left is making it the precedent for all that follows.
The issue is that ANYTHING that accentuates ANY feature of his is going to make the Sharptons and Jacksons stand up and holler "RACIST!"
The ape cartoon was a first indication, event though the statement, in MY mind, was that a trained ape can do better than Congress... (Congress write and votes on spending--even if the President has a hand in it, it belongs to CONGRESS-and has sponsor's names attached. President Obama is NOT a sponsor of the Bill. Additionally, the Pres has no vote in Congress)
So, please stick to the subject, and don't derail.
them.One of the problems is that political cartoons generally involve caricature - deliberately exaggerating facial features. Cartoonists latched on to Kennedy's hair, Carter's teeth, Nixon's ski-slope nose and 5 o'clock shadow. What do you exaggerate when drawing Obama? Okay, his ears. But if you start exaggerating his lips or the width of his nostrils, you're going to be denounced as racist, because once upon a time, you drew black people that way to show them as somehow less than human.
So today, even if there's no racist intent, exaggerating the facial features of a black man is going to draw criticism as being racist.
So is the solution to stop drawing caricatures of Obama? No. The solution is to continue drawing them until seeing them in a non-racial setting becomes the new standard. It'll take time, and the Al Sharptons of the world will howl butthem.
One thing: A really talented cartoonist can be funny and make telling points about Obama without drawing him in a way that can be misinterpreted as racist. Michael Ramirez is one of the best. Here.
And here.
And here.
I remember when Nixon resigned and Ford became president, cartoonists were dismayed. Nixon was so wonderfully caricatureable (is that a word? my spell-check says no), with his ski-slope nose, jowls, five o'clock shadow, heavy eyebrows. Ford, OTOH, was pretty bland-looking; one cartoonist complained, "He looks like the back of my thumb."I generally agree with this and would like to point out that whenever a new president is elected it takes a little while for cartoonists to settle into a standard caricature.