What, you mean the over-the-top
illustration in the London Times? That's called "selling newspapers."
That's an extreme example, but many like it, yes.
It's not that al Qaeda isn't dangerous-- the organization is definitely dangerous-- but that the group is not dangerous in the way that our current leadership is attempting to fight it. The first step in defeating an enemy is to have a clearly defined target, and it should be fairly commonly understood (whether you are conservative, liberal, or some mixture) that the Bush administration has done a poor job of keeping goalposts in place. The movie basically says that, though I'd agree that it says as much using quite a bit of negative hyperbole toward the neocon movement.
Without turning this into a political debate, I'll just point out that this is something that not only those with left-wing agendas have been saying. I wrote it off as such until I listened to an interview with
Victor Gold, who I wouldn't confuse with being liberal (he's a former speech writer for and a friend to GHW Bush). I mean, jeez, even
Pat Buchanan has criticized the Bush administration, and you don't get much more fundamentalist than that. So, yes, the series does take aim at key players in the Bush administration and the neoconservative movement in general. However, to liken it to Michael Moore's BS is over the top.
It doesn't paint al Qaeda as "Arabs in caves" so much as it paints its leaders as charismatic organizers that have worked hard to link several different militant groups into similar purposes and goals. That is what makes al Qaeda dangerous, and the series looks into how these leaders got their start.
The series contrasts that with the neocon movement in that the early neocons similarly organized several similar-but-not-the-same groups toward their own goals, and questions both the rationality of those goals as well as their effectiveness at protecting people from the terrorists. One of the things the series delves into is how they both utilize collective fear of the "unknown" aspects of the perceived enemy, and how that is ultimately detrimental to everyone involved. It's this that I found particularly poignant about the series, because I believe there is a lot of relevance to what they're saying, and because (separate from the series) I think that could be a key aspect of this terrorist organization that could be used to break them down. Like the old saying goes, if the only tool you have is a hammer then every problem starts looking like a nail, and I think what this series does is highlight how the neocon movement seems mostly equipped with figurative hammers in a time when not every problem we're facing with global terrorism is a (figurative) nail.