dafydd
Banned
- Joined
- Feb 14, 2008
- Messages
- 35,398
There is a qualitative rift between my perception and yours. You say there is aesthetic beauty in the patterns obtained from my OP. I, on the other hand, am saying that there is content but no appreciable order. One example will suffice, though there are plenty more in The Genesis Seal.
In the G1 Square, the extreme R-H corner (3x3 group) contains the vertical emergent word for 'light', and the contrasting, horizontal, emergent word for 'thick darkness'. When the text is reversed in the G4 Square (but following the same spiral path), the same 3x3 zone contains 'a ram' in place of thick darkness, and 'life' in place of light. If we regard the ram as a sacrificial animal, there is a clear conceptual similarity between the two pairs of words. They are not just in the same location, they convey the same sort of contrasting ideas.
If you don't accept the improbability of this happening by accident (and I do accept that coincidences happen all the time), then I can show several more examples. As I am sure you will know, by the laws of probability, the odds against them all happening by chance alone is the product of the odds against each of them individually. The trouble is, it must be practically impossible to put real numbers in these boxes.
Now, if you will excuse me, I need to get some sleep.
When you wake up present this anecdotal evidence.
