dafydd post 225 said:
No, you said undiscovered. Give us an example of it being discovered. Bet you can’t.
Kingfisher2926 said:
I have promised to do so, but only when I have had (been given) a chance to present enough information.
dafydd post 225 said:
Nobody is stopping you. The floor is yours.
OK, I shall make a modest start in that direction based on the limited scope offered by the stage reached in presenting background information. But I need to show first the G2 Square.
The G2 view of the Genesis Seal differs only a little from G1, and in a way that is best explained retrospectively (partly in my next post). Here it is, presented ready-made:
Remember those 9 copies of the letter
vav that, in the G1 Square, were constrained to the lower half. Also, five of them occupied a very distinctive ‘Y’ formation placed directly over the square’s vertical diagonal. Well, look now at Figure 4, and the way 8 of those 9 letters have become re-aligned into a meandering formation that looks enough like a Hebrew letter
lamed for it to take that name. Also, remember my post #136, which showed the linear expression:
Behold, a river! constrained to the same vertical diagonal of the G1 Square. In the G2 Square, we now see a meandering formation that may fairly be called the Lamed River. I shall come to other notable content of the G2 Square after I have explained the G1 G2 transformation.
Despite the striking change to the arrangement of eight copies of the letter
vav, no letter in the new square has moved by more than one position from where it was in G1. In fact, only the letters in the central 4x4 zone (partitioned in Figure 4) have moved at all, and then only in a tightly constrained fashion. The initial clue as to how to achieve the transformation is given by the part of Genesis 1:2 where is becomes truncated at the centre of the square. In translation, it reads:
And the spirit of God moved upon the face of the waters. The proper interpretation depends on two extra observations. First, since the Lamed-River formation utilises only the letter
vav, then the same letter might have represented water in a less ordered form in the G1 Square. Then ask: If that is the ‘face of the water’, what might represent the ‘spirit of God’? The intended conclusion I found is the sole letter
ayin to be present in the Genesis Seal, because of its affinity for the number 7, so:
1. This
ayin in initially in position #49 (7x7) in the source text and on the horizontal diagonal of the G1 Square.
2. Ayin is the 16th letter of the Hebrew alphabet, and is also the 16th letter from the point of truncation in the G1 Square.
3. Ayin represents a value of 70 (eg for numbering verses in Hebrew bibles), but is stripped of its trailing zero for other purposes.
Even biblical scholars have noted that the spirit of the number 7 runs much deeper in the creation account than just the number of days in which it is set.
However, these details represent only a ‘clue worth checking’, though there are other reasons for accepting them that I shall come to later. The upshot, however, is that the letter
ayin is meant to be removed from its regular place and migrated, like a spirit over the water, to a position just outside the entrance to the G2 Square. When this letter is first removed it leaves a hole, which then emulates a bubble (another water metaphor) by migrating in the opposite direction. In other words, all letters following the 49th (within the partitioned 4x4 zone) shift one place in the direction of the beginning. When the hole reaches the centre, it is filled by drawing in the letter that was previously the first to be excluded by truncation.
Only 16 letters have been required to move, but in a strictly controlled way. Among them are only three copies of the letter
vav, which happen to be the ones that were seen in a striking ‘V’ formation - the upper part of the distinctive ‘Y’. The most prominent outcome is an even more striking new headline image – the Lamed River. But an equally important result is the creation of the word
arba (four), the result of adding the new
ayin prefix to the normally first three letters of the verse. As I explained in an earlier post, if those three letters are isolated, they would mean:
He created.
The new headline image is not the only river to be generated by the G1 to G2 transformation. Towards the upper right, there is now a vertical
parot, the Hebrew name for the River Euphrates. Notice especially how this
parot occupies a complete diagonal of what had, in G1, been ‘
a garden eastward in Eden’ (Gen.2:8). This is a good enough reason to compare what has happened in the Genesis Seal with the text from two verses later, thus:
And a river went out of Eden to water the garden; and from thence it was parted and became unto four heads (Gen.2:10). Why four heads? Probably because the word
arba (four) now overlaps the first word of the creation account, which in turn is based on the root word
rosh, meaning ‘a head’.
After Genesis 2:10, the next four verses name and describe the four new rivers, three of which are now recognisable in the G2 Square. One is, of course, the new Lamed River. Another is the Euphrates, which is the last to be listed in Genesis 2. Another is the perimeter shared by both the G1 and G2 squares, that is named at Genesis 2:11 as
…Pison: that is it which compasseth the whole land of Havilah, where there is gold. As we have seen, the word for ‘gold’ is generated at the point where the last word of Genesis 1:1 loops back onto its first letter, encompassing the text that is added afterwards. Bit by bit, we come to see the mind of the author.
There are two more, notable features that I wish to make plain, without going on to explain their wider purposes. I may do that in later posts. The first is the word
rechem (a womb), the letters of which now occupy the positions of the three copies of
vav that have moved. In other words, this womb replaces the upper ‘V’ portion of the prominent ‘Y’ formation that has now been transformed into the Lamed River. This womb has several roles in presaging later biblical narratives, but even more in explaining aspects of well-known mediaeval literature. Exactly the same points apply to the word
cherev (a sword) that underpins the womb. So, it is fair to mention that the three letters of the womb can also combine as the word for ‘a spear’.
Two special outcomes of the G1 to G2 transformation are worth emphasising. They are both examples of the same principle. One is the emergence of the River Euphrates, in exactly the same position that had previously been the Garden of Eden. The other is the transformation of the headline ‘Y’ shape into both a river, and a womb through which the river flows.
In future posts, I shall be able to describe how many combinations of the features seen in Figure 4 have been the inspiration for later biblical narratives as well as for well-known historical events. First, however, in my next post, I intend to show two ways in which the G1 to G2 transformation has become established in two particular Jewish myths.