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Science-Fiction Stories: What Dimensions?

Tolkien actually discussed this in one of his essays: he said that it's necessary in fantasy to have someone to explain stuff to, because otherwise it makes no bloody sense to the audience.

That's exactly why Dr Who had a companion. In SF or Fantasy, the audience needs a representative in the story. Someone to ask the questions we want to ask. Exposition is essential to both narrative and 'Worldbuilding'. Doing it well is the difficult part.
 
That's exactly why Dr Who had a companion. In SF or Fantasy, the audience needs a representative in the story. Someone to ask the questions we want to ask. Exposition is essential to both narrative and 'Worldbuilding'. Doing it well is the difficult part.

And it's a pretty fine line. Explain too much and it's boring. Explain too little and the reader is lost. I'm only willing to read so far without having a clue about what a xxilfrab is until I can figure it out from context or get an explanation. Then I get impatient, decide I don't give one damn about xxilfrabs, and find something else to read.
 
Realism is just one way of judging the relative merits of SF. The problem is that if a particular piece scores highly in terms of realism, is that piece still SF?


YES!! In fact, I'd say that this makes it far more a work of science fiction than works with a lower standard of realism. Being true to scientific possibility is what makes it science fiction.

As far as I'm concerned, many of the works labelled "science fiction" are actually a form of fantasy-fiction that take place in a high-tech futuristic setting. Take Peter F. Hamelton, for example. In one of his series, he has a plague of spirits of dead people possessing the living, and explains it as having a naturalistic/scientific explanation by use of meaningless techno-babble. Clearly a case of fantasy-fiction posing as science fiction. (And most of the technology in his books is based on wishful thinking rather than scientific theory. Much like the warp-drives, transporters and universal translators in the Star Trek universe, only he takes the wishful-thinking-tech to a whole new level.)

Let's just lump Science Fiction and Fantasy together as Speculative Fiction. As far as publishers are concerned, that's what SF has meant for quite a long time now.
 
So "speculative fiction" would cover the whole spectrum from present-day tech to outright fantasy. It would get around the question of classifying what's halfway in between, what's sometimes called "science fantasy".

I think that a present-day-tech story would qualify as speculative fiction if it featured people being creative with our advanced technology -- technothrillers and the like.

This gets into a genre that may be called periodpunk or technologypunk about people being creative with the advanced technology of various periods.

Stonepunk -- like Jean Auel's stories
Bronzepunk -- Bronze Age, like Pharaonic-Egypt Old, Middle, New Kingdoms
Sandalpunk, classicpunk, ironpunk -- classical Greco-Roman
Castlepunk, candlepunk, middlepunk, plaguepunk, dungeon punk -- medieval
Clockpunk -- Renaissance
Steampunk -- 19th cy.
Dieselpunk -- early 20th cy.
Atomicpunk -- 1950's
Transistorpunk, psychedelicpunk -- 1960's
Spacepunk -- what people imagined space travel to be like in past decades, like retrofuturism

Finally, I can't resist quoting Isaac Asimov on how not to write about cars:
"The automobile came thundering down the stretch, its mighty tires pounding, and its tail assembly switching furiously from side to side, while its flaring foam-flecked air intake seemed rimmed with oil." Then, when the car has finally performed its task of rescuing the girl and confounding the bad guys, it sticks its fuel intake hose into a can of gasoline and quietly fuels itself.
There could be the excitement of a last-minute failure in the framistan and the hero can be described as ingeniously designing a liebestraum out of an old baby carriage at the last minute and cleverly hooking it up to the bispallator in such a way as to mutonate the karrogel.
 

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