BenBurch
Gatekeeper of The Left
Not inherently, no. Only if someone considers them as such.
Annie Sprinkle is an artist.
Not inherently, no. Only if someone considers them as such.
<snip>
No one is being punished unless they violate the statute. I have no interest in separating pornographers from artists. And unless they use naked kids, they will be innocent. Just like the current state of the law with respect to groping.
<snip>
Annie Sprinkle is an artist.
Nice one. Give parents the right to determine whether or not appearing nude in art will be detrimental to the child. Yes, that's eminently sensible. Yes, that should ensure adequate child protection. After all, who's more educated and responsible on matters of psychology than your average parent?! Yes, nice one indeed.![]()
OK - let's see. Let me ask you these questions:
Q1: Was Michelangelo an artist?
Q2: Assuming you've answered yes(!), his works are, hence, "art", yes?
Q3: Assuming you've answered yes(!), this image is intrinsically "art", yes?:
[qimg]http://www.internationalskeptics.com/forums/imagehosting/195334b9bc1a976498.jpg[/qimg]
Q4: If it isn't intrinsically "art" then what, intrinsically, is it, exactly?
OK, let's stop there. You're clearly contesting that Michelangelo was an artist. Clearly not a "worst attempt at logic", but certainly a worst attempt at something else upon which the rest of your argument depends! Need I go on?!This is possibly the worst attempt at logic I've seen in years.
Suppose we answer "Yes", because we do think some of the things Michelangelo produced are art.
So you'd argue the same about a bricklayer, then?!Not inherently, no. Only if someone considers them as such.
So you'd argue the same about a bricklayer, then?!
Very true.
[personal anecdote]
In the 80's I used to work for a four theater movie complex that didn't have mainstream films. They showed a lot of independent films, such as "The Gods Must Be Crazy" before it got popular. We tended to get a lot of "upper class" and "artsy" people in our complex.
One day, I had to change the marquee to "Deep Inside Anne Sprinkle". We had the movie there for several weeks. I took tickets as was being an usher for the movie. We still got the "upper class" and "artsy" people going to that movie too.
[/personal anecdote]
So you'd argue the same about a bricklayer, then?!
Please define "evidence".None of those questions answer the question posed to you.
You claim that there exists art which is art per se. Please support your claim with evidence.
Except that when you consider what principle is at play at the case-by-case level, namely risk of potential not actual harm, ... Isn't staged photography of naked children to un-tested drug X what Thalidomide is to actual child abuse? It was perfectly acceptable until it wasn't?Your example of drug approval is proof of this, not of what you suggest it to be. The FDA was formed in direct response to real harm after clear evidence was available, and in spite of the strong resistance of people who conceded that harm but objected to laws which provided statutory jurisdiction to the government over companies and individuals who were clearly poisoning innocent people.
Not inherently, no. Only if someone considers them as such.
Annie Sprinkle is an artist.
And your opinion would be ...?Very true.
No more than we can trust said parents, but then I never suggested we could, did I?And we know that a panel of moralistic art "classifers" who's knowledge is absoute on this matter, we can trust them can't we?![]()
I would suggest that ignoring context tends to render a discussion futile. I trust you appreciate and accept that, even though you do it.You mean that not all the work done by a bricklayer is necessarily bricklaying? Yes, I'd argue that. A bricklayer may dabble in stone masonry, may have a tough year and have to work a shift at Mecdonalds making Big Macs.
Are you trying to suggest that the Big Macs made by a down-on-his-luck bricklayer are actually made of bricks?
Such a long-winded admission that you don't consider Michelangelo an artist.The only way to define a bricklayer is by looking at whether he lays bricks (and whether "bricklayer" also requires laying bricks to be his profession), and the only way to define Michaelangelo as an artist is to define what he produces as art. Or perhaps if his intent is to produce art, even if what he produces isn't.
Your logic in those questions is out-of-order at best, circular at worst...and besides the point, which is what the definition of art is. You claim it has intrinsic qualities so you don't need such circularity, you just need to define those qualities objectively (and they need to be agreed upon as fairly irrefutable) so we can see why/when porn isn't art and why/when La Pieta is. This should be a slam-dunk, and an eternal one at that, if you can do so.
Or in other words, if someone answers Q1: "Is a pornographer an artist?" With "Yes", then by your argument his creations are art.
Such a long-winded admission that you don't consider Michelangelo an artist.
You do?! I see. So, by definition, then, what Michelangelo produced is art, regardless of what it is or how it looks, right? That's what "artists" do, afterall, isn't it, produce "art"? So, given this undisputable line of reasoning, what is it, intrinsically, about Michelangelo's works that makes them "art"? It must, surely, by your own admission, simply be that they were produced by an "artist", mustn't it? Which brings the answer to the question regarding what is art round to looking not just at what is created but also at who is producing it, or rather the inherent talent or abilities of such a person. Hence "art" is simply not in the eye of the beholder, but relies for its classification on some inherent human characteristics that maybe distinguish artists from non-artists, or at least define the qualitative aspects of art from a creation perspective as opposed to a created. Yes, we're all "artists" to a degree, I confess; we can all create things that we'd like to call art, and indeed could, in many cases, legitimately call art. But is it all really "art", or at least worthy of being called "art"? Well much comes down to the degree of skill needed to create it. I know you'll disagree, but paint thrown randomly onto a canvas qualifies as art to the same extent as my sneezing qualifies as an earthquake. If people are prepared to pay good money for such emperor's clothes more the fool them (unless, of course, they're simply speculative investors, in which case good luck to them).I do, and I consider porn-makers artists. So I guess porn-makers are artists! Glad we could resolve this question.
You do?! I see. So, by definition, then, what Michelangelo produced is art, regardless of what it is or how it looks, right? That's what "artists" do, afterall, isn't it, produce "art"? So, given this undisputable line of reasoning, what is it, intrinsically, about Michelangelo's works that makes them "art"? It must, surely, by your own admission, simply be that they were produced by an "artist", mustn't it?
Which brings the answer to the question regarding what is art round to looking not just at what is created but also at who is producing it, or rather the inherent talent or abilities of such a person. Hence "art" is simply not in the eye of the beholder, but relies for its classification on some inherent human characteristics that maybe distinguish artists from non-artists, or at least define the qualitative aspects of art from a creation perspective as opposed to a created.
Yes, we're all "artists" to a degree, I confess; we can all create things that we'd like to call art, and indeed could, in many cases, legitimately call art. But is it all really "art", or at least worthy of being called "art"? Well much comes down to the degree of skill needed to create it. I know you'll disagree, but paint thrown randomly onto a canvas qualifies as art to the same extent as my sneezing qualifies as an earthquake. If people are prepared to pay good money for such emperor's clothes more the fool them (unless, of course, they're simply speculative investors, in which case good luck to them).
You do?! I see. So, by definition, then, what Michelangelo produced is art, regardless of what it is or how it looks, right? That's what "artists" do, afterall, isn't it, produce "art"? So, given this undisputable line of reasoning, what is it, intrinsically, about Michelangelo's works that makes them "art"? It must, surely, by your own admission, simply be that they were produced by an "artist", mustn't it?
Which brings the answer to the question regarding what is art round to looking not just at what is created but also at who is producing it, or rather the inherent talent or abilities of such a person. Hence "art" is simply not in the eye of the beholder, but relies for its classification on some inherent human characteristics that maybe distinguish artists from non-artists, or at least define the qualitative aspects of art from a creation perspective as opposed to a created.
Yes, we're all "artists" to a degree, I confess; we can all create things that we'd like to call art, and indeed could, in many cases, legitimately call art. But is it all really "art", or at least worthy of being called "art"? Well much comes down to the degree of skill needed to create it. I know you'll disagree, but paint thrown randomly onto a canvas qualifies as art to the same extent as my sneezing qualifies as an earthquake. If people are prepared to pay good money for such emperor's clothes more the fool them (unless, of course, they're simply speculative investors, in which case good luck to them).