hugh farey
Muse
- Joined
- Apr 20, 2013
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- 506
To be fair, there are many that don't.Funny, sindonists claim that the artist must have been better than da Vinci. .....![]()
Yes. I agree with that absolutely.The Church was the richest and most powerful entity in Europe at that time, but it was far from united. There were bitterly warring fractions, even at exactly the time of the shroud two competing Popes. The Church people did not (usually) fight with swords, but with murder, assassinations, deceit, and intrigue. On the side, secular kings, nobles, warlords, etc were waging bloody local wars, while at the same time trying to be on reasonable terms with the Church. Human life and dignity, and the truth were all extremely negotiable values.
Also true. But there's no doubt it was a high quality bit of cloth, not so much in the weaving, which required quite an elaborate loom and setting up but was fairly easy after that, but in the fineness of the thread, which was virtually unknown then, and still is. I had hoped to commission an accurate reproduction of the weave (that's how I know how expensive it is!), but linen at 30 threads per cm is impossible to obtain, at least in Europe.The fabric of the shroud was indeed very valuable at the time*), but that's no guarantee whoever used it had actually paid for it. Or else, whoever donated it might have been promised an easy passage to Heaven in return.
Also true; but very few of the shrouds of which we have mention refer to any image at all. The 'authenticity' of a relic seems to have depended far more on its credentials than on what it actually looked like. So if the Shroud was intended originally as a 'relic' it did not need an image (but it has got one), but it did need episcopal credentials (which it didn't have). It is interesting that although the pope insisted that the cloth be displayed without sanctification and with a bold pronouncement that it wasn't real, he did allow it to be displayed at all, as if he thought it wasn't just a money-making forgery.The artist might not have been overly concerned with authenticity: Few people would have the slightest notion of how an authentic shroud might look, so the important part was that it be recognized as the shroud of JC, which meant that the image should look like the person on the crucifix next to it in the church.
I find it difficult to condemn d'Arcis as an out-and-out liar. That is, of course, the view of a great many who think the Shroud authentic, and it seems true that his cathedral had just fallen down...The immediate denouncement can very easily come from a competing fraction, which would, of course, hardly be happy if the competition owned the most sacred relic one could think of.
That, of course, means that we can hardly take d'Arcis as much more evidence than any disgruntled competitor, but it is, at least, the very first documented mention of the shroud's existence.