Susheel
Illuminator
Hans,
- What are those other ways?
- Do they seem as likely as the imprint of a real dead body?
So, have you proved that the imprint on the "shroud" is that of a 2 millennia old "real dead body"?
Hans,
- What are those other ways?
- Do they seem as likely as the imprint of a real dead body?
- What are those other ways?
- Do they seem as likely as the imprint of a real dead body?
Hans,
- What are those other ways?
- Do they seem as likely as the imprint of a real dead body?
Hans,
- What are those other ways?
- Do they seem as likely as the imprint of a real dead body?
Sherman,Here's one. Joe Nickell was able to make a near-duplicate of the Shroud by stretching a cloth over a solid, bas relief of a face and daubing it with powdered dye from a blunt brush. the bas relief, being flatter, provided the distortion that a 3D sculpture doesn't, and the daubing, rather than painting, resulted in a fuzzy, faint image due to the places where the cloth didn't cling closely to the hills and valleys of the sculpture.
Here's one. Joe Nickell was able to make a near-duplicate of the Shroud by stretching a cloth over a solid, bas relief of a face and daubing it with powdered dye from a blunt brush. the bas relief, being flatter, provided the distortion that a 3D sculpture doesn't, and the daubing, rather than painting, resulted in a fuzzy, faint image due to the places where the cloth didn't cling closely to the hills and valleys of the sculpture.
That example was cited in the previous part of this thread. Jabba handwaved it there too.For someone who supposedly has studied this topic for years, you sure don't seem to know anything about it.
Sherman,
- Yeah -- but, it wasn't a very close duplicate. Given all the intricate characteristics of the image and stains, do you think that a bas relief would be a more likely explanation than an actual dead body?
Sherman,
- Yeah -- but, it wasn't a very close duplicate. Given all the intricate characteristics of the image and stains, do you think that a bas relief would be a more likely explanation than an actual dead body?
Sherman,
- Yeah -- but, it wasn't a very close duplicate. Given all the intricate characteristics of the image and stains, do you think that a bas relief would be a more likely explanation than an actual dead body?
Hans,
- What are those other ways?
- Do they seem as likely as the imprint of a real dead body?
Sherman,
- Yeah -- but, it wasn't a very close duplicate. Given all the intricate characteristics of the image and stains, do you think that a bas relief would be a more likely explanation than an actual dead body?
Sherman,
- Yeah -- but, it wasn't a very close duplicate. Given all the intricate characteristics of the image and stains, do you think that a bas relief would be a more likely explanation than an actual dead body?
Yes, because the image is a 2-D projection of a purported 3-D dead body. A bas relief would do this quite nicely, whereas a dead body would not. This has been explained to you repeatedly.
Now how about you provide some evidence that the shroud is old enough to be authentic?
Hans,
- What are those other ways?
- Do they seem as likely as the imprint of a real dead body?
Sherman,
- Yeah -- but, it wasn't a very close duplicate. Given all the intricate characteristics of the image and stains, do you think that a bas relief would be a more likely explanation than an actual dead body?
Zooterkin wroteSo, have you proved that the imprint on the "shroud" is that of a 2 millennia old "real dead body"?
Has anyone ever produced an imprint of a real dead body? People have certainly produced images on cloth in a number of ways.
Regardless, it makes no difference to the age of the cloth. What evidence do you have that the cloth is 2000 years old?
Has anyone ever produced an imprint of a real dead body? People have certainly produced images on cloth in a number of ways.
Regardless, it makes no difference to the age of the cloth. What evidence do you have that the cloth is 2000 years old?
Garlaschelli reproduced the full-sized shroud using materials and techniques that were available in the middle ages.
They placed a linen sheet flat over a volunteer and then rubbed it with a pigment containing traces of acid. A mask was used for the face.
PIGMENT, BLOODSTAINS AND SCORCHES
The pigment was then artificially aged by heating the cloth in an oven and washing it, a process which removed it from the surface but left a fuzzy, half-tone image similar to that on the Shroud. He believes the pigment on the original Shroud faded naturally over the centuries.
They then added blood stains, burn holes, scorches and water stains to achieve the final effect.
In 1543 John Calvin, in his Treatise on Relics, wrote of the shroud, which was then at Nice (it was moved to Turin in 1578), "How is it possible that those sacred historians, who carefully related all the miracles that took place at Christ's death, should have omitted to mention one so remarkable as the likeness of the body of our Lord remaining on its wrapping sheet?" In an interpretation of the Gospel of John[20:6–7] Calvin concluded that strips of linen were used to cover the body (excluding the head) and a separate cloth to cover the head.[45] He then stated that "either St. John is a liar," or else anyone who promotes such a shroud is "convicted of falsehood and deceit".[45]