Quite frankly, I think Moore's films are filled with ambition - his own. He is an opportunist and a populist and has carved himself out a lucrative career using these traits. I also think you are way overreacting. Pointing out serious social problems in your civil society - even in the manner that Moore does - is not the same thing as abandoning all personal responsibility.
But then again, I live in a country where there is still some lingering belief that governments are capable of serving citizens. If the government doesn't do anything for you, it's not much of a social contract and you've sold your liberty rather cheaply.
The problem is that he always has a signifigant aura of blame. The social problems of each film
always, without question, have to be pinned on someone.
I enjoyed BFC, showing the mania that existed in America, and the mundane lives of the youth, until he went did that ridiculous montage with the Armstrong song, which served absolutely no purpose apart from going 'Boo! Hiss! Foriegn policy'. Ending with 'Bin Laden uses his expert CIA training to kill 3000 people' was simply thick. No, Bin Laden killed 3000 people, not the CIA. Then trying to blame Kosovo on the shootings, then the missile factory (Which transported the weapons at night btw) was just asinine, and hijacking the shooting to blame the US government, not the US society.
Then it ended with Heston's home and he showed him the picture of the girl. I mean, Heston didn't kill the girl. He was simply an insensitive twat, who, for all we know, actually didn't know that the girl was shot in that town, and felt terrible after the fact. It was simply a 'Ha! Take that you rich sucker!'. And Heston has guns in his home? So what? As much as I dont wish to sympathise with Heston, he was an old and sick man,
and he invited Moore into his home, and Moore just treated him like ◊◊◊◊.
F9/11... well, again, he blames the US for killing this woman's son. And Moore simply, clearly abuses her grief for his own political gains. Why? Because I can assure you that for every woman who weeps at the loss of her son in Iraq, and blames the government, there is another proud mother whos child died, who champions the war and supports Bush. If Todd Beamer's father wasn't the raging supporter of the war he was, do you think Moore would abuse Beamer's hypothetical anti-war stance? You know he would. But because Mr Beamer is a republican supporter, Moore wouldn't touch him with a bargepole.
Problem is D'rok, that Moore
always has the government, foriegn policy or a beverly hills pad to blame, and ends with the little people always being oppressed by the former. I mean, how patronising is that? What about the duties and responsibilities in
our society? Why should the government do all the work for us?
That, is why I say his films represent a poverty of ambition.
They aren't documentaries, they are propaganda, plain and simple. It's like a 30Million dollar 'Loose Change' film.