Dr. Trintignant
Muse
- Joined
- Mar 24, 2007
- Messages
- 745
Taffer said:Softer then some, though, as he does speculate a bit more on the progress of tech (the Hell class weapons, inertia modification, the neutron star Hades, etc.). He also had particularly "alien" aliens. The Pattern Jugglers, for example.
Indeed. I like how for every alien species encountered, there was an explanation of why contact was made when it did. In the case of the Pattern Jugglers, it was because they were not a spacefaring species. In the cases of the Inhibitors--well, you know why (don't want to spoil things for the others). None of this Star Trek mumbo-jumbo where every alien race seems to magically be within a few decades, technology-wise, of the others.
Even though many of the technologies are highly speculative, there is always a trace of real science to them, and the technologies always play a core role in the plot. The main example of this is of course how, since there are no warp drives, one must account for the multi-decade journeys between stars. Acceleration loads also play a crucial role.
Thanks for the other suggestions. I think I've read almost all of Reynold's stuff, including Diamond Dogs/Turquoise Days (shouldn't you have guessed that from my username
Dr Richard said:As the series progresses, the books get "softer" and by the definition given above, ultimately turn into space opera - acausal weaponry anyone? loved Absolution Gap, right up until the ending...
Well, I'd say there was always an element of space opera--ancient galactic-wide wars, anyone? And I agree that they became more speculative. But just the same, the technologies were always tempered by a bit of truth, and they were always crucial to the plot, rather than a deus ex machina. So in that sense I'd say they remained hard SF.
- Dr. Trintignant