What a sick little puppy.
Didn't he notice that the men in the TinaCart1 video reacted differently than did the women? Little details like that are a problem. KT is out of touch with human beings. If ever there was proof that twoofers spend their lives in a basement, this guy is it.
He doesn't even know diddly about video cameras. He mentions that the man walking in front of the camera messed up the blue screen effect, when what we see is an automatic function of a camera trying to change focus and exposure to capture a darker, closer target. Of course the picture is going to be washed out when that target is no longer in line of sight.
Then there is the issue of the man referring to "another jet," which KT takes to be evidence of fakery, thinking that there was no way that he could know that the first strike was from a jet. There had, as I recall, been comments on the news about there being a jet involved in the first strike, some of the news talking heads discussing it as the second came in.
His making a big point of the point at which the camera was pointed is also kind of stupid. Did he flunk out of high school art class? There is this little concept in composition called "balance." Artisticly, that was a good composition, showing both static and dynamic balance.
He has, so far, shown more talent as a film critic than as a forensic videographer, and you can see from his criticism of the composition how good a film critic he makes.
On another point, he claims that Clark, Staehle and TinaCart use pictures taken from the same location, but his proof is of the same quality. They just look to an amateur as though they were shot from the same roof. But, when you over-lay the Staehle and Clark photos, with WTC 7 anchoring them to show that they were from the same distance, It becomes obvious that they were not even shot from the same altitude.
Maybe the easy way to solve that question is to ask someone involved with the NYC arts scene to trell us where Wolfgang Staehle set up his camera. We already have an exact address on Clark's vantage point.