The Odd Emperor said:
Naa; I don’t think that correct. You’re making an assumption that no human (in a costume designed to mimic the look of a non-human) could possible have the limb proportions in the Patterson film. That’s a huge--big mofolken assumption. Anything can be faked.
>snip<
"One of the things that Morris is quoted as saying is that the way to make the arms in the suit look longer than human arms is to extend the gloves of the suit on sticks.
Many people have noted that the arms of the creature in the film look unusually long, almost as long as its legs. Some, including myself in 1968, have published estimates of their length. No one went on to deal with the question of how human arms could be extended to match the extra length and what such an extension would look like.
There is no way to establish for certain if any of the dimensions estimated for the creature in the film are accurate, but what can be established with reasonably accuracy is the length of the creature’s legs and arms in relation to one another. From that ratio, which anatomists call the “intermembral indexâ€, it is simple to calculate how many inches must be added to the arms of a man of known size in order to make his arms long enough to fit the supposed suit.
In my own case the answer turns out to be about 10 inches. But in order for the arms to bend at the elbow, which they plainly do in the movie, all of that extra length has to be added to the lower arm.
The result, in my case, is about 12 inches of arm above the elbow and 29 inches below it—almost as much of a monstrosity as Edward Scissorhands.
The creature in the movie has normal-looking arms. Many issues in the long debate about the movie remain unresolved—what the film speed was, whether a man could duplicate the creature’s unusual bent-kneed walk, whether its behavior was normal for an animal, whether the tracks left on the sandbar could have been faked, and so on—but all of them turn out to have been irrelevant to the main issue. It cannot be a man in a suit.
My measurements of the film, made 36 years ago, gave the creature arms that were 30 inches from the shoulder to the wrist and legs that were 35 inches from the hip to the ground. My own measurements are about 24 inches from shoulder to wrist and 40 inches from hip to ground.
Only the ratios of the measurements matter, the actual size of either the human or the creature makes no difference, and the ratios for creature and human are so much different that precise accuracy of the measurements is not significant either.
The much ridiculed Patterson-Gimlin film does not show a man in a suit.''
>snip<
--------------------------------
By Jeff Meldrum Ph.D.
Associate professor of Anatomy & Anthropology Idaho State University Pocatello, Idaho
It has been obvious to even the casual viewer that the film subject possesses arms that are disproportionately long for its stature.
John Green is a veteran researcher into the question of Sasquatch or Bigfoot. He was among the first to view the film captured by Patterson and Gimlin and has studied it intensely in the intervening years. His recognition of the significance of the unhumanly long arms of the film subject is a point that has not previously been articulated in such a straightforward manner. It is such a fundamental observation that it is considered a breakthrough in assessing the validity of this extraordinary film.
Anthropologists typically express limb proportions as an intermembral index (IM), which is the ratio of combined arm and forearm skeletal length (humerus + radius) to combined thigh and leg skeletal length (femur + tibia) x 100. The human IM averages 72.
The intermembral index is a significant measure of a primate's locomotor adapatation. The forelimb-dominated movements of the chimp and gorilla are reflected in their high IM indices of 106 and 117 respectively.
Identifying the positions of the joints on the film subject can only be approximate and the limbs are frequently oriented obliquely to the plane of the film, rendering them foreshortened to varying degrees. However, in some frames the limbs are nearly vertical, hence parallel to the filmplane, and indicate an IM index somewhere between 80 and 90, intermediate between humans and African apes.
In spite of the imprecision of this preliminary estimate, it is well beyond the mean for humans and effectively rules out a man-in-a-suit explanation for the Patterson-Gimlin film without invoking an elaborate, if not inconceivable, prosthetic contrivance to account for the appropriate positions and actions of wrist and elbow and finger flexion visible on the film. This point deserves further examination and may well rule out the probability of hoaxing.
Dr. Meldrum is an expert in primate anatomy and locomotion. He recently coedited, From Biped to Strider: The Emergence of Modern Human Walking, Running, and Resource Transport. "
http://www.bfro.net/news/challenge/green.asp
The film was not tampered with, so that rules out some other types of fakery. There were no computer graphics in 1967, and those aren't hard to spot today. A spokesman for Disney studios said they wouldn't even attempt t build a suit; they would have animated it. It was also stated they were the only ones with the facillities to pull off such a thing and they didn't do it.
Has anyone see Harry and the Hendersons? Disney animation in the '60's?
What disagreement is there among "Bigfoot experts" about what the film actually shows? Citations, please.