proudfootz
Muse
- Joined
- Apr 4, 2014
- Messages
- 957
Belz...
Much of the "MJ" problem seems to be a homonym conflation. The noun phrase Mythical Jesus may refer to the study of something that indisputably exists as ink on the page: the main character in the New Testament who performs arguably mighty deeds, conquers death, and awaits his Dad's nod to come back to Earth and whoop the Roman Empire's butt.
The same noun phrase, Mythical Jesus, may also refer to the antithesis of the Historical Jesus thesis. The HJ thesis is what Bart Ehrman espouses, that when Paul reports that he saw a ghost (a pneuma being), Paul thought that it was the revenant of an actual flesh-and-blood Jewish man who had recently died, some of whose surviving associates Paul had dealt personally with, and that there actually was just such a man.
What stuns me is that some people can read an author like Frazer, even quote Frazer to the effect that he means one homonym rather than the other, and then say that Frazer is writing about the other homonym anyway.
It's the same thing with atheist. One homonym means not worshipping the locally accepted gods (as in "Clement, the Bishop of Rome, was called an atheist by his contemporaries"). The other means rejecting the existence of whatever divinity is on offer (as in "Richard Dawkins is a well-known atheist author"). Conflating the two homonyms would lead to absurdities like
X The "Five horsemen of atheism" are Richard Dawkins, Samuel Harris, Daniel Dennet, Christopher Hitchens, and Clement of Rome.
It would, except that few people dig up obsolete and absurdly inapplicable meanings of nouns to argue about serious current controversies.
I agree that in order for the conversation to be a little more fruitful it would be good to come to some sort of definition of terms.
In my view an HJ hypothesis would entail there being one individual upon whom the Christ story was based.
An MJ hypothesis would be one where the Christ myth was not based on any particular man, and this would include narratives that were a pastiche of several real persons as window dressing.
