eight bits
Graduate Poster
- Joined
- Sep 5, 2012
- Messages
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Olowkow
There's a separate thread for Zealot ("Has anybody read...?").
Bandit Jesus has surfaced here. Aslan is a Muslim these days. Islam contributes about one-third of those living people who profess a faith-related commitment to a historical Jesus. Bandit prophets present no doctrinal difficulty for Islam. In the Koran, God thoughtfully specifies the prophet's share of the loot.
The Charismatic Outlaw is an archtetypal figure. Marlon Brando opened and closed his career with these roles. Paul Newman played two examples, both Jesus-figures, Butch Cassidy (from a film that owes a great deal to The Gospel according to John) and the title character of Cool Hand Luke (a more synoptic treatment of Jesus-in-modern-dress).
Archetypal Jesuses are suspicious of non-historicity. Although people do conceive of themselves as (identify with) this or that archetype, they reliably aren't any such thing really. People are also prone to misperceive others archetypally, but other people reliably aren't any such thing really, either. As Reza Aslan himself says,
"The great Christian theologian Rudolf Bultmann liked to say that the quest for the historical Jesus is ultimately an internal quest. Scholars tend to see the Jesus they want to see. Too often they see themselves — their own reflection — in the image of Jesus they have constructed."
(From the introduction to his book; see the main thread for links and more discussion)
Aslan may think that because his Jesus isn't himself (Aslan is a writing teacher, popular writer and media producer, not an outlaw or bandit chief) that he has achieved something different from other people who claim to find the Real Jesus. But archetypes are the common heritage of all people. Aslan may not be an outlaw, but he has the capacity to feel the lure. There is nothing new about somebody looking in the mirror and seeing an archetypal figure - or wishing that he did.
There's a separate thread for Zealot ("Has anybody read...?").
Bandit Jesus has surfaced here. Aslan is a Muslim these days. Islam contributes about one-third of those living people who profess a faith-related commitment to a historical Jesus. Bandit prophets present no doctrinal difficulty for Islam. In the Koran, God thoughtfully specifies the prophet's share of the loot.
The Charismatic Outlaw is an archtetypal figure. Marlon Brando opened and closed his career with these roles. Paul Newman played two examples, both Jesus-figures, Butch Cassidy (from a film that owes a great deal to The Gospel according to John) and the title character of Cool Hand Luke (a more synoptic treatment of Jesus-in-modern-dress).
Archetypal Jesuses are suspicious of non-historicity. Although people do conceive of themselves as (identify with) this or that archetype, they reliably aren't any such thing really. People are also prone to misperceive others archetypally, but other people reliably aren't any such thing really, either. As Reza Aslan himself says,
"The great Christian theologian Rudolf Bultmann liked to say that the quest for the historical Jesus is ultimately an internal quest. Scholars tend to see the Jesus they want to see. Too often they see themselves — their own reflection — in the image of Jesus they have constructed."
(From the introduction to his book; see the main thread for links and more discussion)
Aslan may think that because his Jesus isn't himself (Aslan is a writing teacher, popular writer and media producer, not an outlaw or bandit chief) that he has achieved something different from other people who claim to find the Real Jesus. But archetypes are the common heritage of all people. Aslan may not be an outlaw, but he has the capacity to feel the lure. There is nothing new about somebody looking in the mirror and seeing an archetypal figure - or wishing that he did.
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