Dr. Tesla, what you don't take into account is that the prosecution had to come up with a 'guilt narrative.' Objectively Amanda and Raffaele's actions that morning are suggestive of innocence. Amanda calling Meredith's phone, calling Filomena, Amanda calling her mother several times, pounding on and trying to break down the door, Raffaele calling his sister and Carabinieri and them inviting the Postal Police in to look when they arrived first with the phones suggest they were trying to raise the alarm about something that concerned them.
However, since the prosecution thought them guilty they had to come up with a way of finding anything that suggested they weren't just two innocents who stumbled across a murder. So they have to try to make anything they can sound suspicious.
The prosecution made a mistake trying to throw too much into this narrative. It is the reason why to this day even the most convinced of the two students' guilt cannot put together a coherent one.
Note what guilters have to do. They need Knox and Sollecito coming to the cottage with a mop on the morning of the 2nd, yet ignore that btoh of them have pretty much alerted the world that something is amiss at the cottage. So undaunted, guilters say that the reason they are there is to continue a clean-up - using a mop which eventually tested as forensically worthless. All this while they had already alerted Filomena, Raffaele's police-officer sister, etc.
And somehow these signs of obvious innocence are made to sound suspicious.
Apparently they did not think Knox let Meredith's phones ring long enough. This was supposed to be a sign she didn't care about Meredith. All this ignores that all those phones include time-stamps and recognizable phone numbers - they act as a "call-back feature".
All this stuff, and more, is thrown into the mix so that something, anything can stick. In the meantime, the cops themselves, Mignini himself, orders that the liver temperature not be taken - so as to cloud forever the TOD. No matter, stomach contents tend to indicate that TOD is way, way before 10 pm.... yet this conflicted with the developing prosecution narrative which was to include late night screams heard from across the street, and heroin addicts in the square.
The prosecution suffered from too much narrative. An ever changing story, which Mignini himself eventually retreated from, pulling Amanda herself out into the hallway to explain the lack of forensics in the murder room.
Sollecito and Knox had exactly two stories - one with mutual alibis that they stuck to for all of but 48 hours in this saga, then 48 hours when they were separated and the cops/prosecution were lying to them about what the other one was saying.
And today, Raffaele himself cites his strength in God for being able to withstand this - he is asked why he will not lie about Knox - withdrawing her alibi - and he says it's because he cannot lie about it. He is her alibi, as she is his.
If this were Filomena and her boyfriend..... where would we be? If this group here contained
Friends of Filomena because she'd been railroaded... maybe for taking her computer from a crime scene, or not crying at the right time, or admitting to Mignini that she "had sinned" by using soft drugs....
.... or that Filomena had so rummaged through her room (cf. John Follain) that it was now impossible to tell if the break in had been staged or not in her very bedroom....
The point is that the prosecution just when with a buckshot approach to a narrative back then, and guilters these days resist a comprehensive narrative of this crime which points to guilt for a reason.
Machiavelli is on record as saying there doesn't need to be one. There just needs to be evidence of guilt. Regardless that the evidence makes no sense.
How long will people defend the prosecution in this?