What does Objectivism say about how to manage commons?
Anyone? Bueller?
Here's an example of what I'm asking. In
The Fountainhead, the Objectivist hero architect Roarke wants no one, not even the clients who are paying him, to have any input into his artistic vision for the buildings he designs. (To his credit, he makes no complaint about the fact that this greatly reduces the number of clients who will hire him.) He shows that he is willing to resort to violence to defend that principle, as well as expecting a trial jury to support his right to do so (which, amazingly, they do).
So who, in Roarke's ideal world, gets to point out that a building he's designed and his client wants to erect, would cast entire adjacent neighborhoods into shadow for half the day, create traffic gridlock for blocks around, lack sufficient handicapped access for its public facilities, overtax the local water, sewer, and electric utility grids, put its occupants into mortal danger in the event of an earthquake or fire, and be a permanent eyesore in the skyline? Who should get to veto the building (or force changes in its design to avoid such a veto, at the cost of compromising Roarke's personal artistic vision) over such issues?
The issues I listed are all commons management issues, and the questions of who (if anyone besides Roarke) should get to decide, and how, are some of the fundamental questions of commons management.
But the novel doesn't come close to taking on those questions. Instead, it presents a parade of villains who attack Roarke and his designs for trivially bad reasons -- traditionalism, inferior artistic taste, and most of all, personal envy of Roarke's superior talent. Showing how Objectivist philosophy prevails over such silly straw obstacles is like showing the superior performance of a car by testing it only going downhill.
Did Rand present a stronger case that actually addresses commons management issues -- that is, the actual hard part of politics -- in some other work? If so, where, and how does it work?
Respectfully,
Myriad