4.1 UntrueNo **** sherlock anoxie. Most of them are beyond controversial more like downright fantasy claim.
Please keep to the thread topic. Thanks.Replying to this modbox in thread will be off topic Posted By: Gaspode
4.1 Untrue
4.2 Actually true, if completely irrelevent.
4.3 Untrue
4.4 Untrue
7. Untrue
8. Untrue
9. Untrue
10. Blatant lie, I've listed many other points
11. Also untrue, even though most of those involved were STURP members or otherwise selected by the RCC
12. Untrue
16. Also not true, the stitching is "similar"
17. Repetition of Max Frei's lies
18. Oh good grief this is just stupid
19. ????
Every one of thse sub-issues has been addressed to a point where any rational person would say they've been adequately dealt with, and you're wrong.Jabba said:1. The scientific PROCESSES surrounding the carbon dating were, themselves, suspect.
Jabba, if you're going to use a Biblical argument you shoudl read the bloody book. The Bible SPECIFICALLY states that the head-cloth was a separate cloth from the rest of the burial cloth--so the Shroud of Turin is about as biblically accurate as "The Life of Brian". And the scientific aspects have been addressed--in brief, we know that the image is faided, the fact that blood was found on the cloth is not proof of anything, the person the shroud covered would have to be about 1/4 inch thick for the shroud to actually cover him, the shroud does not exhibit the paralax necessarily resulting from the image coming from something inside of it, etc. This has all been addressed, and any rational person would conclude that you are wrong.2. The probability that a 14th century artisan would, could and did create such a Biblically, and scientifically, accurate piece of art approaches zero.
- The following is the latest, rough outline of my case. Further breakdowns -- and sources -- will come later.
- I claim that the probability of there being a flaw in the carbon dating is significantly greater than the probability that a 14th century artisan would, could and did create such a Biblically, and scientifically, accurate portrayal.
<drivel>
<snip>
1.4. (something else...)
<snip>
They support your claims with facts and evidence; stop wasting people's time with the same repetitive rubbish.- I claim that the probability of there being a flaw in the carbon dating is significantly greater than the probability that a 14th century artisan would, could and did create such a Biblically, and scientifically, accurate portrayal.
No.1. The scientific PROCESSES surrounding the carbon dating were, themselves, suspect.
We've dealt with this particular pathetic smear attempt already but to reiterate.
Yes. So what?1.1. The protocols to which the involved laboratories agreed were abandoned by the church officials.
Yes and you've been told by whom and why this decision was made.1.1.1. The number of labs involved was reduced from 7 to 3 – one of the labs being eliminated was that of Harry Gove.
Well duh. Three labs, three samples. This is just stupid.1.1.2. The 7 individual samples stipulated were reduced to 3.
Evidence for this claim?. Unlike you I've read all the variations on the sampling protocol and none mention taking multiple samples from the shroud. Justify your claim.1.1.3. The individual samples were supposed to be taken from different areas on the cloth, instead they were taken from one small corner (less than 3 inches by less than ½ inch -- .03% of the entire Shroud).
This was the area used for the 1973 samples.1.1.4. (This corner, and one other corner, would be the worst possible representatives of the greater shroud except for the obvious patches.)
This was a decision made by the cloth's owner, to reduce the amount of material that had to be removed.1.1.5. Only one dating process was used rather than the two stipulated by the scientists.
But they did work under the supervision of other textile experts didn't they?1.1.6. The two persons involved in the actual cutting of the sample did not include an independent textile expert (Madame Flury-Lemberg was supposed to do the cutting).
This was part of the blinding process.1.1.7. No lab reps were permitted to observe the entire cutting and sorting procedures. There were no observers, or video, of the final sorting.
Untrue and irrelevant. Sufficient material was removed for analysis.1.1.8. The overall sample included only 7 square centimeters rather than the stipulated 12½.
Also irrelevant except to the lunatic conspiracy theorists.1.1.9. No real control samples could be provided to the labs – the unique weave of the Shroud precluded the necessary “blindness.”
No he didn't. Something that's already been explained to you multiple times.1.7. But, in 2004, Ray Rogers found 3 major differences between the carbon dating (and Raes) samples and the rest of the cloth.
No.1.8. In 2005, John L. Brown of the Georgia Institute of Technology confirmed Rogers’ findings.
No.1.9. In 2008, a group from the Los Alamos National Laboratories also confirmed Rogers’ findings.
Finally, something that's actually true!! And all the evidence points ot a medieval origin.1.10. Carbon dating is not foolproof, whatever, and is only part of the evidence.
It's not biblically, scientifically or culturally accurate.2. The probability that a 14th century artisan would, could and did create such a Biblically, and scientifically, accurate piece of art approaches zero.
Blatant lie. It's been duplicated several times.2.1. Despite the Shroud being at least 600 years old, and one of the most studied ancient artifacts of all time, it still cannot be fully reproduced, or explained, by modern artists or scientists.
Supply it.2.2. There is significant HISTORICAL evidence that the Shroud existed prior to 1260.
Supply it.2.3. There is significant SCIENTIFIC evidence that the Shroud existed prior to 1260.
No. As you've had explained to you in painful detail all the evidence show's it's a medieval fake relic.2.4. The evidence we have NECESSITATES the conclusion that the image on the Shroud is SOME SORT OF IMPRINT of a recently tortured and crucified human being.
Untrue. And there is no evidence for blood on the shroud.2.4.1. There are scientifically accurate aspects of the image and “bloodstains” of such a victim that a 14th century artisan would not know about, be able to see, be able to depict or have reason to depict.
Yes it is.2.4.2. It is not a painting.
A lie.2.4.3. It includes real blood that was not painted on.
Only in the minds of the desperate believers.2.5. The evidence we have ALMOST necessitates the conclusion that the recently tortured and crucified human body actually WAS that of the Biblical Jesus.
Untrue.2.5.1. This body was wounded precisely as was the Biblical Jesus – in some instances contrary to tradition and art, but consistent with the Bible and science.
Rubbish.2.5.2. In other words, a would-be forger would need to be sociopathic, have an expert’s understanding of the critical passages of the Bible, be willing to ignore accepted traditions and be able to inflict all the appropriate wounds and abrasions.
They aren't. They're a pack of pathetic lies.2.6. If the statements above are true, we are forced to consider the following:
All dealt with already2.6.1. How likely is it that someone would choose to do this?
2.6.2. How likely is it that this person would be able to do it
2.6.3. How likely is it that someone in the 14th century would be able to do it so accurately?
2.6.4. How likely is it that “he” would KNOW HOW TO CAUSE THIS BODY TO LEAVE AN IMPRINT IN THE FIRST PLACE?
2.6.5. How likely is it that he would create such a perfect image on his first try? And,
2.6.6. And, how likely is it that he would resort to multiple attempts?
-
1.4. (something else...)
1.5. (Emotionality and Bias)

- Hey! Hey! Hey!
--- Jabba
1. The scientific PROCESSES surrounding the carbon dating were, themselves, suspect.
1.1. The protocols to which the involved laboratories agreed were abandoned by the church officials.
1.1.1. The number of labs involved was reduced from 7 to 3 – one of the labs being eliminated was that of Harry Gove.
1.1.2. The 7 individual samples stipulated were reduced to 3.
1.1.3. The individual samples were supposed to be taken from different areas on the cloth, instead they were taken from one small corner (less than 3 inches by less than ½ inch -- .03% of the entire Shroud).
1.1.4. (This corner, and one other corner, would be the worst possible representatives of the greater shroud except for the obvious patches.)
1.1.5. Only one dating process was used rather than the two stipulated by the scientists.
1.1.6. The two persons involved in the actual cutting of the sample did not include an independent textile expert (Madame Flury-Lemberg was supposed to do the cutting).
1.1.7. No lab reps were permitted to observe the entire cutting and sorting procedures. There were no observers, or video, of the final sorting.
1.1.8. The overall sample included only 7 square centimeters rather than the stipulated 12½.
1.1.9. No real control samples could be provided to the labs – the unique weave of the Shroud precluded the necessary “blindness.”
Let's stipulate that all these are true. OK, yes.
Now, how does that lead to the 14C data measurements being wrong?
Connect the dots for us. For example, "No lab reps were permitted to observe the entire cutting and sorting procedures. This will cause the 14C data to be wrong because..."?
Or
"The overall sample included only 7 square centimeters rather than the stipulated 12 1/2. This will cause the 14C data to be wrong because...."?
So help me out and explain to me why all these things that you list should cause me to doubt the results of the 14C data. I will concede that the overall sample was reduced to 7 square centimeters. I also know why it was done. Now explain why it matters.
- The following is the latest, rough outline of my case. Further breakdowns -- and sources -- will come later.
- I claim that the probability of there being a flaw in the carbon dating is significantly greater than the probability that a 14th century artisan would, could and did create such a Biblically, and scientifically, accurate portrayal.
1. The scientific PROCESSES surrounding the carbon dating were, themselves, suspect.
1.1. The protocols to which the involved laboratories agreed were abandoned by the church officials.
1.1.1. The number of labs involved was reduced from 7 to 3 – one of the labs being eliminated was that of Harry Gove.
1.1.2. The 7 individual samples stipulated were reduced to 3.
1.1.3. The individual samples were supposed to be taken from different areas on the cloth, instead they were taken from one small corner (less than 3 inches by less than ½ inch -- .03% of the entire Shroud).
1.1.4. (This corner, and one other corner, would be the worst possible representatives of the greater shroud except for the obvious patches.)
1.1.5. Only one dating process was used rather than the two stipulated by the scientists.
1.1.6. The two persons involved in the actual cutting of the sample did not include an independent textile expert (Madame Flury-Lemberg was supposed to do the cutting).
1.1.7. No lab reps were permitted to observe the entire cutting and sorting procedures. There were no observers, or video, of the final sorting.
1.1.8. The overall sample included only 7 square centimeters rather than the stipulated 12½.
1.1.9. No real control samples could be provided to the labs – the unique weave of the Shroud precluded the necessary “blindness.”
1.2. (Statistics)
1.3. (Weight)
1.4. (something else...)
1.5. (Emotionality and Bias)
1.6. There had been no chemical or physical testing to make sure that the sample was truly representative of the greater shroud.
1.7. But, in 2004, Ray Rogers found 3 major differences between the carbon dating (and Raes) samples and the rest of the cloth.
1.8. In 2005, John L. Brown of the Georgia Institute of Technology confirmed Rogers’ findings.
1.9. In 2008, a group from the Los Alamos National Laboratories also confirmed Rogers’ findings.
1.10. Carbon dating is not foolproof, whatever, and is only part of the evidence.
2. The probability that a 14th century artisan would, could and did create such a Biblically, and scientifically, accurate piece of art approaches zero.
2.1. Despite the Shroud being at least 600 years old, and one of the most studied ancient artifacts of all time, it still cannot be fully reproduced, or explained, by modern artists or scientists.
2.2. There is significant HISTORICAL evidence that the Shroud existed prior to 1260.
2.3. There is significant SCIENTIFIC evidence that the Shroud existed prior to 1260.
2.4. The evidence we have NECESSITATES the conclusion that the image on the Shroud is SOME SORT OF IMPRINT of a recently tortured and crucified human being.
2.4.1. There are scientifically accurate aspects of the image and “bloodstains” of such a victim that a 14th century artisan would not know about, be able to see, be able to depict or have reason to depict.
2.4.2. It is not a painting.
2.4.3. It includes real blood that was not painted on.
2.5. The evidence we have ALMOST necessitates the conclusion that the recently tortured and crucified human body actually WAS that of the Biblical Jesus.
2.5.1. This body was wounded precisely as was the Biblical Jesus – in some instances contrary to tradition and art, but consistent with the Bible and science.
2.5.2. In other words, a would-be forger would need to be sociopathic, have an expert’s understanding of the critical passages of the Bible, be willing to ignore accepted traditions and be able to inflict all the appropriate wounds and abrasions.
2.6. If the statements above are true, we are forced to consider the following:
2.6.1. How likely is it that someone would choose to do this?
2.6.2. How likely is it that this person would be able to do it
2.6.3. How likely is it that someone in the 14th century would be able to do it so accurately?
2.6.4. How likely is it that “he” would KNOW HOW TO CAUSE THIS BODY TO LEAVE AN IMPRINT IN THE FIRST PLACE?
2.6.5. How likely is it that he would create such a perfect image on his first try? And,
2.6.6. And, how likely is it that he would resort to multiple attempts?
- Hey! Hey! Hey!
--- Jabba
It's courtroom garbage. He's attempting to cast doubt on the researchers themselves, to make them appear incompatent.
- The following is the latest, rough outline of my case. Further breakdowns -- and sources -- will come later.
- I claim that the probability of there being a flaw in the carbon dating is significantly greater than the probability that a 14th century artisan would, could and did create such a Biblically, and scientifically, accurate portrayal.
1. The scientific PROCESSES surrounding the carbon dating were, themselves, suspect.
1.1. The protocols to which the involved laboratories agreed were abandoned by the church officials.
1.1.1. The number of labs involved was reduced from 7 to 3 – one of the labs being eliminated was that of Harry Gove.
1.1.2. The 7 individual samples stipulated were reduced to 3.
1.1.3. The individual samples were supposed to be taken from different areas on the cloth, instead they were taken from one small corner (less than 3 inches by less than ½ inch -- .03% of the entire Shroud).
1.1.4. (This corner, and one other corner, would be the worst possible representatives of the greater shroud except for the obvious patches.)
1.1.5. Only one dating process was used rather than the two stipulated by the scientists.
1.1.6. The two persons involved in the actual cutting of the sample did not include an independent textile expert (Madame Flury-Lemberg was supposed to do the cutting).
1.1.7. No lab reps were permitted to observe the entire cutting and sorting procedures. There were no observers, or video, of the final sorting.
1.1.8. The overall sample included only 7 square centimeters rather than the stipulated 12½.
1.1.9. No real control samples could be provided to the labs – the unique weave of the Shroud precluded the necessary “blindness.”
1.2. (Statistics)
1.3. (Weight)
1.4. (something else...)
1.5. (Emotionality and Bias)
1.6. There had been no chemical or physical testing to make sure that the sample was truly representative of the greater shroud.
1.7. But, in 2004, Ray Rogers found 3 major differences between the carbon dating (and Raes) samples and the rest of the cloth.
1.8. In 2005, John L. Brown of the Georgia Institute of Technology confirmed Rogers’ findings.
1.9. In 2008, a group from the Los Alamos National Laboratories also confirmed Rogers’ findings.
1.10. Carbon dating is not foolproof, whatever, and is only part of the evidence.
2. The probability that a 14th century artisan would, could and did create such a Biblically, and scientifically, accurate piece of art approaches zero.
2.1. Despite the Shroud being at least 600 years old, and one of the most studied ancient artifacts of all time, it still cannot be fully reproduced, or explained, by modern artists or scientists.
2.2. There is significant HISTORICAL evidence that the Shroud existed prior to 1260.
2.3. There is significant SCIENTIFIC evidence that the Shroud existed prior to 1260.
2.4. The evidence we have NECESSITATES the conclusion that the image on the Shroud is SOME SORT OF IMPRINT of a recently tortured and crucified human being.
2.4.1. There are scientifically accurate aspects of the image and “bloodstains” of such a victim that a 14th century artisan would not know about, be able to see, be able to depict or have reason to depict.
2.4.2. It is not a painting.
2.4.3. It includes real blood that was not painted on.
2.5. The evidence we have ALMOST necessitates the conclusion that the recently tortured and crucified human body actually WAS that of the Biblical Jesus.
2.5.1. This body was wounded precisely as was the Biblical Jesus – in some instances contrary to tradition and art, but consistent with the Bible and science.
2.5.2. In other words, a would-be forger would need to be sociopathic, have an expert’s understanding of the critical passages of the Bible, be willing to ignore accepted traditions and be able to inflict all the appropriate wounds and abrasions.
2.6. If the statements above are true, we are forced to consider the following:
2.6.1. How likely is it that someone would choose to do this?
2.6.2. How likely is it that this person would be able to do it
2.6.3. How likely is it that someone in the 14th century would be able to do it so accurately?
2.6.4. How likely is it that “he” would KNOW HOW TO CAUSE THIS BODY TO LEAVE AN IMPRINT IN THE FIRST PLACE?
2.6.5. How likely is it that he would create such a perfect image on his first try? And,
2.6.6. And, how likely is it that he would resort to multiple attempts?
- Hey! Hey! Hey!
--- Jabba
It's obvious to me that Satan fooled with the instruments to made the date wrong in order to weaken peoples faith.
Occams' Razor!!
A picture of the devil, now that makes a lot more sense.![]()

- The following is the latest, rough outline of my case. Further breakdowns -- and sources -- will come later. ...
It's courtroom garbage. He's attempting to cast doubt on the researchers themselves, to make them appear incompatent. ...
Or corrupt.
That's why I want him to explain how it affects the results.
I want to see who is accusing, and what he is accusing them of doing.