Baloney. All chins do not magically transform to square when shot from a waist high camera. And there are plenty of non-CT photo experts (Malcomb Thompson, Maj. John Pickard) that agree there is something fishy about the chin. Nor is the chin the only obvious anomaly. I've proved the 9 o'clock shadow of the rifle in 133B to be false as well. Deal with it.
Your problem..AGAIN, its that camera angle CAN and DOES change the apparent shape of objects and that alone destroys your claim the chin eliminates Oswald as the subject in the BY photos. As you well know you can't offer any more proofs that the chin is NOT Oswalds, and thus your claim fails as a a proof.
Thompson? Really? Can you show us actual work produced by Thompson to back up his OBSERVATIONS? Of course not. His is simply a statement from authority, with no data to back it up.
Lets look at the expertise of Thompson:
INTERROGATOR. How easy is it to make a photo montage like this, how would people go about it?
Mr. THOMPSON. If one has a background scene, the subject photographed against a white background making it simpler to cut out the subject from the back.
INTERROGATOR. How do you think this photo montage was achieved?
Mr. THOMPSON. The montage could be achieved by a photograph of the background and a photograph of a body against a white background and having been cut away from that white background and then multed as we see, it here and then being in possession of a photograph of Oswald's head, merely mounting that on to the top of the body, stuck down and touched in such a way that your lines are not going to be too, cut and dried between the body and the background and then rephotographed on to a negative and then from that negative of course producing as many prints as you like and possibly rephotographing the print from the negative in order to soften down the background and that would develop each time the photograph was copied.
INTERROGATOR. Is that very easy to do.
Mr. THOMPSON. It is not difficult at all, don't ask me to do it, I am a forensic photographer. The last. thing I would do is to retouch or indulge in any form of montage. My duty would be to present to the court what I know about the ease and illustrate what I know about it in straightforward photography but there are retouchers in many facets of professional photography, they do resort to photo montages, in particular the advertising profession.
INTERROGATOR. Would the investigator agencies in America like the FBI and the CIA have that sort of professional expertise themselves
Mr. THOMPSON. I would hope they don't have it. because it is not part of their duties as forensic photographers to produce anything in court which has been retouched.
INTERROGATOR. Yes; but regardless of your hopes, I am asking whether you believe that the professional agencies in America have that sort of photographic expertise
Mr. THOMPSON. I wouldn't think they have it but most certainly it wouldn't be difficult to get access to it. Every moderate studio in America has its retoucher in the same way as the biggest studios in Britain have their retoucher but in America you do have photographic artists, profession all to itself, and they are spread all throughout the United States, access to one of those persons, its mostly ladies who do it and do an extremely good job in producing from a black and white picture, anything from anything as far as an oil printing from photographs.
INTERROGATOR. How quickly could you make a photographic montage like that
Mr. THOMPSON. I would guess and say that you need at least 4 hours to produce it and that is working hard and possibly a team working at it, not just one man but I have no personal experience of how long it takes.
Now, I have spent the last 30+ years of my working life doing Advertising photography. I've made countless film based composite photos and the same using digital techniques. Can you say that for your "expert" Thompson? Of course not. He tells us "It's not difficult."
Sorry but he is incorrect. Convincing composites are very difficult.
And then of course there is this about Thompson...
"When the HSCA's photographic panel concluded that the backyard photos were authentic, Thompson deferred to the panel on most of the issues concerning the genuineness of the pictures. However, Thompson said he remained troubled by the chin on Oswald in the photos, which is different from his chin in other pictures."
And we now know all about how the chin thing works!
And Pickard...1 hour of viewing bad prints and no testing? Really? That's the expert you want to present? Really?
As to the shadow you have done no such thing. I've seen your statements, and they too are not backed by data, and you clearly are NOT dealing from a position of authority.
Your hand waving is just that hand waving.
Now if you want to try and defend the rest of the silly claims of anomalies in the backyard photos, please continue to parrot them. I'll be quite happy to take them all on.
Deal with it Robert. Your game is over.