“painted on” what looked like a large exit wound: David Lifton says that for this painting to have taken place, the Zapruder film would have to have been “bumped [up] to” a 35-millimeter film and then a “matte artist” would have to have been employed to “draw pictures on what was already there and thus change the configuration of wounds on President Kennedy’s head” (Lifton, “Pig on a Leash, a Question of Authenticity,” in Fetzer, Great Zapruder Film Hoax, p.345).
Another leading alterationist, Harrison Edward Livingstone, who has become quite knowledgeable about the film, and goes considerably beyond Lifton in his analysis, agrees with Lifton on this basic point. He writes, “The film shows the upper right side of the President’s face blowing out—a large, balloon-shaped object,” which he calls “the Blob.” He actually goes on to say that “there is no medical or physical way to explain what is seen in the film other than to postulate that the Blob is drawn onto the film to make it appear that a shot from behind has removed part of his face.” (Livingstone, Killing the Truth, p.77)
Bugliosi; Note to p.506