I think the reason I love this so much is it actually fits with the facts better than the police version of the arrest and release of Patrick. I think that's something forgotten occasionally as it comes up so seldom as it's ground that guilters fear to tread, that whatever guilty motivation is eventually attributed to Amanda about the interrogation, the
real tough work is explaining the actions and motivation of the
police in that scenario.
They have to be so gullible as to fail to notice the oldest trick in the book, the one they're
trained to sniff out, that the suspect might try to place blame elsewhere.
Somehow Amanda has to be able to convince them that her charge against Patrick is a credible one, yet what they get is vague
nonsense. They send seven cop cars out to haul Patrick in, they interrogate him all day, and not only fail to corroborate his alibi they manage to find a 'witness' that the bar was closed instead. That's after they again raced through the streets sirens blaring and announced 'case closed' and that Amanda had 'buckled' and given a version of the facts they 'knew to be correct.' Except nothing was, what they produced before Matteini bore little resemblance to what Amanda had signed.
They also have to maintain this belief in Patrick's guilt despite the vague nature of the statements, that they don't actually match the crime they're going to prosecute, (doesn't even mention the 'staged' break-in!) and Amanda writing later in the day a litany of reasons that she's not sure of any of it and doesn't think she can be used as 'testimone' and wonders who the
real murder(er) is. Then the next day, locked away safely from prying lawyer-types, she writes them that she cannot know who the murderer is because she is sure that she wasn't at the cottage that night. Shortly following their begrudging allowance to let her see a lawyer, her legal position becomes that the statements should be thrown out and that she never left Raffaele's.
Speaking of Raffaele, how come it never occurred to these intrepid investigators that if Amanda was involved in a rape-murder, the most likely suspect for her compatriot is Raffaele
and no other? Why wouldn't they naturally challenge the idea that she doesn't know if Raffaele was with her and automatically go after someone else, almost on her whim, with Raffaele just
sitting there on ice in another cozy little backroom?
How come they never interrogated Raffaele about the events of the murder?
They held Patrick for two weeks after his arrest, about ten days after they knew he had the Swiss professional as well as the twenty
claimed by his lawyer proffering him an alibi. They had that in addition to a full recantation of her statements beginning almost immediately and complete the next day before she even saw a lawyer. Why were they so loath to release him?
So anyone trying to explain the actions of the Perugian police commensurate with an actually guilty Amanda has a number of hurdles to overcome, as their actions belie much of anything outside they wanted Patrick arrested and charged with this crime and were blind to anything but what reinforced that desire.
Seriously, try to imagine the scenario where Amanda gives them Patrick's name in malice and it doesn't occur to them that she might be trying to deflect blame from herself
and Raffaele. They're not going to believe a thing she says anyway, the
Matteini Report (bottom of page) doesn't bear but a casual resemblance to the statements, other than the actors 'involved,' so why would they be so mindlessly devoted to her verity about Patrick? Especially to the point it would never even occur to them she might be trying to protect Raffaele, the guy she's been shamelessly cuddling in public, to the dismay of all Perugia as they'd eventually tell it?